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Using Masking Fluid with Watercolors: Everything You Need to Know

5/31/2018

21 Comments

 
Using Masking Fluid with Watercolors
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Struggling with saving your whites when painting with watercolors? Have you been considering the use of masking fluid but are unsure about how to use it effectively and whether it's really necessary at all? Have you avoided using masking fluid in your work because it makes the process longer and more tedious? 


One of the most difficult things to get used to when starting with watercolors, is planning where the lightest areas of our paintings will be and keeping them protected throughout the painting process.

Watercolors are quite different from other painting mediums due to the fact that they are translucent and require us to work from lightest to darkest values. As opposed to acrylics, oils or gouache, this painting medium doesn't allow us to simply cover up mistakes.


By doing a bit of planning beforehand and knowing what tools/techniques to use for each project individually, we can ensure that we're using watercolors to their full potential. 

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When used effectively, this artistic medium is able to create very striking paintings that have a lighter feel to them than those created with acrylics or oils, and also seem to glow from within.

Protecting our lightest areas is essential in order to achieve such qualities.


How to use masking fluid when painting with watercolor
How to use masking fluid when painting with watercolor

In this blog post, I am sharing the steps I personally go through when using masking fluid in a watercolor painting. I will also provide some essential tips that will help you avoid accidents. 

To illustrate each step, I have included a beginner-friendly masking fluid exercise. It's very important to do a few explorations with new tools before actually trying them out in a painting!

Even though many watercolor sets contain white paint, traditional watercolor artists avoid using it. There's no need because the watercolor paper itself IS the white and the areas left free of pigment will stand as the highlights of the painting.

Whether the artist decides to use masking fluid or not, he/she makes sure to protect those whites because, once pigment touches paper and is absorbed, there's no way to get that white back.

Most traditionally trained watercolor artists avoid using ready-made blacks, but that's a story for a different day. I talk about it more in this video. 



Now-a-days, there are tons of amazing artists who use watercolors in combination with other types of mediums, creating beautiful mixed-media artworks. There are those who complete a watercolor painting without paying much mind to highlights until the end, when they add them in using white gouache, acrylic paint, paint pens, and/or other drawing mediums.

I'm all about exploring mediums and creating one's own artistic style!

However, I've found it invaluable to study each medium individually and challenge oneself to create desired effects using that medium alone. I noticed the biggest improvement in my painting quality when I pushed myself to complete a project using only one medium.

So, I recommend making time to explore each medium on its own once you're at a certain skill level, especially if you find that you're continuously reaching out for a second/third medium as a crutch because you were unable to create the effects you were intending to. 

Once you've learned the characteristics of each medium and the general do's and don'ts, then go ahead and combine them, if you wish to.

But let it be because it's your stylistic choice, and not because you needed another medium as extra support.
It's hard! But I promise you you, that it will help you improve a whole ton. 


Masking fluid is absolutely not necessary in order to create a great watercolor painting, but it sure is a great tool to know about, especially when painting certain kinds of subjects that have shiny, reflective surfaces and/or tiny areas you want to block out.

If you don't have masking fluid or wish not to use it, you have the option of carefully working around your planned white highlights, but because watercolors are so fluid, it may be a challenge.


Here is an example of a painting I created by very carefully working around the areas I wanted completely white at the end (no masking fluid). See all those tiny white spaces? I consciously made an effort not to get any pigment in them!

​If I had accidentally covered up those spaces, my painting would look flat and wouldn't have that "glow" to it. 

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Watercolor sandwich by Erika Lancaster
Watercolor sandwich by Erika Lancaster


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If you enjoyed this video and found it helpful, make sure to subscribe to my YouTube channel. I share a brand new video every week with art tips, drawing and painting tutorials and mindset/productivity tips for artists. *Subscribe HERE*


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So, what is masking fluid, exactly?


​Masking fluid (also referred to as liquid frisket) is liquid latex that dries to a rubbery/waterproof film, allowing us to block out areas in our paintings that we want free of pigment. It contains ammonia, which makes the liquid very smelly and makes it necessary to work in a well-ventilated room.

Colorless masking fluid looks white while in the bottle and dries to a transparent/yellowish film. However, pigmented varieties are available, in case the artist requires a greater visibility throughout the placement process.
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Though the use of masking fluid entails adding in a couple of extra steps and makes the painting process longer, it does make protecting the whites a lot easier and is a great tool to have when painting complex, detailed subjects!



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How to Use Masking Fluid


​You will need:
-Watercolor paper
-Masking fluid
-Watercolor paint
​-Paintbrushes
-Pencil
-Eraser
-Paint-mixing palette
​-Cup of water
-Old rag or paper towel
-Bar of soap or dishwashing liquid
-A tool for placing your masking fluid (old paintbrush, wooden skewer, paper clip, cotton swab, etc.)
​

*Optional: 
-Masking tape 
-Rubber cement pick up or soft eraser

For a full list of my current favorite drawing and painting supplies, go here.
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Watercolor painting supplies
Watercolor painting supplies

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Winsor & Newton Colorless Masking Fluid
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Stonehenge Cold Press Watercolor paper
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Van Gogh Watercolor 24 Color Half Pan Set

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Royal & Langnickel Zen Watercolor Brushes

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Instructions:
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1. Create your initial sketch

As always, start with a good, light pencil drawing. Once you're done, map out where you want your highlights to be. Usually, this will entail having a good look at your reference picture and pinpointing lightest areas. Then, we would lightly outline these small shapes.

*Illustrative exercise (recommended for beginners):
For the purpose of this little abstract exercise, we will be blocking out lines. Create a simple design using straight or curved lines and keep them as light as possible (so you can erase them later)!

Initial pencil sketch
Initial pencil sketch


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​2. Select a tool to place your masking fluid with

Depending on the effect you're going for in your painting, this tool can range from a paintbrush, to a wooden skewer, to a cotton swab, or even a toothbrush (for splattering). If you do decide to use a paintbrush, make sure you use an older one that you don't mind damaging because it doesn't take much for masking fluid to kill those bristles!

Personally, I've already ruined at least a couple of paintbrushes and have gotten used to applying masking fluid with paper clips! 


​*For this exercise, you'll need a pointier tool so you're able to trace your pencil lines.
Placing masking fluid with a paper clip
Placing masking fluid with a paper clip



​3. Take your time placing your masking fluid on desired areas

Do this carefully and take your time! Make sure your not scraping or otherwise damaging your paper, especially if you're using a sharp, pointy tool to place your masking fluid with.

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If you're creating a finalized painting using a reference picture, try to look at it constantly so you make sure to block out all areas you want protected. 


*Carefully trace your pencil lines. It's totally normal to have to re-dunk your paper clip into your masking fluid every few seconds! When you're done, allow it to dry completely (this can take up to 30 minutes depending on the thickness it was placed in. Make sure it's completely dry to the touch before continuing with the next step. 

Placing masking fluid
Placing masking fluid

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Nearly dry, yellowed masking fluid
Nearly dry, yellowed masking fluid


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Picture



4. Paint as per usual

Move on to the painting process, starting from lightest and most translucent values to darker values, allowing each layer to dry before applying the next. Don't be afraid of painting over the masking fluid. That's what it's there for! 

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If you're creating a finalized painting, take your time developing those values and get your painting as close to being done as possible before removing the masking fluid.

​What I personally do, is to make sure I've arrived at a point at which I feel I can't advance any further until my masking fluid is out of the way. Once you're done, allow your painting to dry naturally and completely. 

To see how I create striking paintings working in layers, visit my blog post Realistic Watercolor Sandwich Process


​*For this beginner-friendly exercise, explore different colors and effects until you arrive at something you like. 
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Watercolor painting process
Watercolor painting process

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Watercolor painting process
Watercolor painting process


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5. Remove that masking fluid!

This is the time we've all been waiting for!

Once your painting is completely dry, carefully and gently remove that masking fluid with a rubber cement pick up, a soft eraser or using your fingers (I wouldn't recommend using your fingers if your hands are usually sweaty or greasy though!). 
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​Rub gently until part of it lifts and then gently pull the rest off. Make sure you remove it completely and lightly dust your painting off so no pieces are left behind.


Removing masking fluid
Removing masking fluid


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6. Soften hard edges and finish any last details

Once your masking fluid has been removed, you'll notice that you're left with very stark-looking, sharp white shapes. If you're creating a painting that's more on the realistic side (like in the car painting time lapse video I've included in this post), you'll probably want to soften at least some of these.

To do this, simply wet your paintbrush in clean water and do some gentle scrubbing on those sharp lines, moving the pigment around on your paper. However, be very careful not to cover up all of your white! 
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Now is also the time at which you can further deepen values in your painting if you need to, or carefully create any washes you feel would improve your painting. 
Allow to dry completely before removing any masking tape. 
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*For the purpose of this abstract exercise, I left my white lines as they were after having removed my masking fluid because I liked the look of it. If you'd like to explore softening some of them or even adding in extra washes of color, go for it!

Erase those pencil lines!
Erase those pencil lines!

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Masking Fluid Pro Tips!


​1. If you want to use a paintbrush for masking fluid placement, soak its bristles in dishwashing soap (or rub them gently on a bar of soap) before dipping it into the masking fluid. This will make it easier to remove the masking fluid when you're done.

2. Never shake your masking fluid bottle before starting with its application. This creates air bubbles and may lead to coagulation, which may make it harder to place on desired areas and may affect the outcome of your work. 

3. Only apply masking fluid on bone-dry paper and only remove it from bone-dry paper. 

4. When using masking fluid, resist the urge to speed up drying times using a hairdryer or any sort of heat tool. Warm air can cause the already-hardened masking fluid to stick to your paper even more, which can later lead to rips and tears as you try to remove it!

5. Never allow hardened masking fluid to be on your paper for extended periods of time (over two days). Whether this is a problem or not will depend on a number of variables such as masking fluid and paper brands/types, environmental temperature, etc. However, be wary of leaving masking fluid on your paper for long periods of time because it can get to a point at which it may be impossible to remove!

6. Explore different ways you can apply and use masking fluid! There are so many ways to do it, from placing it carefully the way we did in today's exercise, to splattering, smearing, etc. Experimenting with different tools and techniques can definitely open up your horizons about what's possible with watercolors and will also allow you to have different tricks up your sleeve whenever you're painting complex subjects!

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What method do you personally use to create highlights in your watercolor paintings? Do you have any negative experiences with masking fluid? I'd love to know in the comments section below!


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21 Comments
Amira link
6/5/2018 09:04:52 am

Wow the watercolor sandwich looks so real! These are some great tips. I don’t paint but I do have my cousin that loves to paint and I am going to share this article with her! She will love how to create highlights!

Reply
Erika Lancaster
6/5/2018 10:49:49 am

Hi Amira,
Thanks so much for checking out my post! I'm happy to hear that you found this helpful!
Using masking fluid can be very satisfying and does certainly open up a lot of possibilities. Thanks so much for sharing with your cousin. :)
Have a wonderful day!

Reply
Collins Nwokolo link
6/5/2018 09:35:15 am

I haven't painted in a long time. But this article has really taught me something meaningful .

Reply
Erika Lancaster
6/5/2018 10:51:17 am

Hi Collins,
I'm glad to hear that you found this post helpful. :)
You should try painting again, sometime! It's truly so rewarding!
Thanks so much for taking time to comment!

Reply
Amy Bierstedt link
6/12/2018 09:48:34 am

Wow! Love your work!
Love that you've combined instructions, pictures, and video!
Rockstar blogger!

Reply
Erika Lancaster
6/13/2018 07:54:02 am

Hi Amy!!
Thanks so much for your comment. :)
I'm happy to hear that you're liking what I'm putting out there! I'm trying my best to create thorough and comprehensive content that can help people.
Hope to see you around! Have a great day!

Reply
Eddi Reid
8/2/2018 05:35:35 pm

Joining your on line chat sessions has not worked out for me but I regularly check to enjoy everyone’ opinions and the special treat of sharing artwork. Your art tips are always worthwhile.
Have fun everyone.

Reply
Erika Lancaster
8/7/2018 08:56:59 am

Hi Eddi,

Thanks so much for checking out the live sessions, even after they've been recorded. :)

Perhaps at some point soon I'll set up a different schedule so that another group of FB group members also have a chance to ask questions and comment on real-time.

Please feel free to share any of your wonderful work over at the Facebook group at any time you'd like. You can also participate in Weekly Challenges whenever you're able to.

Stay in touch Eddi! :)

Reply
Sutender Kumar Sood
11/19/2019 01:54:28 am

Hai Erica Can you tell me,How to thin out the thick masking fluid ?

Reply
Erika Lancaster link
11/19/2019 09:08:34 am

Hi Sutender,

Thanks so much for popping by and leaving this great question!

I never thin it out myself. I use something like a toothpick to mask out finer lines and details.

However, I do know artists who add a few drops of plain water to their masking fluid to thin it out. I wouldn't recommend adding anything over 1/3 water to your water/masking fluid mixture, as adding too much can alter the masking fluid's resistant properties. If too much is added it can also adhere to the paper in strange ways and become too difficult to remove from your watercolor paper.

I'm not sure how old your masking fluid is, but if it's on the older side, it might have become thick due to this. In these cases, I just toss it out and buy another.

I would highly recommend doing a few small tests before actually using this in any painting that's meant to be finalized.

There are also masque pens! They remove the need to use any other tools to place it with, and also create very fine lines. Lots of artists love those. :)

Hope this helps!

Wish you tons of enjoyment and progress in your artistic journey.

Erika


Reply
Lennart link
12/7/2019 03:54:57 am

Hi Erica, thanks for the tip with the paper clip. I always applied the fluid with a fine brush but was worried about the substance damaging the delicate hair (non synthetic). Also loved the video painting the car with the masking fluid! :-)

I will gladly refer to your guide when teaching how to use the masking fluid.

All the best
Lennart

Reply
Erika Lancaster link
12/8/2019 11:41:50 am

Hello, Lennart! :)
Hope you're having a lovely day.
Happy to hear you found some useful nuggets in it.
I've ruined paintbrushes with masking fluid before, and have since switched to using paper clips and toothpicks! hhehe
They work pretty well for my style and method of working, but I do know lots of artists who prefer the masking fluid pens, as they allow finer lines much easily. I like the variation in line thickness that using toothpicks and such allows, but am looking forward to testing out these pens in the future.
Thank you so much for checking out this post and sharing it! It really means the world.
Wish you tons of enjoyment and progress in your artistic journey,
Erika

Reply
Lennart link
12/10/2019 02:08:33 am

Thank you for you reply and for the tip with the masking fluid pens. I am not sure if they have them here in Germany but when I see one I'll definitely try it.

Eva
1/9/2021 01:07:39 pm

I’m a beginner. Loved these tips for applying masking fluid, was so very helpful.

Reply
Erika Lancaster link
1/10/2021 11:02:53 am

Hi, Eva!
Glad you found this helpful.
Thanks so much for popping by and leaving a comment.
Stay safe!

Reply
shrikrishna abhyankar
2/7/2021 12:05:44 pm

Thanks a lot explaining how to use masking fluid.
I used to shake the bottle and all the bubbles used to come up.

Now i will not shake it.

Plus i will give adequate time for the fluid and then color to dry *naturally*.

Thanks again!

Reply
Erika Lancaster link
2/8/2021 08:59:03 am

Hey, there!
Thanks so much for checking out this post on masking fluid. :) Glad to hear you found it helpful.
Wish you tons of enjoyment and progress as you move forward with your art journey.

Reply
Noah Enholm link
4/26/2022 07:12:17 am

Using a coloured masking fluid allows you to readily see sealed-off areas on paper, which helps you make finer details. Simply ensure that the product you purchase does not stain. White and translucent masking fluids, on the other hand, are stain-free yet difficult to see.

Reply
Erika Lancaster link
6/6/2024 09:56:15 pm

Thanks for reading and leaving your thoughts, Noah!

Reply
Jennifer Oja
12/7/2024 05:24:12 am

Hi Erika,
I’m wondering if there’s a way to remove old frisket from my Graphix lifter square’s edges, they’ve got all gunky and black.
Excellent website, thanks!

Reply
Erika Lancaster link
12/7/2024 03:09:18 pm

Hi, Jennifer!
Thanks for reading and for your question.
This is, essentially, what I do to clean this type of tool. It is explained quite well in this video: https://youtu.be/A0zh11IXskE?si=r4Pdg6xHTPphhqHp
Hope it helps!

Reply



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