Are people starting to show interest in your work, but you're a bit nervous about getting into a paid project? Have you started taking commissions and have been disappointed with the experience of working with clients? Interested in streamlining your commission processes and getting others to see you as a professional working artist? As artists, it can be difficult to tap into that business-mindset, but it's an absolute must if we plan on making a consistent income with our art. In today's blog post, I'll be sharing six tips that will help you look professional in the eyes of prospective clients, ensure your art commission processes go as smoothly as possible, and help you build a positive reputation that will attract more clients in the future. A great amount of self-employed artists make the majority of their income by working on commissions for clients who demonstrate a liking of their work and ask them to create a piece based on their particular needs. This said, I want to preface this post by saying that there is a vast amount of ways that we can create an income for ourselves through our art and our artistic skills. There are artists who only sell their work through galleries, others who make the majority of their income through teaching (online or offline), artists who create YouTube channels and/or blogs and become ambassadors for art supply brands, artists who have Etsy shops through which they sell original artwork and/or prints, artists who sell at local art markets/events... The possibilities are literally endless. And I 100% believe that you can become successful at any path you wish you pursue, as long as you're willing to put your entrepreneurial shoes on, are willing to step out of your comfort zone to make your dreams happen, continuously learn from other artists that have become successful in what you wish to do (and actually put that knowledge into action), and stay persistent. Be aware that things take time, though, and that you have to be smart about how you go about pursuing your dreams. Whatever combination of paths you decide to pursue is entirely up to you and what you're personally willing to do to make your goals happen. I do highly recommend you look into setting up a variety of income streams for yourself, as this will help you always have something to fall back on. Not to mention, this will allow you the possibility of turning down commissions when they don't align with who you are as an artist and/or you feel the potential client on hand doesn't entirely respect your work. Working with clients is definitely an experience all beginner artists should go through, as it helps us develop a vast array of skills such as artist-client communication, time-management, etc. However, every artist should give serious thought to what his/her professional long-term goals are, so that he/she can go about establishing short-term objectives and focus on making them happen. Check out my blog post titled Time Management for Artists: My Secrets for Staying Consistently Productive to learn how I go about establishing goals for the different important areas of my life and plan short-term objectives/weekly tasks to ensure I'm consistently moving towards them.
If you liked this video, make sure to subscribe to my YouTube channel. I share a new video every-single-Friday with art tips, drawing/painting tutorials and encouragement for aspiring artists!
Tips on Taking Art Commissions 1. Have a set method for pricing your artworkThere are two common methods that artists use to price their work: a) By hour: Amount of hours worked on painting x hourly rate This method requires you to determine your hourly rate, which will be completely dependent on your experience and skill level. I always add the cost of supplies to this total afterwards. b) By size: Set cost per square inch x amount of square inches in painting This method entails you set a particular cost per painted square inch, which will be dependent on the quality of the supplies you're using, as well as the level of detail rendered in your work. Think about which option would be best for your particular situation and stick to it. This way, whenever anyone asks you how much you charge you have a clear, definite answer, which will make you seem a lot more professional. In my particular situation, I use both for separate situations. When I create artwork to sell at art shows or to sell through my Etsy shop, I go by size. This tends to make the pricing/buying process less confusing for both myself and my customers. When I do commissions, however, and I'm asked to create a piece in specific dimensions, using specific materials and perhaps even different subjects from those I'm most used to painting, I price by hour. A few extra things to ask yourself when establishing your prices: -How comfortable are you drawing/painting the particular subject on hand? Is your lack of skill with that particular subject going to make you take longer? *If so, consider how you'll be lowering your prices to keep things fair (cost per hour wouldn't make sense in this case). -Is the work urgent? Will it entail you working long hours or weekends? *If so, consider raising your prices. -Will this project help you expand your knowledge and/or skills in a particular area your interested in developing? Would it be a great portfolio piece that will help you get the projects and clients you'd like to work with in the future? Is it fun/meaningful for you? *If you answered "yes" to any of these questions, consider taking the job even if the pay isn't as high as you'd like it to be. 2. Plan your time wiselyAs a working artist, it's absolutely imperative to learn about time management, get systems in place, and stick with them as best as possible. We have to treat creating art as our job if we intend to make a living from it, which entails, among many other things we have to do to keep out business running, sending our customers/clients updates and turning in work whenever we've promised to do so. As a general rule, I never promise I'll get something done by a certain date if there's even the slightest chance I won't be able to finish on time. I like being as transparent and as honest as possible, right from the beginning. I love the idea that I heard from a business specialist a while back about "underpromising and overdelivering", and I apply this when it comes to estimating a delivery date. In other words, I almost always tell my customers that the painting is going to take me at least a couple of days longer than I think it will and do my best to finish before that day. This way I can surprise my customers and even make the unboxing experience more special by making the packaging extra awesome and maybe even adding small gifts. Whether I'm going to be working on a shorter project or a longer one, I like creating a time table that I send to my prospective clients and include in the document I will be talking about in point number 3. I make time to sit down for a few minutes to create a calendar/timeframe using InDesign (whatever software allows you to make tables will work perfectly) and give thought to how many hours I'm going to have available to work on said project, day-by-day, throughout the next few weeks. *See example of an estimated project timeline I sent to a prospective client below. I never commit to any due dates and take my other responsibilities into consideration when creating this timeline, as well as the time I need for my mental and physical health (this info is omitted in the version I send of course!). As I mentioned, I add in a couple of extra days just in case any emergencies happen, clients don't send feedback when requested, or if I have to re-do something. Creating this time table is especially important when you're being asked to work on a longer project that will take over a month to complete. 
Prospective client started communications with me at the beginning of September and clearly stated he needed the project to reach completion by the end of October. Taking the brief and the due date into consideration, I created this timeline as part of the quote document I sent over.
3. Have information available on your website for possible customers, as well as a formal document to send whenever you're asked for a quoteIt's extremely useful to have a section of your website in which you share information about your creative process and any general terms pertaining to how you sell your work. Some artists do this in the form of a Frequently Asked Questions section in which they list common inquiries they receive. For a solopreneur, this is incredibly useful, as this helps you not have to answer the same questions over and over again and serves as a type of tripwire, so that only those that would seriously be interested in working with you seek further communication. One suggestion is to make this area of your website fun and actually educational. Add pictures of yourself at work, your workspace, your supplies, your work in progress, etc. Actually use it to help educate non-artists on what your creative process actually entails. Make it known that you love your work and make an effort to provide quality drawing/paintings. Some information you should definitely include in this section: -Your method(s) for accepting payment (bank deposit/PayPal/etc.) -What percentage of the total cost you need to get started (make this non-refundable) -Do you offer refunds? -Whether you ship your work internationally (if so- what are your shipping terms/costs?) -Will you require anything specific from the customer to get the work done (high-resolution images, etc.)? Aside from having this information available on your website, it's also very useful to send over a formal document whenever you're asked for a quote. It doesn't have to be overly complicated, especially if the commission on hand is a simple project. However, when projects are a bit more complex and/or will entail you working on it for over a month, I do recommend spending a longer time on this document. It should establish the specifics of the project on hand (what it is the client is asking for-exactly), state the cost (I like clearly describing how I arrived at that total by making my hourly rate and cost of materials known), and provide at least a general timeframe (I like including when each "phase" of the project will be finished by and when I'll be sharing progress notes and/or attending meetings). In this document, it's also very useful to re-state important payment terms that were already stated in the informational section of your website, along with any other notes you want to make extra clear (i.e. how much extra changes or meetings would cost, etc.). If you're starting to work on more complex projects that will take a longer time to complete, or are taking on a project commissioned by an established business, I highly recommend starting to read into Client Agreements and actually getting a contract signed before starting to work on anything at all. 4. Make sure your prospective customers are aware of your artistic style and aren't expecting something you can't/won't doHaving a portfolio available for customers to see and keeping it updated with the kind of work you're interested in producing is very important. I would say that your portfolio should have at least 10 different pieces so that people can have a good idea of what it is you do, as well as what range of subjects you'd be willing to work with. By sharing your portfolio and consistently sharing what you're currently working on, there will be much more of a chance that people who like your work will reach out with their inquiries. Get business cards made that include your website and social media channels on it! Have them on you at all times when you're out and about, and don't be afraid to tell people you're an artist and let them know where they can find your work. 5. Ask questions and make sure you clearly understand what you're being asked to doMake sure you ask a ton of questions and have a clear idea of what you're being asked to do. Don't be shy about it, either. I've had people reach out to me thinking they know what they want, but as soon as I start asking specific questions, they realize they don't. Getting started on a project in which the customer is unsure of what they need will leave you guessing, and this is a surefire way of making the art-making process way more stressful than it should be. I've also found that I'll if I actually take time to get to know my customer a bit before getting started, there's more of a chance that I'll create a piece they'll absolutely love. Here are a few questions I always ask: -What art styles do you like? *Have them send over a couple of pictures of specific artworks that call to them. -What color schemes do you enjoy? *Do they like warm colors? Cool colors? A combo of both? -What area of your home/office will you be decorating with this piece? *I've even had customers send over pictures of the space that will be decorated with my painting(s) to have a good idea of their decorative style, the color of the furniture, etc. 6. Be responsive and make communication a priorityIf a prospective client emails or messages you with inquiries in regards to a possible commissioned piece and you don't respond quickly, you may loose the opportunity. Make yourself as accessible as possible and always try to answer back within a reasonable amount of time. Also, make communication a priority throughout the process. This isn't to say you should be calling or emailing back and forth every-single-day, but make sure you don't let a long period of time go by without informing them about your progress, possible setbacks, etc. This will help avoid confusion, surprises, and prevent any negative ideas about you and your working process pop up in your clients' heads. Put yourself in your customers' shoes. Think about what it would feel like to pay for a job and have no idea of what's going on. I once hired a photographer who let months go by without sending me any information in regards to his progress editing the photos from our photoshoot. My mind couldn't help but wonder if he was prioritizing other peoples' projects over mine, if something had happened (i.e. did he lose the photos?) or if he simply didn't care about getting the job done on time. And, yes, I could have simply called him to ask him what was going on, but I'm always very busy and also wanted to be respectful (I know how time-consuming editing photos can be as I've done it myself). Not to mention, I really believe that if you're the professional getting paid to do the job, you should take it upon yourself to keep the client informed about what's going on and not rely on them calling you. 
*Final bonus tip:
Don't be afraid to turn down prospective clients if you feel who they are or what they are asking you for doesn't align with you.
If you feel that what they're asking you to do goes against your moral compass or beliefs, or if you feel there's any possibility that the person doesn't respect your work and your creative process, it's not worth it! Avoid getting into these high-stress situations in the first place. Always remember that it's your decision whether to take a project on or not. Never to let anyone minimize your passions and undervalue your work. I hope you found this post helpful and wish you tons of success in your artistic endeavors! Do leave me a comment below letting me know if you've had any negative experiences while working on commissions. I'd love to hear about it!
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Watercolor Wet-on-Wet Effects and Techniques
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Watercolor Wet-on-Wet Effects and Techniques
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Watercolor Wet-on-Wet Techniques
1. Blooms
Watercolor blooms are mesmerizing to watch and are the first thing that comes into many of our minds when we first think of watercolors. These are beautiful gradients in which one color turns gradually into another that has been previously placed. It can also be a gradient of color turning more and more transparent until all we can see is the whiteness of the paper.
To create a bloom effect, wet your paper with clean water or lay down a wash watery paint mixture, and drop a new color right on top of it. To retain the "bloom" effect, you want to lay it down gently and allow the paint to do its thing without going back and attempting to smooth or shift it.
Watercolor orange and yellow bloom
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Watercolor blue and green bloom
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2. Runs (Controlled + Organic)
Runs are interesting effects that can be used when we're creating an abstract painting, or even when adding abstract elements to figurative painting. They are, quite simply, a stream of paint running off the main area or subject in our piece.
We can create runs completely organically by shifting our paper to a slanted or sideways position while it has a large amount of water on it. Sooner or later, gravity will make the water naturally travel down your paper. If it doesn't happen, consider placing a bit more water in the puddle using your paintbrush, and/or gently tap the paper on your desk in this vertical position.
We can also create controlled runs quite easily by drawing a line of clean water in a specific shape/direction, placing a watery paint mixture at the start of it (the place where our main shape ends and our clean line of water starts), and shifting our paper sideways until the paint mixture starts moving down on its own.
Remember, when using watercolor paper, the paint mixture will naturally expand or move towards the wetness and stay away from dry areas. This is why the paint will naturally travel down the path we've created for it!
Watercolor run in yellow
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Watercolor run in blue/green
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3. Splatters
Splatters can have very striking results and can be used in a variety of ways. If heavily-pigmented paint drops fall on areas of paper that are wet, you can create mini-blooms! On the other hand, if splatters fall on dry paper, these drops will retain their sharp, circular shape.
It's easy to go overboard with it, though, mostly because it's quite fun to do! So work incrementally and stay mindful throughout the process.
To do this technique, create a watery but pigmented paint mixture, wet your paintbrush (I use a round in size 8 in the video) and gently tap it on another paintbrush in a cross position.
Watercolor splattering technique in warm color exploration
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Watercolor splattering technique in cool color exploration
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4. Bleeds
Many beginners starting out with watercolors aren't aware of this, but it's easy to soften out stark- looking lines and shapes both while our paint is still wet and after our paint has already dried. One of the techniques we can use to soften lines or create feathering effects is bleeding, which can be easily done whilst our paint is still wet or is in the drying process.
To do bleeding, simply rinse your paintbrush thoroughly and draw a line of clean water right along the outer edge of the shape or line you want to soften out. Because paint will expand in wet areas, the color will feather out into the recently wetted line of clean water you've drawn, creating a softened effect.
This said, one of watercolors characteristics is the fact that they can be reactivated once they've dried! This means that we'll always have the option to go back into an area to soften it out by doing some gentle scrubbing using a clean, damp paintbrush. Of course, certain pigments will be easier to lift and move around than others and it will be almost impossible to go back to the whiteness of our paper, but we'll be able to do at least some level of softening.
It's very useful to swatch out our colors when buying a new watercolor paint set, as this allows us to test out paint characteristics before actually using them in a painting. In my blog post/YouTube video titled How to Swatch Watercolors and Why it's Important, I describe important characteristics and terminology related to this painting medium and take you through my own swatching process.
Watercolor bleeding/feathering effect in red
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Watercolor bleeding/feathering in green
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*Bonus Effect: Backrun
When we're just starting out with using wet-on-wet effects, are working too fast and/or are not staying mindful of what what's going on, backruns happen. We can avoid backruns by practicing water control, staying mindful of how wet our paper is and how much water our paintbrush has in its bristles.
In essence, backruns can be avoided by making sure the amount of water in our bristles is less that the amount of water that is already on our paper. They can also be avoided by allowing the previous layer to dry completely before going back in with another wash of color.
This said, backruns are one of those things that some artists consider to be absolutely wrong, while others actually create them intentionally to give the impression of specific things in their paintings like foliage in a landscape, etc.
What do you think?
In essence, backruns can be avoided by making sure the amount of water in our bristles is less that the amount of water that is already on our paper. They can also be avoided by allowing the previous layer to dry completely before going back in with another wash of color.
This said, backruns are one of those things that some artists consider to be absolutely wrong, while others actually create them intentionally to give the impression of specific things in their paintings like foliage in a landscape, etc.
What do you think?
Watercolor back run
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
Join the Becoming Artists Patreon community. Click to learn more!
Used supplies:
 Arches Watercolor Paper Pad: 10 X 14 inches $15.68
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Winsor & Newton Cotman Watercolor Tube Set: 12 pieces $26.25
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Zen All Media Short Handle Round Brush: Size 8 $2.00
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Royal and Langnickel Zen Flat Brush 1" - Unavailable
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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Confused as to what the similarities and differences are between watercolor and gouache? What are the main things to have in mind when combining these two painting mediums in one same piece in order to achieve the best outcome?
It's no secret that watercolor and gouache can work amazingly well together. This said, it can be difficult to get the most out of their combination if we're unaware of the differences between them, as well as how we can combine their distinctive characteristics to create balanced pieces that allow both of them to shine simultaneously.
Learning tips and tricks from experienced artists can definitely open up our horizons to make our ideas come to life more successfully, and this is why I've asked the amazingly talented Haydn Symons to write a post for us!
In today’s blog post, U.K.-based artist Haydn Symons helps us understand the similarities and differences between watercolor and gouache, and why they are so compatible. He'll also be sharing some of his expert tips that will help us successfully integrate both mediums into one great-looking piece.
Haydn is a skilled freelance illustrator and designer with a vast experience working with watercolor and gouache. Throughout the years, he has developed a very striking art style and currently works with clients worldwide within the editorial, publishing and advertising spaces.
Though watercolor and gouache are his favorite painting mediums, Haydn is a multi-passionate artist that constantly explores different drawing and painting techniques, which is something I really believe in myself.
Without any further ado, let’s get into Haydn’s blog post!
Make sure to visit his website to check out more of his amazing work and follow him on social media. Links will be provided at the end.
3 Tips to Create Amazing Artwork Combining Watercolor and Gouache
Combining watercolor and gouache can be a hard nut to crack, especially if you’re new to either of these painting mediums or to the world of art. In this post, I'll be sharing the main similarities and differences between them, as well as why they are perfect for each other. I'll also be providing three pro tips to keep in mind when using both of these painting mediums in one same piece.
If you want to level up your use of gouache and watercolor, look no further than this blog post!
Similarities and Differences Between Watercolor and Gouache
The main similarity between watercolor and gouache is that they are both water-soluble. Both of these painting mediums can be reactivated with water once they've dried. On the other hand, when we work with acrylics or oils, we can certainly lay down subsequent layers of paint to add to or further enhance the look of previous layers, but it will be impossible to modify the layers in and of themselves once they've dried.
In terms of differences, watercolor is transparent, while gouache is opaque. Most of the time (depending on the thickness of the paint layer), when watercolor is placed on paper, we're able to see the underlying paper through the paint. Conversely, when gouache is placed on paper, its thickness and opaqueness covers up the surface fully unless it's been heavily diluted with water.
Check out Erika's Watercolor vs. Gouache blog post to see examples of the same subject painted with both mediums.
Same pear painted with both watercolor and gouache. Illustrations by Erika Lancaster.
Many famous artists have used gouache to produce ground-breaking work, from Edward Hopper and Henri Matisse to Paul Klee. Famous watercolor artists include J. M. W. Turner, John Singer Sargent to Vincent Van Gogh, just to name a few.
Matisse’s famous paper cut outs were created using gouache!
I love painting all kinds of subjects (portraits, landscapes, etc.) integrating both of these mediums, as they mesh together so well. I’ve become quite addicted to combining them!
Check out this book cover illustration of mine, as an example.
Combine These Two Painting Mediums Effectively By Doing the Following
Even though watercolor and gouache can work very well together, to create balanced and visually striking artworks, it's essential to have in mind a few things that will ensure we're playing to each of their strengths. We want the two mediums to complement and enhance the other harmoniously, and develop a sense of contrast that will create visual interest.
Tip 1. Use watercolor first and gouache second
As previously explained, gouache is the opaque sister of watercolor. Because gouache will easily cover up watercolor, but not the other way around, it's essential to plan out which areas to paint in with each medium. Gouache is the most dominant of the two and you want to make sure that it doesn't overtake the areas painted with watercolor.
Watercolor is delicate and provides a transparent glow, while gouache is punchy and solid. By giving thought to how you'll combine them, you'll allow each to shine in its own way and create a more interesting, balanced piece.
Give thought to how you can complement them, depending on the subject you'll be painting.
It’s a good idea to start your painting with a watercolor base, which is particularly helpful if you've created a preliminary sketch underneath as you'll still be able to see it through the watercolor layer(s).
Another idea is to use watercolor to create a warm or cool underpainting for your gouache to build upon. You can also create a background using watercolors that will then be added to with gouache. Finally, you can start with a wash of watercolor to simply break up the dreaded white space.
St. Basil Cathedral. Illustration by Haydn Symons. Click on image to check out more of his work!
Tip 2. Create depth by using a higher color saturation and level of detail in the foreground
The characteristics of these painting mediums can be combined to create an amazing sense of depth in a piece!
If you’re painting a landscape, for example, you can create depth by painting the sky using watercolor and your foreground elements in gouache. Because gouache is thicker and more opaque than watercolor, it will add a bold, sharp punch to closer elements, creating the illusion of these being closer to the viewer.
Because elements further away from us are usually blurry and less saturated in color, adding further details to our foreground elements using gouache can really enhance the sense of depth in a piece.
Walter White. Illustration by Haydn Symons. Click on image to check out more of his work!
Tip 3. Use thick watercolor paper or canvas
Because you’ll be using water throughout the painting process, working on thick watercolor paper or watercolor canvas is essential. Using thin, non-suitable paper will make the painting process difficult, as it will warp easily.
I enjoy using Seawhite’s Watercolor Paper in 350 gsm to create my illustrations, whether that be for commissioned work or personal work. Whether you choose to go for this brand or others, I highly recommend using paper that is at least 300 gsm in thickness.
Another alternative is painting directly onto watercolor canvas, as this paper is already pre-stretched and will not result in warping and buckling.
Because you’ll be using water throughout the painting process, working on thick watercolor paper or watercolor canvas is essential. Using thin, non-suitable paper will make the painting process difficult, as it will warp easily.
I enjoy using Seawhite’s Watercolor Paper in 350 gsm to create my illustrations, whether that be for commissioned work or personal work. Whether you choose to go for this brand or others, I highly recommend using paper that is at least 300 gsm in thickness.
Another alternative is painting directly onto watercolor canvas, as this paper is already pre-stretched and will not result in warping and buckling.
Singapore Map. Illustration by Haydn Symons. Click on image to check out more of his work!
*Bonus Tip: Use plenty of water when creating watercolor paint mixtures, but leave gouache mixtures thick and undiluted
One of the major errors that I have come across when combining these two mediums is making them fight against each other by adding too much water to both.
To ensure we're creating a balanced outcome (and to make the painting process go much smoothly), use plenty of water within the watercolor mixtures and only a bit in the gouache mixtures. This will allow the two mediums' contrasting characteristics of translucency vs. opaqueness to really stand out and contrast with each other, creating a ton of visual interest.
Finally, make sure to have fun!
I hope you've enjoyed this blog post to help you create stunning artworks combining watercolor and gouache, and encourage you to give it a go!
Remember to have fun! When creating art we can get bogged down with advice and technicalities, and loose the whole essence of what makes art so enjoyable.
Keep practicing and you'll be onto a winner!
Cheers!
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How have you tried combining these two painting mediums yourself? Are there any tips you’d like to share?
Haydn and I would love to hear from you in the comments section below. :)
A huge thanks to Haydn, for being so generous and sharing all of this useful information with us! He’s definitely inspired me to combine these two painting mediums more in my own work!
To find out more about more about Haydn and his work, visit his website/portfolio at www.haydnsymons.com
Also, follow Haydn on social media:
Instagram: https://www.instagram.com/haydnsymons/
Twitter: https://twitter.com/haydnsym
Facebook: https://www.facebook.com/haydnsymonsillustration
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Do you want to start giving your art the importance it deserves, but find it difficult to make time for it with everything you have going on? Are you frustrated (and maybe even depressed) that your day-to-day responsibilities don't allow you the time you need for those activities that bring you an immense amount of joy and fulfillment?
Follow your passion, be prepared to work hard and sacrifice, and, above all, don't let anyone limit your dreams.
-Donovan Bailey
In today's post, I'll be sharing eight useful tips that will help you make time for your art, even while having a crazy, busy schedule. These are things I set in place myself that allowed me to advance my art skills while working overtime at my last full-time position. By putting these tips to use and staying consistent, you'll be able to make steady progress towards your artistic goals, too.
For me, becoming a full-time artist and making a living from my art/art skills didn't even register as an option until I was around thirty years old and having had worked high-stress full-time jobs for over ten years. It was only after I had spent all that time building up personal and professional skills (as well as having saved up enough money) that I finally allowed myself to consider creative entrepreneurship.
For the longest time, I let my fears and limiting beliefs stop me from diving head-first into those activities that made me happier than anything I'd ever experienced. Not to mention, those jobs left me tired and completely drained of creativity. The last thing I wanted to do in my free time was focus, yet again, on another task.
However, as time went by, it dawned on me that life is too short not to prioritize my dreams and take action now. I had already wasted too much time! It was then that I began absorbing all I could from other artists that were making a living from their art and doing those things I wanted to be doing.
I decided to make my artistic growth a priority, no matter how tired I was from "adulting" and doing those things I had to keep doing in order to pay the bills and put food on the table.
In time, people started showing their interest and wanted to buy my work, which led to a huge increase in confidence. This helped me move on to larger, more complex projects which led to even more opportunities. It was after this that I finally planned out how I would be leaving all those years of working at "normal" jobs.
It was extremely scary, as full-time work was all I knew. But something inside me told me it was now or never, so I decided to go for it full-steam. This is what I've been doing for the last year and, even though I've been working non-stop day-in-and-day-out, it's the happiest I've ever been!
I talk more in depth about how I prepared to leave my last full-time job in my blog post/YouTube video titled How I Left My Job and Became an Artistpreneur.
I'm very, very thankful for the job opportunities that I have had in the past, as they allowed me to grow personally and professionally in so many ways. Honestly, if it wasn't for those jobs and the experience they provided, I don't think I'd have the skills and confidence to be doing what I'm doing today.
8 Tips to Progress Artistically Even While Being Incredibly Busy
1. Acknowledge (and embrace) that you're an artist/creative at heart
Getting to know yourself and learning to love who you are is absolutely essential for anyone to be happy. If your creative spirit and art-making is what distinguishes you from others, embrace it. What's more, actually believe that you have it in you to become an artist if that's what you want and decide to give your true passions the importance they deserve.
My greatest fear in life is reaching old age and regretting not having pursued my dreams as best I could. I may be idealistic, but I believe every single one of us was born for a reason, and it's through growing in that area that we're then able to inspire those around us and make an impact in the world.
You may be in the same situation I was in, working full-time jobs that don't fulfill you or that have nothing to do with art, but think of these jobs as stepping stones that are allowing you to grow in different ways and are giving you the resources to live and develop yourself artistically while not having to worry that you won't be able to pay the bills.
Be thankful for these opportunities but always keep your end-goal in mind, no matter what.
2. Prioritize your artistic growth and rearrange your current routines
To make significant improvements in any area of our lives, it's essential to prioritize our goals, create plans and stick with them. Accept the fact that this will involve having to make certain sacrifices, but always remember that a year from now you'll be incredibly happy that you started today.
As busy people with "regular" jobs, families to take care of, and all the responsibilities that come with being adults, we have to accept the fact that things are going to pop up that we have to take care of. However, focus on the things that you are able to control. You may not be able to change the fact that you'll be busy working 8-10 hours a day at your job, but you can certainly reduce the amount of time you spend watching t.v. or scrolling on social media on your off time.
By scheduling in your art time there is a much greater possibility you'll actually do it. Depending on your personal situation, this could mean setting aside one hour three times a week after work to follow a tutorial on your topic of choice or perhaps waking up 30 minutes earlier so that you can do a quick sketch before going to work. If you absolutely can't find time during the week, then schedule in time on weekend mornings.
Another huge thing that goes hand-in-hand with using your time wisely is the ability to say 'no' to those activities that aren't going to get you closer to your goals. I know how hard this can be for people-pleasers like myself, but it's imperative to establish clear boundaries with others and to be able to discern between activities (and even people) that are helpful, from the ones that may be a waste of time and energy. Remember that time is the most valuable thing we have.
One question I always as myself whenever I'm feeling like I'm wasting too much time is:
Is this activity helping me improve my work, my health or the relationships I have with my loved ones?
3. Establish deadlines and goals
In my blog post Time Management for Artists: My Secrets for Staying Consistently Productive I explain how I go about setting yearly goals in personal, professional and interpersonal areas in order to then chunk them down into clear, doable monthly objectives. I then divide those smaller monthly goals into even smaller chunks that must get done each week.
Three examples of how to go about applying this in regards to artistic growth:
a) Large goal: Complete an online art course in three months.
Depending on the amount of modules/classes/assignments included in the course of your choosing, divide them into three "chunks" to be completed by the end of each month. Then, divide those chunks once again into 4 (number of weeks in a month) and schedule your to-do's each week.
b) Large goal: Fill 12 pages of your sketchbook in one month.
Complete 3 pages each week so that by the end of the month you'll reach your goal.
c) Large goal: Get really good at drawing portraits by the end of the year.
Set incremental goals each month starting with the fundamental knowledge you should understand and progressing onwards until you get to month 12. Ex. Month 1: Understand basic facial proportions and locations of facial elements within the head shape, Month 2: Drawing eyes, Month 3: Drawing noses, Month 4: Drawing lips, Month 5: Drawing heads in angles, and so on.
I'm aware that this process might sound too constrictive or boring for free-flowing creatives out there. While I totally agree that it's incredibly important to stay flexible, if we don't establish deadlines, most of us tend to push things back to the point they never get done. We're constantly bombarded with distractions and it's important to stay focused in order to ensure we're moving the needle forward consistently, even if it's a tiny bit at a time.
4. Connect with others that share your same love for art
Being an artist can be lonely and not having other people to talk to that share your same wavelength can make things even harder. If you're lucky to have friends you can chat with or even create art with in person, treasure them and make sure you're scheduling in time to hang out every so often. It's so important to maintain connections with other people we can learn from and who'll inspire us to keep going!
The Internet is such an invaluable tool, as it not only enables us to learn and improve our artistic skills through articles and videos, but we're also able to connect with other people all over the world that share our same passion for art. Even if you're in a situation similar to mine, in which you don't have many artists around you that you can hang out with in person, you can very easily meet other artists through social media, groups and art communities.
Whether you create and/or share art with others in person, online or a combination of both, make sure you make time for brainstorming new ideas with others, as well as obtaining (and providing) feedback. Learning from more seasoned artists and participating in online art communities has helped me stay accountable and consistent, which has allowed me to progress my skills significantly in shorter periods of time.
Click on the image to subscribe to my email list and get access to the Art in Harmony Facebook group.
5. Keep your art supplies handy
Get in the habit of bringing a small sketchbook and a couple of drawing tools of your choice with you wherever you go. This way, you'll be able to progress your drawing and observational skills in free pockets of time throughout the day. I talk about the importance of sketchbooks and tips to make the most of them in my post Why Sketchbooks are Essential Tools for Artists.
Aside from this, also place your art supplies somewhere where they'll be visible for you at home. Don't keep them locked away in a closet or drawer! By having them on hand, there is a much greater chance you'll actually remember to use them.
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6. Never underestimate the power of quicker studies
I 100% believe that working on quicker studies 3-4 times a week is going to get you much further, faster, than creating one polished piece every five months. While it may be possible to create a beautiful-looking polished piece 2-3 times a year by following a tutorial or going to a one-time workshop, only creating art every now and then isn't going to do much for you in terms of developing your own artistic voice.
Ultimately, it's by staying consistent and by doing regular studies (no matter how large or small) that we get to know ourselves as artists, really hone into our techniques, and build up our confidence to take on more complex challenges. What's important is to make our art and creativity a habit.
Danny Gregory is an artist and author that started drawing in his mid-30's and, after seeing how this practice changed his life, wrote his book Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are to inspire others to make their art a habit, too. It's full of short drawing/sketching exercises and is perfect for those who want to draw but can't decide on what. The book has an optional workbook that provides even more prompts and actually has space to draw on. With Gregory's book, there's simply no excuse!
Ultimately, it's by staying consistent and by doing regular studies (no matter how large or small) that we get to know ourselves as artists, really hone into our techniques, and build up our confidence to take on more complex challenges. What's important is to make our art and creativity a habit.
Danny Gregory is an artist and author that started drawing in his mid-30's and, after seeing how this practice changed his life, wrote his book Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are to inspire others to make their art a habit, too. It's full of short drawing/sketching exercises and is perfect for those who want to draw but can't decide on what. The book has an optional workbook that provides even more prompts and actually has space to draw on. With Gregory's book, there's simply no excuse!
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7. Collect ideas as you go through your day
As artists, it's important to stay open to inspiration coming from all kinds of sources. A new idea can come up after seeing a nice combination of colors in someone's outfit, the texture of a piece of fruit or the shape of a flower vase! Not to mention, emotions or ideas for new projects can come up during a quick trip to the supermarket or a night out with friends.
Even if you don't have enough time to put pencil/pen/paintbrush to paper during a crazy week, by keeping your art in the forefront of your mind and collecting ideas as you go through your day, you'll be staying creative! Always be thinking of how you can use everyday experiences as inspiration for future projects and get in the habit of writing down notes, as well as taking reference pictures that you can use in the future.
8. Stop overthinking and just get to work
It's incredible to me how we're our own biggest obstacles. Oftentimes we stop ourselves from doing things we know we need to get done in order to reach our goals because we overthink everything and waste way too much time doing so.
In time, I've come to realize that it's through taking imperfect action that we're able to move forward and that staying paralyzed with laziness and/or fear is a huge waste of the precious time we have.
If there's anything you really want to do in life, please do it! You owe it to yourself and to those around you who will be incredibly inspired by the fact that you pursued your passions.
Many of us may be extremely busy or may be going through a particularly rough time, but it's up to us to stay positive, use our experiences to our advantage and do what we can with the time we have. Motivate yourself by thinking of the artist you'll be a year from now if you just make the decision to prioritize your growth. A year from now, you'll be thankful you started today.
Cheers!
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