Exploring Watercolor Wet-on-Wet Effects

1/16/2019

*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)

What, exactly, does the term wet-on-wet refer to and how can we use these techniques to create beautiful paintings with watercolor? Do you love watching artists create those awesome washy watercolor effects, but find that things don't end up as expected when you're trying them yourself?

In today's blog post I'll explain what wet-on-wet effects are, how they can be combined with wet-on-dry effects to create awesome paintings, and a few essential tips to apply when using these techniques. I'll also explain how to do different effects like blooms, splatters and runs. Make sure to check out the video included in this post to see me in action!

Wet-on-wet refers to the act of applying fresh paint onto a wet surface or on paint that is still wet rather than onto a dry surface or a layer of paint that has already dried. When using these kinds of techniques, we get colors that blend or intermix with each other. It's important to understand that this painting technique isn't exclusive to watercolors, but can be used with all traditional painting mediums (watercolor, gouache, acrylic, oils) and it can be used in a variety of ways.

First and foremost, when working with watercolors, it's essential to understand that when a paint mixture is placed on paper that is wet (either because it has been pre-wetted with clean water or because a previous layer of paint hasn't dried), the paint mixture will expand, creating a blurred out/fuzzy effect. Opposite to this, when we place a paint mixture on paper that is dry (either because it's a fresh sheet of watercolor paper or because the previous layer has completely dried), the newly placed paint will not expand, leading to sharp looking lines and defined shapes.

This principle is essential to grasp and it's important for beginners starting out with watercolors to know that wet-on-wet and wet-on-dry effects complement each other to create beautiful paintings. By combining them, we're able to create a visually pleasing contrast, bring attention to focal points by adding sharper detail to certain elements, add depth to a piece, and many other things.

It's important for beginners to practice both kinds of techniques, and start giving thought to how they can be used in a particular piece before actually starting the painting process.

Watercolor Cardinal painting by Erika Lancaster. Wet-on-wet techniques in combination with wet-on-dry techniques.

How and when you use wet-on-wet and wet-on-dry techniques in your painting process will depend on what subject you're painting and what effects you're personally going for. Generally speaking though, the first layers of paint should be translucent and paint mixtures should contain more water than pigment. As the painting process moves forward and subsequent layers start being placed, paint mixtures contain less water and more pigment.

Watercolor Winter Landscape painting by Erika Lancaster. Wet-on-wet techniques in combination with wet-on-dry techniques.

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5 Essential Tips to Have in Mind When Using Wet-on-Wet Techniques

1. Use medium to heavier-weight paper with enough tooth/absorbency

Paper makes a huge difference when painting with watercolor and can often be the reason why our wet-on-wet effects don't turn out as expected.

No matter what kind of painting medium we're using, it's absolutely essential to give thought to what paper or support we'll be painting on before starting a piece as this will directly affect both our painting process, as well as its overall outcome. When painting with a water-soluble medium like watercolor, we should use a paper that is intended for this purpose.

This said, when we're planning on using lots of wet-on-wet effects like the ones described in this post, it's best to use a medium (140 lb.) to heavier weight (300 lb.) watercolor paper, as anything thinner will warp and possibly even shred throughout the process. You also want it to have some degree of tooth or texture to it, as this will help ensure that water/paint mixtures will be absorbed when placed upon it.

Watercolor paper can certainly be difficult to grasp, as there are so many different types and formats available. In my blog post/YouTube video Watercolor Supplies for Beginners and Things You Must Know, I go much more in depth into watercolor paper and explain a few other important aspects in regards to watercolor painting supplies.

2. Give thought to the colors you'll be using

Because colors will be intermixing a ton when using wet-on-wet techniques, it's essential to do a bit of planning to ensure that we won't create unwanted hues accidentally.

Though one of the beauties of watercolor is the fact that it has a mind of its own, skilled artists are able to have at least some level of control over the 'chaos'. They have practiced water control and have a good idea of what's going to happen when a certain paint mixture is placed in a specific area, using effects to their advantage.

Skilled watercolor artists have not only become masters at managing the combination of paint and water, but they also know the importance of planning color. This Element of Art is an important aspect behind making a painting look harmonious and balanced. We're also able to create very striking visual effects when planning our color palettes and giving thought to how we'll actually be using it throughout the painting process.

Color shouldn't be an afterthought or something that happens accidentally.

In the video included in this post, you'll see how I create my warm and cool color studies separately. The reason I do this is because I know that when Complimentary Colors mix together, they create grayed out/dull tones. Complementary Colors mute each other out and, in these studies, I wanted my colors vibrant and saturated.

3. Keep your water clean

Using murky water when painting with watercolor is a huge no-no, no matter what kinds of techniques you're using. Dirty water will affect your paint colors and may even make your piece appear dirty.

When working wet-on-wet we're not only using a lot of water, but we're also usually working at a faster pace because we're using the freshness/dampness of an area to create beautiful effects. It's important to ensure that we're not accidentally dipping our paintbrush into dirty water and placing this water on our paper!

I've known of artists that use two or even three cups of water as they are painting. One idea could be to use one glass of water to rinse color off your brush and a second one to dampen it with clean water. Whatever it is you decide to do, make sure you're constantly checking on your water throughout the painting process.

4. Constantly give thought to how much water is already on your paper and how much water is in your brush

The outcome of our wet-on-wet techniques will greatly depend on how wet/damp the specific area of paper is, as well as how thick or watery the paint mixture that we're placing upon it is. I would recommend beginners to practice creating a wide range of paint mixtures, from watery/translucent to thicker/heavily pigmented mixtures, and see what happens when they are placed on slightly dampened paper vs. puddles of water.

In the video included in this blog post, you can see me play around with large puddles of water/paint mixtures. While puddles allow for a lot of exciting movement, they are certainly difficult to control and can lead to unwanted effects like backruns and splotchiness if we're not careful!

Generally speaking, if your paper is already very wet, it would be best to stay away from laying down a very watery paint mixture on it. In principle, for backruns not to happen, you have to make sure that there is less water in your brush than there is on your paper. Another option to avoid backruns and undesired splotchiness would be to allow your paint layer to dry completely before going back in with another color.

If you've wetted your paper too much accidentally, you can always absorb some excess water with a paper towel or with a clean (dry or slightly dampened) brush.

5. Know when to stop

When I was first starting out with watercolor, I didn't understand that watercolor paper can only take a certain amount of 'beating' before it has to be left alone to regain its strength. Even if paper is specially intended for use with water, it's essential to understand that wet paper is fragile paper.

With watercolors, we must stay mindful of when we should stop, as continuing to work over and over on one same area will definitely lead to overworking our paper (even when using the heavier weight variety). Beginners starting out with this medium tend to lay down paint mixture over paint mixture and try to fix mistakes or make changes in one same area, damaging the paper.

When we've made a mistake, it's best to do a bit of gentle lifting when the paint is still wet and then allow it to dry completely. What I like doing, is ignoring my accident for a bit and working on other areas of my painting while that one dries. Other times, I work on two pieces at once and jump back and forth from one to the other, allowing paint layers to dry.

Often, we can make mistakes less noticeable by doing a bit of work in the area once the initial layer has dried. We can add more washes of color, lift some more, or even to a bit of gentle scrubbing at this point.

Check out my blog post titled 5 Common Watercolor Painting Mistakes and How to Fix them for ideas on fixing accidents and avoiding them altogether.

Watercolor Wet-on-Wet Effects and Techniques

Watercolor Wet-on-Wet Techniques

1. Blooms

Watercolor blooms are mesmerizing to watch and are the first thing that comes into many of our minds when we first think of watercolors. These are beautiful gradients in which one color turns gradually into another that has been previously placed. It can also be a gradient of color turning more and more transparent until all we can see is the whiteness of the paper.

To create a bloom effect, wet your paper with clean water or lay down a wash watery paint mixture, and drop a new color right on top of it. To retain the "bloom" effect, you want to lay it down gently and allow the paint to do its thing without going back and attempting to smooth or shift it.

Watercolor orange and yellow bloom

Watercolor blue and green bloom

2. Runs (Controlled + Organic)

Runs are interesting effects that can be used when we're creating an abstract painting, or even when adding abstract elements to figurative painting. They are, quite simply, a stream of paint running off the main area or subject in our piece.

We can create runs completely organically by shifting our paper to a slanted or sideways position while it has a large amount of water on it. Sooner or later, gravity will make the water naturally travel down your paper. If it doesn't happen, consider placing a bit more water in the puddle using your paintbrush, and/or gently tap the paper on your desk in this vertical position.

We can also create controlled runs quite easily by drawing a line of clean water in a specific shape/direction, placing a watery paint mixture at the start of it (the place where our main shape ends and our clean line of water starts), and shifting our paper sideways until the paint mixture starts moving down on its own.

Remember, when using watercolor paper, the paint mixture will naturally expand or move towards the wetness and stay away from dry areas. This is why the paint will naturally travel down the path we've created for it!

Watercolor run in yellow

Watercolor run in blue/green

3. Splatters

Splatters can have very striking results and can be used in a variety of ways. If heavily-pigmented paint drops fall on areas of paper that are wet, you can create mini-blooms! On the other hand, if splatters fall on dry paper, these drops will retain their sharp, circular shape.

It's easy to go overboard with it, though, mostly because it's quite fun to do! So work incrementally and stay mindful throughout the process.

To do this technique, create a watery but pigmented paint mixture, wet your paintbrush (I use a round in size 8 in the video) and gently tap it on another paintbrush in a cross position.

Watercolor splattering technique in warm color exploration

Watercolor splattering technique in cool color exploration

4. Bleeds

Many beginners starting out with watercolors aren't aware of this, but it's easy to soften out stark- looking lines and shapes both while our paint is still wet and after our paint has already dried. One of the techniques we can use to soften lines or create feathering effects is bleeding, which can be easily done whilst our paint is still wet or is in the drying process.

To do bleeding, simply rinse your paintbrush thoroughly and draw a line of clean water right along the outer edge of the shape or line you want to soften out. Because paint will expand in wet areas, the color will feather out into the recently wetted line of clean water you've drawn, creating a softened effect.

This said, one of watercolors characteristics is the fact that they can be reactivated once they've dried! This means that we'll always have the option to go back into an area to soften it out by doing some gentle scrubbing using a clean, damp paintbrush. Of course, certain pigments will be easier to lift and move around than others and it will be almost impossible to go back to the whiteness of our paper, but we'll be able to do at least some level of softening.

It's very useful to swatch out our colors when buying a new watercolor paint set, as this allows us to test out paint characteristics before actually using them in a painting. In my blog post/YouTube video titled How to Swatch Watercolors and Why it's Important, I describe important characteristics and terminology related to this painting medium and take you through my own swatching process.

Watercolor bleeding/feathering effect in red

Watercolor bleeding/feathering in green

*Bonus Effect: Backrun

When we're just starting out with using wet-on-wet effects, are working too fast and/or are not staying mindful of what what's going on, backruns happen. We can avoid backruns by practicing water control, staying mindful of how wet our paper is and how much water our paintbrush has in its bristles.

In essence, backruns can be avoided by making sure the amount of water in our bristles is less that the amount of water that is already on our paper. They can also be avoided by allowing the previous layer to dry completely before going back in with another wash of color.

This said, backruns are one of those things that some artists consider to be absolutely wrong, while others actually create them intentionally to give the impression of specific things in their paintings like foliage in a landscape, etc.

What do you think?

Watercolor back run

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Used supplies:

Arches Watercolor Paper Pad: 10 X 14 inches $15.68

Winsor & Newton Cotman Watercolor Tube Set: 12 pieces $26.25

Royal and Langnickel Watercolor Paintbrush Size 8

Zen All Media Short Handle Round Brush: Size 8 $2.00

Royal and Langnickel Flat Brush Watercolor

Royal and Langnickel Zen Flat Brush 1" - Unavailable

Beginners Guide to Shading Techniques Hatching, Cross-Hatching, Scribbling

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3 Tips to Combine Watercolor and Gouache Like a Pro

1/3/2019

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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)

Confused as to what the similarities and differences are between watercolor and gouache? What are the main things to have in mind when combining these two painting mediums in one same piece in order to achieve the best outcome?

It's no secret that watercolor and gouache can work amazingly well together. This said, it can be difficult to get the most out of their combination if we're unaware of the differences between them, as well as how we can combine their distinctive characteristics to create balanced pieces that allow both of them to shine simultaneously.

Learning tips and tricks from experienced artists can definitely open up our horizons to make our ideas come to life more successfully, and this is why I've asked the amazingly talented Haydn Symons to write a post for us!

In today’s blog post, U.K.-based artist Haydn Symons helps us understand the similarities and differences between watercolor and gouache, and why they are so compatible. He'll also be sharing some of his expert tips that will help us successfully integrate both mediums into one great-looking piece.

Haydn is a skilled freelance illustrator and designer with a vast experience working with watercolor and gouache. Throughout the years, he has developed a very striking art style and currently works with clients worldwide within the editorial, publishing and advertising spaces.

Though watercolor and gouache are his favorite painting mediums, Haydn is a multi-passionate artist that constantly explores different drawing and painting techniques, which is something I really believe in myself.

Without any further ado, let’s get into Haydn’s blog post!

Make sure to visit his website to check out more of his amazing work and follow him on social media. Links will be provided at the end.

3 Tips to Create Amazing Artwork Combining Watercolor and Gouache

Combining watercolor and gouache can be a hard nut to crack, especially if you’re new to either of these painting mediums or to the world of art. In this post, I'll be sharing the main similarities and differences between them, as well as why they are perfect for each other. I'll also be providing three pro tips to keep in mind when using both of these painting mediums in one same piece.

If you want to level up your use of gouache and watercolor, look no further than this blog post!

Similarities and Differences Between Watercolor and Gouache

The main similarity between watercolor and gouache is that they are both water-soluble. Both of these painting mediums can be reactivated with water once they've dried. On the other hand, when we work with acrylics or oils, we can certainly lay down subsequent layers of paint to add to or further enhance the look of previous layers, but it will be impossible to modify the layers in and of themselves once they've dried.

In terms of differences, watercolor is transparent, while gouache is opaque. Most of the time (depending on the thickness of the paint layer), when watercolor is placed on paper, we're able to see the underlying paper through the paint. Conversely, when gouache is placed on paper, its thickness and opaqueness covers up the surface fully unless it's been heavily diluted with water.

Check out Erika's Watercolor vs. Gouache blog post to see examples of the same subject painted with both mediums.

Same pear painted with both watercolor and gouache. Illustrations by Erika Lancaster.

Many famous artists have used gouache to produce ground-breaking work, from Edward Hopper and Henri Matisse to Paul Klee. Famous watercolor artists include J. M. W. Turner, John Singer Sargent to Vincent Van Gogh, just to name a few.

Matisse’s famous paper cut outs were created using gouache!

I love painting all kinds of subjects (portraits, landscapes, etc.) integrating both of these mediums, as they mesh together so well. I’ve become quite addicted to combining them!

Check out this book cover illustration of mine, as an example.

Combine These Two Painting Mediums Effectively By Doing the Following

Even though watercolor and gouache can work very well together, to create balanced and visually striking artworks, it's essential to have in mind a few things that will ensure we're playing to each of their strengths. We want the two mediums to complement and enhance the other harmoniously, and develop a sense of contrast that will create visual interest.

Tip 1. Use watercolor first and gouache second

As previously explained, gouache is the opaque sister of watercolor. Because gouache will easily cover up watercolor, but not the other way around, it's essential to plan out which areas to paint in with each medium. Gouache is the most dominant of the two and you want to make sure that it doesn't overtake the areas painted with watercolor.

Watercolor is delicate and provides a transparent glow, while gouache is punchy and solid. By giving thought to how you'll combine them, you'll allow each to shine in its own way and create a more interesting, balanced piece.

Give thought to how you can complement them, depending on the subject you'll be painting.

It’s a good idea to start your painting with a watercolor base, which is particularly helpful if you've created a preliminary sketch underneath as you'll still be able to see it through the watercolor layer(s).

Another idea is to use watercolor to create a warm or cool underpainting for your gouache to build upon. You can also create a background using watercolors that will then be added to with gouache. Finally, you can start with a wash of watercolor to simply break up the dreaded white space.

St. Basil Cathedral. Illustration by Haydn Symons. Click on image to check out more of his work!

Tip 2. Create depth by using a higher color saturation and level of detail in the foreground

The characteristics of these painting mediums can be combined to create an amazing sense of depth in a piece!

If you’re painting a landscape, for example, you can create depth by painting the sky using watercolor and your foreground elements in gouache. Because gouache is thicker and more opaque than watercolor, it will add a bold, sharp punch to closer elements, creating the illusion of these being closer to the viewer.

Because elements further away from us are usually blurry and less saturated in color, adding further details to our foreground elements using gouache can really enhance the sense of depth in a piece.

Walter White. Illustration by Haydn Symons. Click on image to check out more of his work!

Tip 3. Use thick watercolor paper or canvas

Because you’ll be using water throughout the painting process, working on thick watercolor paper or watercolor canvas is essential. Using thin, non-suitable paper will make the painting process difficult, as it will warp easily.

I enjoy using Seawhite’s Watercolor Paper in 350 gsm to create my illustrations, whether that be for commissioned work or personal work. Whether you choose to go for this brand or others, I highly recommend using paper that is at least 300 gsm in thickness.

Another alternative is painting directly onto watercolor canvas, as this paper is already pre-stretched and will not result in warping and buckling.

Singapore Map. Illustration by Haydn Symons. Click on image to check out more of his work!

*Bonus Tip: Use plenty of water when creating watercolor paint mixtures, but leave gouache mixtures thick and undiluted

One of the major errors that I have come across when combining these two mediums is making them fight against each other by adding too much water to both.

To ensure we're creating a balanced outcome (and to make the painting process go much smoothly), use plenty of water within the watercolor mixtures and only a bit in the gouache mixtures. This will allow the two mediums' contrasting characteristics of translucency vs. opaqueness to really stand out and contrast with each other, creating a ton of visual interest.

Finally, make sure to have fun!

I hope you've enjoyed this blog post to help you create stunning artworks combining watercolor and gouache, and encourage you to give it a go!

Remember to have fun! When creating art we can get bogged down with advice and technicalities, and loose the whole essence of what makes art so enjoyable.

Keep practicing and you'll be onto a winner!

Cheers!

How have you tried combining these two painting mediums yourself? Are there any tips you’d like to share?

Haydn and I would love to hear from you in the comments section below. :)

A huge thanks to Haydn, for being so generous and sharing all of this useful information with us! He’s definitely inspired me to combine these two painting mediums more in my own work!

To find out more about more about Haydn and his work, visit his website/portfolio at www.haydnsymons.com

Also, follow Haydn on social media:
Instagram: https://www.instagram.com/haydnsymons/
Twitter: https://twitter.com/haydnsym
Facebook: https://www.facebook.com/haydnsymonsillustration

Become a Patreon community member to get access to:

-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!

*Click below to learn more!

How to Swatch Watercolors and Why It's Important

Pen and Ink Sketching Shading Techniques

Common Watercolor Painting Mistakes and How to Fix Them

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How to Make Time for Your Art

12/21/2018

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Follow your passion, be prepared to work hard and sacrifice, and, above all, don't let anyone limit your dreams.

-Donovan Bailey

In today's post, I'll be sharing eight useful tips that will help you make time for your art, even while having a crazy, busy schedule. These are things I set in place myself that allowed me to advance my art skills while working overtime at my last full-time position. By putting these tips to use and staying consistent, you'll be able to make steady progress towards your artistic goals, too.

For me, becoming a full-time artist and making a living from my art/art skills didn't even register as an option until I was around thirty years old and having had worked high-stress full-time jobs for over ten years. It was only after I had spent all that time building up personal and professional skills (as well as having saved up enough money) that I finally allowed myself to consider creative entrepreneurship.

For the longest time, I let my fears and limiting beliefs stop me from diving head-first into those activities that made me happier than anything I'd ever experienced. Not to mention, those jobs left me tired and completely drained of creativity. The last thing I wanted to do in my free time was focus, yet again, on another task.

However, as time went by, it dawned on me that life is too short not to prioritize my dreams and take action now. I had already wasted too much time! It was then that I began absorbing all I could from other artists that were making a living from their art and doing those things I wanted to be doing.

I decided to make my artistic growth a priority, no matter how tired I was from "adulting" and doing those things I had to keep doing in order to pay the bills and put food on the table.

In time, people started showing their interest and wanted to buy my work, which led to a huge increase in confidence. This helped me move on to larger, more complex projects which led to even more opportunities. It was after this that I finally planned out how I would be leaving all those years of working at "normal" jobs.

It was extremely scary, as full-time work was all I knew. But something inside me told me it was now or never, so I decided to go for it full-steam. This is what I've been doing for the last year and, even though I've been working non-stop day-in-and-day-out, it's the happiest I've ever been!

I talk more in depth about how I prepared to leave my last full-time job in my blog post/YouTube video titled How I Left My Job and Became an Artistpreneur.

I'm very, very thankful for the job opportunities that I have had in the past, as they allowed me to grow personally and professionally in so many ways. Honestly, if it wasn't for those jobs and the experience they provided, I don't think I'd have the skills and confidence to be doing what I'm doing today.

8 Tips to Progress Artistically Even While Being Incredibly Busy

1. Acknowledge (and embrace) that you're an artist/creative at heart

Getting to know yourself and learning to love who you are is absolutely essential for anyone to be happy. If your creative spirit and art-making is what distinguishes you from others, embrace it. What's more, actually believe that you have it in you to become an artist if that's what you want and decide to give your true passions the importance they deserve.

My greatest fear in life is reaching old age and regretting not having pursued my dreams as best I could. I may be idealistic, but I believe every single one of us was born for a reason, and it's through growing in that area that we're then able to inspire those around us and make an impact in the world.

You may be in the same situation I was in, working full-time jobs that don't fulfill you or that have nothing to do with art, but think of these jobs as stepping stones that are allowing you to grow in different ways and are giving you the resources to live and develop yourself artistically while not having to worry that you won't be able to pay the bills.

Be thankful for these opportunities but always keep your end-goal in mind, no matter what.

2. Prioritize your artistic growth and rearrange your current routines

To make significant improvements in any area of our lives, it's essential to prioritize our goals, create plans and stick with them. Accept the fact that this will involve having to make certain sacrifices, but always remember that a year from now you'll be incredibly happy that you started today.

As busy people with "regular" jobs, families to take care of, and all the responsibilities that come with being adults, we have to accept the fact that things are going to pop up that we have to take care of. However, focus on the things that you are able to control. You may not be able to change the fact that you'll be busy working 8-10 hours a day at your job, but you can certainly reduce the amount of time you spend watching t.v. or scrolling on social media on your off time.

By scheduling in your art time there is a much greater possibility you'll actually do it. Depending on your personal situation, this could mean setting aside one hour three times a week after work to follow a tutorial on your topic of choice or perhaps waking up 30 minutes earlier so that you can do a quick sketch before going to work. If you absolutely can't find time during the week, then schedule in time on weekend mornings.

Another huge thing that goes hand-in-hand with using your time wisely is the ability to say 'no' to those activities that aren't going to get you closer to your goals. I know how hard this can be for people-pleasers like myself, but it's imperative to establish clear boundaries with others and to be able to discern between activities (and even people) that are helpful, from the ones that may be a waste of time and energy. Remember that time is the most valuable thing we have.

One question I always as myself whenever I'm feeling like I'm wasting too much time is:
Is this activity helping me improve my work, my health or the relationships I have with my loved ones?

3. Establish deadlines and goals

In my blog post Time Management for Artists: My Secrets for Staying Consistently Productive I explain how I go about setting yearly goals in personal, professional and interpersonal areas in order to then chunk them down into clear, doable monthly objectives. I then divide those smaller monthly goals into even smaller chunks that must get done each week.

Three examples of how to go about applying this in regards to artistic growth:
a) Large goal: Complete an online art course in three months.
Depending on the amount of modules/classes/assignments included in the course of your choosing, divide them into three "chunks" to be completed by the end of each month. Then, divide those chunks once again into 4 (number of weeks in a month) and schedule your to-do's each week.
b) Large goal: Fill 12 pages of your sketchbook in one month.
Complete 3 pages each week so that by the end of the month you'll reach your goal.
c) Large goal: Get really good at drawing portraits by the end of the year.
Set incremental goals each month starting with the fundamental knowledge you should understand and progressing onwards until you get to month 12. Ex. Month 1: Understand basic facial proportions and locations of facial elements within the head shape, Month 2: Drawing eyes, Month 3: Drawing noses, Month 4: Drawing lips, Month 5: Drawing heads in angles, and so on.

I'm aware that this process might sound too constrictive or boring for free-flowing creatives out there. While I totally agree that it's incredibly important to stay flexible, if we don't establish deadlines, most of us tend to push things back to the point they never get done. We're constantly bombarded with distractions and it's important to stay focused in order to ensure we're moving the needle forward consistently, even if it's a tiny bit at a time.

4. Connect with others that share your same love for art

Being an artist can be lonely and not having other people to talk to that share your same wavelength can make things even harder. If you're lucky to have friends you can chat with or even create art with in person, treasure them and make sure you're scheduling in time to hang out every so often. It's so important to maintain connections with other people we can learn from and who'll inspire us to keep going!

The Internet is such an invaluable tool, as it not only enables us to learn and improve our artistic skills through articles and videos, but we're also able to connect with other people all over the world that share our same passion for art. Even if you're in a situation similar to mine, in which you don't have many artists around you that you can hang out with in person, you can very easily meet other artists through social media, groups and art communities.

Whether you create and/or share art with others in person, online or a combination of both, make sure you make time for brainstorming new ideas with others, as well as obtaining (and providing) feedback. Learning from more seasoned artists and participating in online art communities has helped me stay accountable and consistent, which has allowed me to progress my skills significantly in shorter periods of time.

Click on the image to subscribe to my email list and get access to the Art in Harmony Facebook group.

5. Keep your art supplies handy

Get in the habit of bringing a small sketchbook and a couple of drawing tools of your choice with you wherever you go. This way, you'll be able to progress your drawing and observational skills in free pockets of time throughout the day. I talk about the importance of sketchbooks and tips to make the most of them in my post Why Sketchbooks are Essential Tools for Artists.

Aside from this, also place your art supplies somewhere where they'll be visible for you at home. Don't keep them locked away in a closet or drawer! By having them on hand, there is a much greater chance you'll actually remember to use them.

**6. Never underestimate the power of quicker studies**

I 100% believe that working on quicker studies 3-4 times a week is going to get you much further, faster, than creating one polished piece every five months. While it may be possible to create a beautiful-looking polished piece 2-3 times a year by following a tutorial or going to a one-time workshop, only creating art every now and then isn't going to do much for you in terms of developing your own artistic voice.

Ultimately, it's by staying consistent and by doing regular studies (no matter how large or small) that we get to know ourselves as artists, really hone into our techniques, and build up our confidence to take on more complex challenges. What's important is to make our art and creativity a habit.

Danny Gregory is an artist and author that started drawing in his mid-30's and, after seeing how this practice changed his life, wrote his book Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are to inspire others to make their art a habit, too. It's full of short drawing/sketching exercises and is perfect for those who want to draw but can't decide on what. The book has an optional workbook that provides even more prompts and actually has space to draw on. With Gregory's book, there's simply no excuse!

7. Collect ideas as you go through your day

As artists, it's important to stay open to inspiration coming from all kinds of sources. A new idea can come up after seeing a nice combination of colors in someone's outfit, the texture of a piece of fruit or the shape of a flower vase! Not to mention, emotions or ideas for new projects can come up during a quick trip to the supermarket or a night out with friends.

Even if you don't have enough time to put pencil/pen/paintbrush to paper during a crazy week, by keeping your art in the forefront of your mind and collecting ideas as you go through your day, you'll be staying creative! Always be thinking of how you can use everyday experiences as inspiration for future projects and get in the habit of writing down notes, as well as taking reference pictures that you can use in the future.

8. Stop overthinking and just get to work

It's incredible to me how we're our own biggest obstacles. Oftentimes we stop ourselves from doing things we know we need to get done in order to reach our goals because we overthink everything and waste way too much time doing so.

In time, I've come to realize that it's through taking imperfect action that we're able to move forward and that staying paralyzed with laziness and/or fear is a huge waste of the precious time we have.

If there's anything you really want to do in life, please do it! You owe it to yourself and to those around you who will be incredibly inspired by the fact that you pursued your passions.

Many of us may be extremely busy or may be going through a particularly rough time, but it's up to us to stay positive, use our experiences to our advantage and do what we can with the time we have. Motivate yourself by thinking of the artist you'll be a year from now if you just make the decision to prioritize your growth. A year from now, you'll be thankful you started today.

Cheers!

Become a Patreon community member to get access to:

-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!

*Click below to learn more!

Essential Self-Care Tips for Artists and Creatives

Why Sketchbooks are Essential Tools for Artists

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Watercolor Bird Painting Process + Affordable Supplies

12/13/2018

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Bird Watercolor Painting Process Affordable Supplies

*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)

Interested in buying a few watercolor painting supplies that won't break the bank and will actually help you progress your skills? Tired of investing in art supplies that end up on sitting on your shelf or drawer completely unused? Afraid you'll only be able to create amazing looking artwork by using expensive paint, paper and paintbrushes?

None of these things are true at all, dear Art Friends!

While it is important to use quality art supplies in order to progress efficiently, there are excellent paint, paper and brush manufacturers that offer stand-up products for accessible prices.

I was able to make a huge amount of progress using my student-grade Koi Watercolor Set and Canson XL/Strathmore paper (for more about my favorite drawing and painting supplies visit the My Art Tools section of my website). Of course, before discovering these supplies, I invested in quite a few that either were very frustrating to work with or ended up completely unused.

This is why I want to share my findings with you.

If you're a beginner just starting out with watercolors, I highly recommend checking out my blog post Watercolor Supplies for Beginners and Things You Must Know. In it, I dispel common myths in regards to watercolor painting supplies and provide thorough information about paint, paper and paintbrushes that will help you make more informed choices when it comes to buying supplies.

Watercolor food illustration by Erika Lancaster

Watercolor illustrations created on 140 lb Canson XL paper and Winsor and Newton pan set.

Today, I'll be sharing a couple of my latest YouTube videos in which you'll see me paint two different subjects (a landscape and a bird) using the same combination of paint and brushes. The reason I did this, is because I really believe in testing out supplies thoroughly before coming to a conclusion about them.

These products were sent to me to try out and share with you guys by an awesome online store called ConsumerCrafts. They offer a very wide array of art supplies at very affordable prices and, I've been able to find specific items at their website that I haven't been able to find through Amazon.

Though I had prior experience using these particular round brushes by Royal and Langnickel, I had never used the flat and the dagger brush. Also, I had never used watercolor tubes from Winsor and Newton. I was pleasantly surprised by the quality of most of these supplies and they are very accessibly priced.

If you enjoyed these videos, I'd absolutely love for you to subscribe to my YouTube channel. I publish a brand new video every-single-week sharing art tips, drawing and painting tutorials, and encouragement for aspiring artists. :)

Affordable Watercolor Painting Supplies

All of the supplies used in these video can be found at www.consumercrafts.com. Click on the images to learn more about each product.

Winsor & Newton Cotman Watercolor Set (12 pieces) $26.25

Arches Watercolor Paper Pad 10 X 14 inches (12 sheets) $15.68

Royal ZEN All Media Round Brush (Size 8) $3.00

Royal ZEN Watercolor Artist Brush: Flat Wash (1 inch) $3.00

I hope you found these videos helpful and I wish you all the best as you move forward in your artistic journey!

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How to Swatch Watercolors + Why It's Important

12/2/2018

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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)

What's the actual reason behind swatching watercolor paint (aside from the satisfaction of laying pretty colors down on paper)? What specific things should we be looking for when testing out a new watercolor paint set, besides differences in color? What are the different variables that may affect watercolors' behavior and their final appearance?

In this blog post, I'm going to explain the most important characteristics that you should start taking note of when it comes to watercolor paint. By understanding these different aspects and how they vary from pigment to pigment, you'll be able to make more informed choices when it comes to picking your color palettes/schemes for your paintings, which will make everything go a lot smoother.

I'll also walk you through my own personal method for swatching out a new paint set and share why I like testing my paints on two different types of paper.

It's very useful to explore a new paint set before actually attempting to create a painting with it. This is especially the case when it comes to watercolors, as this painting medium's inherent characteristics make it tricky to use.

For one, watercolors are translucent, which means we can't simply cover up our mistakes like we can when working with acrylics or oils. Secondly, due to their water-soluble properties, they tend to have a mind of their own. Finally (and something that was very hard for me to wrap my head around in the beginning), behaviors and effects can vary greatly from pigment to pigment, even within a set manufactured by the same company.

There are also many external factors that can affect our watercolor painting process and the final outcome of a piece, such as how clean our water is, what kind of paper is used, and even the temperature of the room we're working in!

Always remember that, as artists, we have to learn to embrace the exploration process. It may seem like a waste of time and resources when we're just starting out, but these smaller studies give us confidence and allow us to find ourselves as artists, so that we're then able to create more effective finalized works.

If you're a beginner just starting out with watercolors, I highly recommend checking out my blog post titled 10 Things I Wish I Knew Before Starting With Watercolors. By understanding these ten ideas and applying them in your painting, you'll be able to progress your watercolor skills much quicker and waste less supplies in the process.

Let's get to the swatching!

If you enjoy this video, subscribe to my YouTube channel! I publish a brand new video every-single-Friday with art tips, drawing/painting tutorials and encouragement for aspiring artists.

There is no right or wrong way to test out a new watercolor paint set. The whole point of swatching and testing out colors is for you, the artist, to have a better understanding of different color behaviors. This way, you'll be able to select the colors you like best depending on the particular subject you paint, your personal techniques and the overall effects you're going for.

If you're just starting out and haven't found your style, no problem! As your artistic journey progresses, you'll discover your own way of working and the specific paint qualities that are important for you. Later on, you'll be able to modify your swatching process to whatever fits you best and perhaps leave out aspects that aren't as important.

Watercolor Paint Characteristics

a) Mass tones
A color's mass tone tells us what it looks like when it's straight out of the tube and at its fullest saturation. Basically, it's the color at its purest and undiluted self.
-This is usually the first rectangle I fill in below the hue's name and I make sure to use the least amount of water possible.

b) Staining qualities
A color's staining quality refers to how difficult it is to remove from the paper when lifting, scrubbing or attempting to reactivate it once it's dry.
-To test this out, I like lifting paint from a small section of my Masstone square/rectangle when it's still wet with either a rag or a paintbrush. I also like coming back to my color swatch once it's dried completely to see if any color can be lifted or reactivated because I personally use this technique a lot in my work. There are some pigments that are known for being extremely staining, such as Prussian Blue, and others that lift up quite easily.

c) Opacity
A color's opacity tells us how opaque or transparent it is. Usually, you're looking for transparency when it comes to watercolors, as this is the quality that gives paintings created with this medium their distinctive glow.
-For faster swatches, I like drawing a couple of ink lines in this square/rectangle (allow them to dry completely) and painting over them with each color to see if there is any chalky residue left behind.
-Another option is painting a couple of lines or shapes with a different color (a different color from the one you're testing) and seeing how much the subsequent layer of color allows the bottom to shine through.

d) Level of dispersion
A color's level of dispersion refers to how easily it expands and/or intermixes with other colors when dropping on damp paper. A high level of dispersion means a paint color expands quickly and intermixes a lot with colors around it. A low level of dispersion means it mostly stays in place.
-For faster swatches, I like simply wetting this square/rectangle with clean water and dropping the color in in several different places to see how fast it expands.
-Another option is dropping a different color in first and then placing the specific hue you're testing out to see how much it expands/intermixes. I do recommend preparing a larger square/rectangle for swatching if you want to test this out. Because I don't do a ton of wet-on-wet work myself, this isn't I take too much time doing. However, if you do a lot of landscapes or even abstracts, it may be very useful for you to spend time testing out this particular one for your different colors!

e) Granulation
A color's granulation level can be identified by laying down a flat wash, allowing it to dry completely, and observing how even and uniform it looks after. Pigments that have a high level of granulation separate from their binder when mixed with water and tend to settle into the texture of the paper it is placed on. This leads to white dots and a patchy look in some areas. *A high level of granulation isn't inherently bad, as it can be used to create great effects in areas that require them. Many artists use highly granulating paints to their advantage!
-I don't usually create a separate square/rectangle to test out granulation, but come back to observe this later on after my paint has fully dried and settled into the paper in all my sections.

f) Permanence
A color's permanence refers to how resistant it is when exposed to light. In other words, how quickly does it start to fade out? Usually, manufacturers include this information somewhere within the packaging of the product with the following codes: AA (Extremely Permanent), A (Permanent), B (Moderately Durable) or C (Fugitive).
-I don't usually create a separate square/rectangle to test out permanence, but come back to observe how much the color has faded out a few months later.

g) How do colors react on different types of papers?
I usually like seeing how different pigments react on at least a couple of different types of watercolor paper because I know how much of a difference the right paper can make!
-For the swatching of this particular Winsor and Newton set, I used both higher quality Arches watercolor paper, as well as cheaper Canson paper. Both of these were 140 lb. Cold Press papers, but the Arches had much more of a texture to it. Another option could be testing your paint out on both Cold Press and Hot Press papers.

Check out my blog post/YouTube video Watercolor Supplies for Beginners + Things You Should Know. In it, I explain everything you have to know about watercolor paper and demystify a lot of common thoughts beginners have in relation to watercolor supplies.

Swatching Outcome and My Conclusions

Swatching out Winsor and Newton paint set on Arches 140 lb. Cold-Press watercolor paper. This photo has not been manipulated in any way.

Swatching out Winsor and Newton paint set on Canson 140 lb. Cold-Press watercolor paper. This photo has not been manipulated in any way.

The colors included in this Winsor and Newton 12-piece tube set are:
Cadmium Yellow Hue
Cadmium Red Pale Hue
Alizarin Crimson
Ultramarine Blue
Cerulean Blue
Prussian Blue
Viridian Green
Yellow Ochre
Burnt Sienna
Burnt Umber
Ivory Black
Chinese White

I enjoyed testing out this Winsor and Newton watercolor tube set and look forward to painting a piece with it. Even though this brand's Cotman line is described as being their affordable/student grade option, this particular tube set offers an excellent color payoff, contains a good amount of paint and is quite comfortable to work with. The paint's texture is just thick enough when squeezed out of the tube and onto the paint-mixing palette. Each tube contains 8 ml of paint and the manufacturer has included relevant information on its packaging such as each color's level of Permanence and Pigment Code.

A few things I noticed in regards to the differences between the swatches created on the two different watercolor papers:
a) Overall, the colors painted on the Arches paper are more vibrant than how they appear on the Canson paper.
b) The degree of this varies from pigment to pigment, but I was able to lift up more paint from the Canson paper, especially once the paint had dried. This probably has to do with the fact that the 100% cotton Arches paper absorbs the pigment a lot more effectively.
c) Wet-on-wet effects were much more beautiful on the Arches paper, which allowed them to disperse a lot more fluidly and gradually. On the Canson paper, the paint pooled in certain areas and left a patchy effect.
d) All colors, except for the Chinese white are completely transparent (which is a good thing). Transparent watercolors allow bottom layers to shine through and give paintings a unique glow. If you zoom into the ink lines below the Chinese white swatch, they appear to have a bit of a chalkiness over them.

Become a Patreon community member to get access to:

-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!

*Click below to learn more!

Watercolor Supplies Used:

*I buy most of my art supplies online through ConsumerCrafts or Amazon. Both of them are excellent options for finding great supplies at accessible prices. Click on images below to learn more about each product.

Winsor & Newton Cotman Watercolor Set: 12 pieces

Arches Watercolor Paper Pad: 10 X 14 inches

Canson XL Watercolor Paper Pad: 11 X 15 inches

Royal and Langnickel Zen All Media Long Handle Round Brush, Size 6

Subscribe to my email list and get access to my exclusive group of growing artists over on Facebook. Art in Harmony is a safe place to share your art and connect with other artists in a positive environment. I'm at the group daily providing feedback and have a free live class based on topics of members' choosing every week. There are also Weekly Challenges you can take part of, Thursday Art Tips and inspiration to help you make creativity a habit.

10 Things I Wish I Knew Before Starting with Watercolors

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10 Perfect Gift Ideas for Artists Who Paint

11/20/2018

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Perfect Gift Ideas for Artists Who Paint

Looking for some meaningful and practical gift ideas that your artsy friend/significant other/family member would absolutely love to receive this Christmas? What items could help encourage an artist to keep creating and pursuing his/her creative passions?

First and foremost, I'd like to take a moment to thank you for reading this post, as it most likely means that you're interested in celebrating your friend or loved one's individuality and passion for art, and want to encourage him/her to keep going. As an artist myself, I can tell you that knowing people close to me support my decision to pursue art means everything, especially when one is just starting out.

I'm all about encouraging fellow artists to keep going because I 100% believe the world would be a better place with more art in it.

All this said, no matter how mysterious and complex people make us artists to be, we're honestly an easy bunch to buy presents for. Not only do we tend to wear our hearts (and minds) on our sleeves more than others, but there are things we need to constantly replace in order to keep feeding our need for creation. We also need to constantly seek ways to stay inspired and motivated, and a huge variety of things can get our creative minds going.

In this blog post, I'll be sharing a list of ten awesome gift ideas that your artistic friend will absolutely love. I've made sure to include options for both males and females, as well as an explanation as to why each item is so great.

Enjoy!

Perfect Gifts for Artists on Amazon

I personally love buying art supplies, as well as Christmas gifts for my loved ones from the comfort of my own home through Amazon.

Click on the images below to learn more about each item on this list.

1. A sketchbook (or two)

Illo Sketchbook 180 GSM Paper (8x8). Click on image to find out more about this item.

An artist can only paint as well as he/she can draw, and keeping sketchbooks is a great way for us to continue sharpening our drawing and observational skills throughout our journeys. Not to mention, sketchbooks are portable, allowing us to stay creative wherever we go, and provide a chronological record of our progress that we'll keep forever.

You can honestly never go wrong with giving an artist a sketchbook.

Find out more about why sketchbooks are such an essential part of an artist's journey in this blog post.

2. An artsy cell phone case

Gifts for artists- watercolor cell phone case

CRAFIC Watercolor Paint Cell Phone Case for Apple iPhone 6 / 6S Plus. Click on image to find out more about this item.

Not only do artists love making their passions known to those around them, but many of us working artists actually depend on it. Especially when an artist is just starting out, it's incredibly important to get the word out about what it is we do so that we can start building up those connections and experience.

An eye-catching statement accessory like this artsy cell phone case is a great way for us to transmit our originality and love for art, but also encourages other people to strike up a conversation with us.

3. A leather pencil and paintbrush case

Gifts for artists- Flyshine Canvas Artist Brush Holder Rollup Pouch

Flyshine Canvas Artist Brush Holder Rollup Pouch. Click on image to find out more about this item.

An artist's supplies are his/her tools for creation, and they must be taken care of. This can definitely be a challenge when we do sketching and painting outside of our studios. A quality paintbrush case or pouch like this canvas roll-up ensures that our favorite paintbrushes will be kept safe.

I love the practicality of a roll-up pouch like this one, as there is no space wasted and paintbrushes can be organized/kept in place perfectly.

Click here to subscribe to my email list and receive news about my work for sale, monthly freebies featuring my watercolor illustrations and insights into my work.

4. A painter's apron

Gifts for artists- Artist Canvas Unisex Apron with Pockets

Artist Canvas Unisex Apron with Pockets. Click on image to find out more about this item.

The struggle is real for us artists to keep our clothes free of paint, which can be a problem because a lot of us prefer to spend our money on more art supplies, than on new clothes!

A canvas apron like this one is durable, wraps around the back for a higher level of protection, and I love that it includes different pockets for paintbrushes, rags and other things we might need to have on hand while painting. It's perfect for both males and females.

5. Some high quality hand lotion

Mrs. Meyer's Clean Day Hand Lotion, Lavender (12 oz). Click on image to find out more about this item.

Hand lotion is a total must for artists, especially in the winter time. We're constantly washing paint and other harsh liquids off our hands, which makes them extremely dry and itchy. I personally have bottles everywhere, including my studio, and always carry a tube with my in my bag.

Mrs. Meyer's Clean Day line offers a variety of scents like Lavender, Lemon Verbena, and Peppermint. They are perfect for those of us who need a higher amount of protection/moisture, as they are created especially for people who work with their hands.

We must take care of our hands because without them we can't create!

6. An inspiring (and practical) artsy mug

Paint Water & Not paint water - Set of two mugs (11oz). Click on image to find out more about this item.

Whether your friend paints with watercolors, acrylics or oils, chances are he/she's experienced dipping a paintbrush in his/her beverage on more than one occasion. It may sound odd to the non-artist, but I promise you, it happens time and time again when one is immersed in the art-making process!

I actually know someone who drank paint thinner by accident. I'll just leave it at that...

These mugs appear to be humorous, but they may also help keep an artist safe.

7. A color wheel umbrella

Streamline Rainbow Color Wheel Umbrella. Click on image to find out more about this item.

An umbrella like this one is not only beautiful and inspiring to look at, but is also large and sturdy to help us keep our work safe when walking to and from vehicles in the pouring rain (which can be very challenging).

What better way to let that artist in your life know that you're there for him/her than providing a canopy of protection from the rain?

8. An artsy enamel pin

GIfts for artists- Painter's Palette Enamel Lapel Pin

Pinsanity Painter's Palette Enamel Lapel Pin. Click on image to find out more about this item.

On the lookout for something small, but meaningful? Enamel pins are all the rage now-a-days and are a perfect little surprise that your artsy friend will be able to actually wear while out and about.

This is another perfect accessory that can not only help us express our individuality and love for art, but can also be a conversational piece. Making time for conversation with others is essential for us, especially because artists tend to be alone a lot.

Some of us forget what it's like to talk with others. True story.

9. An inspirational art book

Living and Sustaining a Creative Life (Sharon Louden) and Art & Fear (David Bayles/Ted Orland) Books -Click on image to find out more about these items.

An artist's life can definitely get lonely and sometimes we need to be reminded of how others have gone through what we're going through. We also need to be inspired by stories from other artists who have reached success so that we can keep working hard to make our dreams come true.

Both of the books above are, in my opinion, must-reads for any serious artist.

Living and Sustaining a Creative Life is a compilation of 40 personal stories/essays by working artists. Each one of them shares his/her own experiences and struggles as they have pursued making a living as an artist. This book helps us understand the reality of what it's like to sustain a professional creative career over time.

Art and Fear is a very popular book amongst creatives of all kinds. This book tackles artistic insecurities, and the internal and external challenges that professional artists face throughout their journeys. Finishing projects, getting our work out there and receiving critique are difficult tasks that artists must learn how to do/handle. This is a book to read over and over again.

10. A painting easel

US Art Supply Tall Tabletop Adjustable H-Frame Wood Studio Artist Easel. Click on image to find out more about this item.

As a painter myself, I have a variety of easels. I enjoy standing when I'm creating my larger pieces, but a desk easel like this one is absolutely perfect for smaller and more relaxing works to enjoy on weekend mornings. Switching from one easel to another is a great way to reset my mind from a piece I'm creating for selling purposes, and one I'm creating for myself.

This easel is sleek, sturdy, and is perfectly sized, even for beginner artists working in a small studio.

Become a Patreon community member to get access to:

-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!

*Click below to learn more!