*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Is there a specific process to follow when using watercolor pencils? What things should I do to ensure a better outcome when using this medium? What are some good watercolor pencil options for beginners just getting started? In this blog post, I'll be providing five key tips that will help make the learning process less frustrating and enable you to create amazing artwork as soon as possible. In the video included here, I'll also be sharing how I personally use watercolor pencils by painting a yellow rose. Watercolor pencils are not only an extremely versatile art medium, as they are simultaneously a drawing and a painting tool, but their practicality makes them ideal for many beginners that are short on time and space. They also allow for much more control when compared to regular watercolor paint and can help us start getting a feel for what it's like to work with watercolors without having to master water control. Watercolor pencils are basically watercolor pigment that has been encased in wood, in the form of a pencil. They can and can be used either with or without water to create different effects, which can range from a heavily-textured colored pencil look, to a smooth and painterly watercolor paint look. To create marks and colored pencil textures, we simply use them right on our paper, which can be completely bone dry or pre-wetted with clean water. Of course, the type of paper used has a great impact on the amount of texture created. Smoother paper will lead to smoother effects, while rougher paper will create more texturized effects, as the pigment isn't evenly distributed throughout the tooth of the paper. On the other hand, to create painterly effects, we lay down our color on our paper just as if we were using regular colored pencils and then smooth it out by going in with a dampened paintbrush. There's no need to use heaps of water for this. *You can also use the impromptu paint mixing palette method I demonstrate in the video included below. When using quality watercolor pencils, water really activates the pigment and makes the color look a lot brighter and bolder. These techniques can be used alone or in combination. For example, if you were painting a landscape, you could use more painterly techniques for your background, and more textured/detailing techniques for layers in your foreground. There is no specific process to follow when using this medium. It's use is going to depend on the specific style and effects you are personally going for with the piece on hand, which is why it's important to give thought to the overall look you want to create before starting. All this said, many of the regular watercolor "rules" (if they can even be called rules) apply. In the following video you'll see how, even though my general method is different to what I would do when I paint with regular watercolor paint, I still protect my highlights throughout the process, work from light and translucent to dark and saturated, and allow my paper to dry in between layers. In this past blog post/YouTube video, I do a comparison between regular watercolor paint and watercolor pencils, and share a complete demo in which I paint the same apple using both mediums. They are very similar, but very different at the same time! Watercolor Pencil Tips for Beginners
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2. Create your preliminary sketch lightly
One of the main characteristics that sets watercolors apart from other painting mediums such as acrylics, oils and gouache, is its translucency.
Because of this, if we create a preliminary sketch prior to starting with our painting process that's not very light, it will likely show through our paint.
There are lots of watercolor artists out there who like their line work to show through their paint, but if you don't want this to happen, it's important to make sure that you're outline sketch is created lightly. I usually use an HB pencil for this phase of the process and make sure I'm not exerting much pressure at all.
Being light-handed when creating your preliminary sketch will also help ensure that the graphite left behind on your watercolor paper won't dirty up the colors you start placing on top. You want your colors vibrant and fresh.
Something you can also do, is use a light colored watercolor pencil to create your preliminary sketch. This way, once you start using water, your line work will disappear completely as you go!
3. Plan the colors you'll be using before starting to paint
It's incredibly important for people starting on their painting journeys, to look into the color wheel and Color Theory.
Color is an Element of Art that not only plays a huge role in making an artwork look harmonious and cohesive, but knowledge about the color wheel enables us to create color mixtures effectively throughout the art-making process.
Over at my Patreon site, I offer sequential classes that cover all must-know Art Fundamentals. You can also get immediate access to my Drawing and Watercolor for the Total Beginner Mini-Courses by becoming an art email insider here (the third class in the watercolor course is all about color).
Instead of randomly picking colors throughout the painting process, take five minutes to observe your reference picture and pick out the specific watercolor pencil colors you'll be using. Take them out of your package and place them beside you as you prepare for your new piece.
Don't only think about the colors of the subject in and of itself (ex. if I'm painting a gray cat I'm not only looking for different grays), but also think about what colors you'll be adding in to create your darkest values, cast shadows and background colors.
Take time to swatch your colors on a scrap piece of watercolor paper, as they really tend to look different once they are applied vs. the color shown on the pencil. Test any color mixtures you're planning on using.
Keep things limited and as simple as possible.
I promise, it'll make a huge difference in terms of both your organization during the process, as well as the outcome.
4. Use a good reference photo
If you're looking to create higher levels of realism, make sure you're stemming from a good reference photo (or have your subject in front of you in good lighting).
Not only will a good reference photo enable you to see details and the tiny nuances that will make your drawing or painting more realistic, but it will also provide you much needed information in terms of light behavior and locations of highlights, midtones and darks.
Remember, it's these different values (highlights, midtones and darks), that make drawings and paintings look three-dimensional. If you're unable to locate them in a photo reference, you'll have lots of trouble trying to recreate them.
Always make sure your reference photos have a great resolution that will enable you to see details and zoom in (if necessary), and that they show good lighting.
You'll know a photo has good lighting if it shows a good play between lights and darks. *Photos taken with flash are usually washed out and make everything look very flat, which makes the drawing and painting process a lot harder.
If you don't have a good reference to work from, you're basically guessing at what things look like and have to make your own conclusions in regards to where highlights, midtones and darks are located.
Unless you've been drawing or painting a specific subject for years, you're drawing or painting it the way you think that subject looks like, and not what it actually looks like in real life.
Learning to observe and learn all we can about the subjects we're interested in improving at by actually taking in all sorts of references (photos, life subjects, videos, etc.), is so important, as artists!
And, remember, just because you're using a reference, it doesn't mean you can't bring in your own creativity into your work.
5. Give thought to what kinds of effects you want to use in each area of your painting
Because watercolor pencils allow for so many different types of techniques, it can be very easy to get lost during the process and end up with effects we weren't intending to create.
Give thought to the specific techniques you'll be using, as well as when and where you'll be using each, throughout the painting process. This will make it much more likely that you'll end up with an outcome you'll love.
Think of how you can combine different techniques to create impactful and contrasting effects in your different layers (foreground, middleground, background), as well as how you can use them to bring more attention to your focal point.
There are so many ways you can go with watercolor pencils!
Explore, have fun and don't forget to bring in a bit of yourself into everything that you create. :)
2. Create your preliminary sketch lightly
One of the main characteristics that sets watercolors apart from other painting mediums such as acrylics, oils and gouache, is its translucency.
Because of this, if we create a preliminary sketch prior to starting with our painting process that's not very light, it will likely show through our paint.
There are lots of watercolor artists out there who like their line work to show through their paint, but if you don't want this to happen, it's important to make sure that you're outline sketch is created lightly. I usually use an HB pencil for this phase of the process and make sure I'm not exerting much pressure at all.
Being light-handed when creating your preliminary sketch will also help ensure that the graphite left behind on your watercolor paper won't dirty up the colors you start placing on top. You want your colors vibrant and fresh.
Something you can also do, is use a light colored watercolor pencil to create your preliminary sketch. This way, once you start using water, your line work will disappear completely as you go!
3. Plan the colors you'll be using before starting to paint
It's incredibly important for people starting on their painting journeys, to look into the color wheel and Color Theory.
Color is an Element of Art that not only plays a huge role in making an artwork look harmonious and cohesive, but knowledge about the color wheel enables us to create color mixtures effectively throughout the art-making process.
Over at my Patreon site, I offer sequential classes that cover all must-know Art Fundamentals. You can also get immediate access to my Drawing and Watercolor for the Total Beginner Mini-Courses by becoming an art email insider here (the third class in the watercolor course is all about color).
Instead of randomly picking colors throughout the painting process, take five minutes to observe your reference picture and pick out the specific watercolor pencil colors you'll be using. Take them out of your package and place them beside you as you prepare for your new piece.
Don't only think about the colors of the subject in and of itself (ex. if I'm painting a gray cat I'm not only looking for different grays), but also think about what colors you'll be adding in to create your darkest values, cast shadows and background colors.
Take time to swatch your colors on a scrap piece of watercolor paper, as they really tend to look different once they are applied vs. the color shown on the pencil. Test any color mixtures you're planning on using.
Keep things limited and as simple as possible.
I promise, it'll make a huge difference in terms of both your organization during the process, as well as the outcome.
4. Use a good reference photo
If you're looking to create higher levels of realism, make sure you're stemming from a good reference photo (or have your subject in front of you in good lighting).
Not only will a good reference photo enable you to see details and the tiny nuances that will make your drawing or painting more realistic, but it will also provide you much needed information in terms of light behavior and locations of highlights, midtones and darks.
Remember, it's these different values (highlights, midtones and darks), that make drawings and paintings look three-dimensional. If you're unable to locate them in a photo reference, you'll have lots of trouble trying to recreate them.
Always make sure your reference photos have a great resolution that will enable you to see details and zoom in (if necessary), and that they show good lighting.
You'll know a photo has good lighting if it shows a good play between lights and darks. *Photos taken with flash are usually washed out and make everything look very flat, which makes the drawing and painting process a lot harder.
If you don't have a good reference to work from, you're basically guessing at what things look like and have to make your own conclusions in regards to where highlights, midtones and darks are located.
Unless you've been drawing or painting a specific subject for years, you're drawing or painting it the way you think that subject looks like, and not what it actually looks like in real life.
Learning to observe and learn all we can about the subjects we're interested in improving at by actually taking in all sorts of references (photos, life subjects, videos, etc.), is so important, as artists!
And, remember, just because you're using a reference, it doesn't mean you can't bring in your own creativity into your work.
5. Give thought to what kinds of effects you want to use in each area of your painting
Because watercolor pencils allow for so many different types of techniques, it can be very easy to get lost during the process and end up with effects we weren't intending to create.
Give thought to the specific techniques you'll be using, as well as when and where you'll be using each, throughout the painting process. This will make it much more likely that you'll end up with an outcome you'll love.
Think of how you can combine different techniques to create impactful and contrasting effects in your different layers (foreground, middleground, background), as well as how you can use them to bring more attention to your focal point.
There are so many ways you can go with watercolor pencils!
Explore, have fun and don't forget to bring in a bit of yourself into everything that you create. :)
Great watercolor pencil options for beginners:
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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Why is it that abstract art looks so easy to do and when I try my hand at it, I always end up disappointed with my results? How can I become looser and more expressive when painting with watercolor? Does one have to prepare before starting a painting that's more on the abstract side of the art spectrum?
When I first saw abstract artists at work, back when I was very young, I remember thinking just how easy it must be to create that kind of painting (or drawing). I saw how intuitively and spontaneously they moved along the process, and concluded there was no prep work involved or specific process to follow.
I wasn't entirely wrong.
However, the thing I failed to realize back then is, those artists that seemed to be creating magic on canvas in a matter of minutes and without any struggle at all, had a ton of knowledge about art and Art Fundamentals, and had full control over their preferred mediums.
They had already devoted lots of time to learning, exploring, messing up and finding their voice to the point that they could now easily express emotions and ideas via marks, colors, shapes and textures.
They had full knowledge of Elements and Principles of Art, and were masters at choosing color schemes, creating interesting and balanced compositions, harmony, contrast, and everything that makes an artwork look impactful, cohesive and have the ability to effectively communicate an idea or emotion.
Because they had already gained a certain level of mastery through their first-hand experience, they were able to move through the creative process with confidence and ease.
And confidence, in my opinion, is key to abstracts as it's what truly allows us to let go and be able to work more intuitively.
Not to mention, these artists had already gone through the long process of finding themselves artistically and preparing their specific tools (and colors) of choice. They know the message they want to transmit and how they want to transmit it.
So yes, they may be going along the creation of an abstract painting intuitively now, and they may or may not have prepared or practiced before starting a specific piece (this depends on each artist's creative process), but they have years of practice under their belts.
When we're just getting started (and we're serious about improving our skills), it's important to realize that there is a lot to learn and that we need to explore and practice first-handedly consistently and intentionally, in order to make the progress we're after.
As I shared in my past blog post, 5 Tips for the (Serious) Self-Taught Artist, learning about Art Fundamentals can make the biggest different in your artistic journey.
Not only in your ability to create original and impactful drawings or paintings, but also in your ability to analyze and talk about art. This knowledge helps you communicate your ideas about your work, and the work of others, which is so important when your goal is to become a professional artist.
By learning about Art Fundamentals and applying this knowledge consciously in the beginning, as well as taking a few minutes to do a bit of planning prior to starting a new piece (whether it's abstract or not), you'll develop your eye for composition and later be able to tell if something works or not, pretty darn fast.
Not to mention, knowledge of Art Fundamentals is what allows us to create original and visually pleasing artworks from scratch, all on our own, and without having to constantly rely on inspiration from other artists.
This means you won't have to spend hours scrolling Instagram or Pinterest until you arrive at something that you want to replicate, because you'll have the ability to take ideas you already have inside of you and turn them into an actual visual composition.
Join the Becoming Artists community on Patreon for live classes on Art Fundamentals, exclusive real-time drawing and watercolor tutorials that I don't share anywhere else (complete with downloadables), sketchbook prompts sent to you every week designed to help you stay consistent, feedback from me on your work and much more! *Click to learn more.
Next. I'll be sharing three key tips that will help ensure a much smoother process and a more effective outcome when creating looser watercolor paintings.
Why is it that abstract art looks so easy to do and when I try my hand at it, I always end up disappointed with my results? How can I become looser and more expressive when painting with watercolor? Does one have to prepare before starting a painting that's more on the abstract side of the art spectrum?
When I first saw abstract artists at work, back when I was very young, I remember thinking just how easy it must be to create that kind of painting (or drawing). I saw how intuitively and spontaneously they moved along the process, and concluded there was no prep work involved or specific process to follow.
I wasn't entirely wrong.
However, the thing I failed to realize back then is, those artists that seemed to be creating magic on canvas in a matter of minutes and without any struggle at all, had a ton of knowledge about art and Art Fundamentals, and had full control over their preferred mediums.
They had already devoted lots of time to learning, exploring, messing up and finding their voice to the point that they could now easily express emotions and ideas via marks, colors, shapes and textures.
They had full knowledge of Elements and Principles of Art, and were masters at choosing color schemes, creating interesting and balanced compositions, harmony, contrast, and everything that makes an artwork look impactful, cohesive and have the ability to effectively communicate an idea or emotion.
Because they had already gained a certain level of mastery through their first-hand experience, they were able to move through the creative process with confidence and ease.
And confidence, in my opinion, is key to abstracts as it's what truly allows us to let go and be able to work more intuitively.
Not to mention, these artists had already gone through the long process of finding themselves artistically and preparing their specific tools (and colors) of choice. They know the message they want to transmit and how they want to transmit it.
So yes, they may be going along the creation of an abstract painting intuitively now, and they may or may not have prepared or practiced before starting a specific piece (this depends on each artist's creative process), but they have years of practice under their belts.
When we're just getting started (and we're serious about improving our skills), it's important to realize that there is a lot to learn and that we need to explore and practice first-handedly consistently and intentionally, in order to make the progress we're after.
As I shared in my past blog post, 5 Tips for the (Serious) Self-Taught Artist, learning about Art Fundamentals can make the biggest different in your artistic journey.
Not only in your ability to create original and impactful drawings or paintings, but also in your ability to analyze and talk about art. This knowledge helps you communicate your ideas about your work, and the work of others, which is so important when your goal is to become a professional artist.
By learning about Art Fundamentals and applying this knowledge consciously in the beginning, as well as taking a few minutes to do a bit of planning prior to starting a new piece (whether it's abstract or not), you'll develop your eye for composition and later be able to tell if something works or not, pretty darn fast.
Not to mention, knowledge of Art Fundamentals is what allows us to create original and visually pleasing artworks from scratch, all on our own, and without having to constantly rely on inspiration from other artists.
This means you won't have to spend hours scrolling Instagram or Pinterest until you arrive at something that you want to replicate, because you'll have the ability to take ideas you already have inside of you and turn them into an actual visual composition.
Join the Becoming Artists community on Patreon for live classes on Art Fundamentals, exclusive real-time drawing and watercolor tutorials that I don't share anywhere else (complete with downloadables), sketchbook prompts sent to you every week designed to help you stay consistent, feedback from me on your work and much more! *Click to learn more.
Next. I'll be sharing three key tips that will help ensure a much smoother process and a more effective outcome when creating looser watercolor paintings.
3 Tips for Beautiful Watercolor Abstracts
1. Plan your colors
Color is an essential part behind making a visual composition (whether simple or complex) look harmonious and cohesive. Because of this, giving thought to what specific colors you'll be using prior to starting with the painting process can be extremely helpful, especially when we're just getting started with painting.
When we're creating an artwork, we have to consider the whole, or the global picture. A composition is meant to be seen in its entirety, which is why artists have to become masters at making use of (and manipulating) the different Elements and Principles of Art so that everything included works together to transmit the message, emotion or mood that they are intending to transmit.
No element included in the piece is an island, as they all interact with each other to communicate the story, message or feeling to the viewer.
Therefore, it's smart to give thought to how the different parts we'll be including in our artwork will be working in conjunction, prior to starting with the painting process.
In relation to color, it's also helpful to remember that the way we see each hue is affected by the colors around it.
Randomly picking colors throughout the painting process is a huge no-no, especially when we're just starting on our painting journeys. This will often result in struggling with muddy colors throughout the process, as well as finished products that don't look cohesive.
Have in mind that, when we come across a video online where we're seeing a pro who knows color and has been painting for a long time, they've already most likely prepared specific colors on their palettes that they love and know will work well for the mixtures they'll be needing.
In other words, they've already prepared their colors and aren't working with a color set that has been pre-made for them.
They also know the color wheel like the back of their hand. This knowledge enables them to not only create color mixtures effectively, but also select color schemes that look integrated and impactful, and know exactly which colors to reach out for (or stay away from) when a new color mixture is needed.
Learn more about the Color Wheel and Color Theory by joining over 3,000 art e-mail insiders and getting immediate access to my *free* Watercolor for the Total Beginner Mini-Course! The third class is all about color. :)
Something I love doing when preparing for a new piece is to think about the overall mood I want it to transmit to the viewer and how I can play with color to enhance my focal points, as well as create a sense of contrast to really make my painting pop.
*Most of my viewers over on YouTube also know that I love keeping things simple and using a limited amount of colors when painting.
Keeping things as simple as possible, and limiting the amount of colors that I'll be using, allows me to stay better organized throughout the process, which keeps muddy colors at bay, and leads to my paintings looking a lot more unified at the end.
2. Give thought to your compositional arrangement
Though many abstract artists make this work seem easy, something important to understand as beginners is that an impactful, harmonious and balanced composition rarely happens by accident.
As an outsider looking in, it might look like what skilled abstract artists are doing is completely free-flowing and spontaneous.
However, as I mentioned before, they have the knowledge and skills they need to create impactful work almost unconsciously and have the confidence that allows them to trust in their tools and in their own decisions/movements.
It's incredibly helpful, for both beginners as well as more experienced artists, to sketch out a few quick thumbnails to roughly plan the location of focal point(s), as well as the balance that will be created between positive and negative spaces (areas which contain the subjects vs. empty areas), before getting started with the painting process.
If you're using a reference photo, give thought to cropping and manipulating the size of different elements included, as well as removing those which may be detracting from the focal point or the balance you're looking to create.
By learning about Art Fundamentals you'll become knowledgable on how to play with Elements of Art in order to manipulate their characteristics, as well as their placement within your space, to pull the viewers' attention towards your focal point(s) and keep their eyes moving throughout the piece.
Not to mention, you'll also be able to stay away from making your drawings or paintings too overwhelming, which can be a huge problem when creating abstract art.
Two "rules" or guides that I learned in art school which really helped me develop my eye for balanced yet interesting compositions, were the Rule of Thirds and the 60/40 (or 70/30) Rule (also referred to as the "Less is More" rule).
The Rule of Thirds is used by photographers and even cinematographers all the time, and it helps us create interesting, asymmetrically balanced artwork that transmits a story.
Using it is very simple. We basically divide our space into 9 equal squares or rectangles using horizontal and vertical lines and, using this grid, we decide the location of our focal point, as well as the placement of the secondary and tertiary elements.
The Rule of Thirds tells us to never place our focal point right in the center of our space, or within the center of any of the squares or rectangles. It tells us to pick one of the points where the horizontal or vertical lines intersect (see red dots in image below). We can also place our focal elements along one of the lines.
This guideline helps us create visual compositions that keep the viewer's eyes moving throughout the piece, instead of staying stagnant, which we definitely want to stay away from.
It's not completely black and white, and you'll be able to find many examples of masterpieces created throughout history in which the Rule of Thirds has been deliberately used, and other in which it's used a bit more loosely.
The Rule of Thirds Grid.
To learn more about Art Fundamentals directly from me in an easy and sequential way, join us on Patreon! You'll get immediate access to all of my exclusive drawing/watercolor painting tutorials (2 new ones get shared each month), as well as live Q&A's and tons of resources I don't share anywhere else.
Check out this beautiful painting created by Renoir in 1873. The viewer's attention immediately gets called towards the lady in the white dress.
The artist not only placed the focal point along one of the lines in the Rule of Thirds grid, but also emphasized the main subject by creating contrast using color and value, as well as rendering higher levels of detail within her when compared to the elements around her. We get a sense of this lady being directly hit by sunlight, while everything else in her proximity is in shadows.
On the Grass by Pierre-Auguste Renoir (1873)
On the Grass by Pierre-Auguste Renoir (1873) with Rule of Thirds grid.
Now check out this painting created by Van Gogh in 1888. He's also made use of this same idea when he decided to place the group of boats off-center and closer to the left side.
The viewer's attention not only gets immediately pulled towards the red boat (which falls right in the intersection where one of the vertical and horizontal lines meet in the grid), but our eyes then keep traveling towards the boats behind it, and then to the boats that are heading out towards the horizon.
In this piece, though, the horizon line was placed almost halfway down the composition, which is what the Rule of Thirds tells us to stay away from. This nearly perfect central placement of the horizon line usually "cuts" landscapes right in half, when we're usually looking asymmetrical balance.
However, this piece has so much movement and depth created by the placement of elements in the foreground, middleground and background, and such an interesting overall use of Principles of Art, that the horizon line doesn't really take away from it.
Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer by Vincent van Gogh (1888)
Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer by Vincent van Gogh (1888) with Rule of Thirds grid.
The 60/40 or 70/30 Rule basically tells us that the areas of interest (or our focal points) should take up a much smaller amount of space than areas of lower interest. It also propels us to think about how we're going to be making use of different Principles of Art inside our areas of interest when compared to outside of them, in order to create contrast, bring attention to our focal point, and transmit our message more clearly.
I don't know about you, but when I'm creating an abstract piece, I find it really easy to go overboard and start adding more and more (paint, marks, etc.) to the point that the focal point is lost and I end up with a painting that is overwhelming for the viewer.
This is a big no-no, unless of course, this is intentionally the style your going for.
I suggest taking breaks and stepping back from your work every few minutes and, once again, observing the global picture.
Think about whether more is truly necessary.
These two "rules" are by no means the only way to go about creating an artwork or the only helpful guidelines that exist out there, but they really helped me develop my eye for composition, as well as my knowledge on what goes behind creating a successful artwork when I was first getting started.
For more on Composition pertaining to abstract art, check out this awesome video shared by artist David M. Kessler over at his YouTube channel.
3. Think about how you'll be doing your layering (especially if you're using mixed media)
What makes so many abstract pieces so appealing is the richness artists are able to achieve via their layering processes, which I suggest giving thought to whether you're only using one medium to create your piece (the way I did with watercolor in the video included above), or are combining a variety of mediums.
This will not only ensure a better outcome, but will also help your piece last a lot longer in good condition.
Depending on the mediums that you're using, you'll want to do research and even do quick explorations to see if your initial layers will directly affect both the look and durability of the layers you place on top, and vice versa.
You'll want to look into factors such as drying times between layers and final varnishing, as well.
As opposed to representational art, in which a large part of the story or message is told via instantly recognizable subjects, abstract artists make use of the Elements of Art in their purest form (color, shape, line, texture, etc.).
Playing around with how to layer these different elements, as well as defining what tools, mediums and/or techniques will be used throughout different parts of the process, we'll be able to create a much more impactful piece.
Not to mention, we'll be able to keep some level of organization in our chaos. :)
Keep in mind that an interesting and impactful composition usually has some sort of play between less and more, dark and light, etc. There are many ways in which we can create contrast, including making use of light vs. dark values, cool vs. warm colors, small vs. large sizes, heavy vs. light visual or tactile textures, highly detailed vs. less detailed, etc.
*Bonus Tip: Just keep moving!
Once you've started with the painting process, don't allow yourself to stay stuck in one place. Move past small mistakes and embrace imperfection!
Trust in the plan and prep work you've done and keep moving forward. This quicker pace of working will lead to much more expressive results.
If you don't feel ready to start on the actual piece that's meant to be finalized, warm up with smaller explorations! This never fails to help me, no matter what I'm doing.
A while back I shared a blog post titled 5 Tips to Loosen Up and Create More Expressive Art which contains helpful tips that I apply myself.
Watercolor painting supplies used in this video:
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Royal & Langnickel Zen Watercolor Brushes $2.69-$5.39 at Blick.com
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I hope this blog post was helpful! If you have any questions or tips to share, make sure to leave a comment below.
Thanks so much for reading!
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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Looking for some meaningful and practical gift ideas that your artsy friend/significant other/family member would absolutely love to receive this Christmas? What items could help encourage an artist to keep creating and pursuing his/her creative passions?
First and foremost, I'd like to take a moment to thank you for reading this post, as it most likely means that you're interested in celebrating your friend or loved one's individuality and passion for art, and want to encourage him/her to keep going. As an artist myself, I can tell you that knowing people close to me support my decision to pursue art means everything, especially when one is just starting out.
I'm all about encouraging fellow artists to keep going because I 100% believe the world would be a better place with more art and artists in it.
All this said, no matter how mysterious and complex people make us artists to be, we're honestly an easy bunch to buy presents for. Not only do we tend to wear our hearts (and minds) on our sleeves more than others, but there are things we need to constantly replace in order to keep feeding our need for creation.
We also need to constantly seek ways to stay inspired and motivated, and a huge variety of things can get our creative minds going.
In this blog post, I'll be sharing a list of ten awesome gift ideas that your artistic friend will absolutely love. I've made sure to include options for both males and females, as well as an explanation as to why each item is so great.
Enjoy!
First and foremost, I'd like to take a moment to thank you for reading this post, as it most likely means that you're interested in celebrating your friend or loved one's individuality and passion for art, and want to encourage him/her to keep going. As an artist myself, I can tell you that knowing people close to me support my decision to pursue art means everything, especially when one is just starting out.
I'm all about encouraging fellow artists to keep going because I 100% believe the world would be a better place with more art and artists in it.
All this said, no matter how mysterious and complex people make us artists to be, we're honestly an easy bunch to buy presents for. Not only do we tend to wear our hearts (and minds) on our sleeves more than others, but there are things we need to constantly replace in order to keep feeding our need for creation.
We also need to constantly seek ways to stay inspired and motivated, and a huge variety of things can get our creative minds going.
In this blog post, I'll be sharing a list of ten awesome gift ideas that your artistic friend will absolutely love. I've made sure to include options for both males and females, as well as an explanation as to why each item is so great.
Enjoy!
Perfect Gifts for Artists on Amazon and Artist Merch Studio
I personally love buying art supplies, as well as Christmas gifts for my loved ones from the comfort of my own home through Amazon.
Another awesome option is getting a little something for your loved one over at my new Etsy shop, Artist Merch Studio! I'm filling up the shop with statement tees and mugs that are created especially for painters, illustrators and crafters.
Click on the images below to learn more about each item on this list.
Gift for artists over at Artist Merch Studio!
1. A Sketchbook (or Two)
Illo Sketchbook 180 GSM Paper (8x8). Click on image to find out more about this item.
An artist can only paint as well as he/she can draw, and keeping sketchbooks is a great way for us to continue sharpening our drawing and observational skills throughout our journeys. Not to mention, sketchbooks are portable, allowing us to stay creative wherever we go, and provide a chronological record of our progress that we'll keep forever.
You can honestly never go wrong with giving an artist a sketchbook.
Find out more about why sketchbooks are such an essential part of an artist's journey in this blog post.
2. A Statement Cell Phone Case
ChiChiC Anti-Scratch Slim Flexible Rubber Cases Cover for Apple iPhone 7 8 4.7 Inch
Not only do artists love making their passions known to those around them, but many of us working artists actually depend on it. Especially when an artist is just starting out, it's incredibly important to get the word out about what it is we do so that we can start building up those connections and experience.
An eye-catching statement accessory like this artsy cell phone case is a great way for us to transmit our originality and love for art, but also encourages other people to strike up a conversation with us.
3. A Leather Pencil/Paintbrush Case
Flyshine Canvas Artist Brush Holder Rollup Pouch. Click on image to find out more about this item.
An artist's supplies are his/her tools for creation, and they must be taken care of. This can definitely be a challenge when we do sketching and painting outside of our studios. A quality paintbrush case or pouch like this canvas roll-up ensures that our favorite paintbrushes will be kept safe.
I love the practicality of a roll-up pouch like this one, as there is no space wasted and paintbrushes can be organized/kept in place perfectly.
Gift for artists over at Artist Merch Studio!
4. A Painter's Apron
Artist Canvas Unisex Apron with Pockets. Click on image to find out more about this item.
The struggle is real for us artists to keep our clothes free of paint, which can be a problem because a lot of us prefer to spend our money on more art supplies, than on new clothes!
A canvas apron like this one is durable, wraps around the back for a higher level of protection, and I love that it includes different pockets for paintbrushes, rags and other things we might need to have on hand while painting. It's perfect for both males and females.
5. Highly Moisturizing Hand Lotion
Mrs. Meyer's Clean Day Hand Lotion, Lavender (12 oz). Click on image to find out more about this item.
Hand lotion is a total must for artists, especially in the winter time. We're constantly washing paint and other harsh liquids off our hands, which makes them extremely dry and itchy. I personally have bottles everywhere, including my studio, and always carry a tube with my in my bag.
Mrs. Meyer's Clean Day line offers a variety of scents like Lavender, Lemon Verbena, and Peppermint. They are perfect for those of us who need a higher amount of protection/moisture, as they are created especially for people who work with their hands.
We must take care of our hands because without them we can't create!
6. Artist Socks
Chalier Famous Painting Art Socks (4-6 Pairs)
What better way to keep your feet warm this Winter than by wrapping them in some bright and colorful art?
A pair of these socks will not only keep your artist friend warm and cozy while working in the studio, but will also remind him/her to remember to have fun!
Us artists can get pretty intense (and self-berating) while creating, and it's so important to remember to laugh and not take ourselves too seriously.
7. A Color Wheel Umbrella
Streamline Rainbow Color Wheel Umbrella. Click on image to find out more about this item.
An umbrella like this one is not only beautiful and inspiring to look at, but is also large and sturdy to help us keep our work safe when walking to and from vehicles in the pouring rain (which can be very challenging).
What better way to let that artist in your life know that you're there for him/her than providing a canopy of protection from the rain?
8. An Inspiring Enamel Pin
The Unemployed Philosophers Guild Bob Ross and Happy Tree Enamel Pin Set - 2 Unique Colored Metal Lapel Pins
On the lookout for something small, but meaningful? Enamel pins are all the rage now-a-days and are a perfect little surprise that your artsy friend will be able to actually wear or stick on his/her bag while out and about.
This is another perfect accessory that can not only help us express our individuality and love for art, but can also be a conversational piece. Making time for conversation with others is essential for us, especially because artists tend to be alone a lot.
Some of us forget what it's like to talk with others.
True story.
9. A Helpful Art Book
Living and Sustaining a Creative Life (Sharon Louden) and Art & Fear (David Bayles/Ted Orland) Books -Click on image to find out more about these items.
An artist's life can definitely get lonely and sometimes we need to be reminded of how others have gone through what we're going through. We also need to be inspired by stories from other artists who have reached success so that we can keep working hard to make our dreams come true.
Both of the books above are, in my opinion, must-reads for any serious artist.
Living and Sustaining a Creative Life is a compilation of 40 personal stories/essays by working artists. Each one of them shares his/her own experiences and struggles as they have pursued making a living as an artist. This book helps us understand the reality of what it's like to sustain a professional creative career over time.
Art and Fear is a very popular book amongst creatives of all kinds. This book tackles artistic insecurities, and the internal and external challenges that professional artists face throughout their journeys. Finishing projects, getting our work out there and receiving critique are difficult tasks that artists must learn how to do/handle. This is a book to read over and over again.
10. An Easel
US Art Supply Tall Tabletop Adjustable H-Frame Wood Studio Artist Easel. Click on image to find out more about this item.
As a painter myself, I have a variety of easels. I enjoy standing when I'm creating my larger pieces, but a desk easel like this one is absolutely perfect for smaller and more relaxing works to enjoy on weekend mornings. Switching from one easel to another is a great way to reset my mind from a piece I'm creating for selling purposes, and one I'm creating for myself.
This easel is sleek, sturdy, and is perfectly sized, even for beginner artists working in a small studio.
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
-Live classes on Art Fundamentals and Monthly Creative Assignments
+ much more!
*Click below to learn more!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Do you need fancy supplies to progress your drawing skills and create the artwork you'd like to share with the world? How does one go about drawing a believable face? Why is keeping a sketching habit important for artists of all kinds?
In the time lapse video included within this blog post I share my entire face drawing process, starting with creating the head shape, moving onto laying down guidelines to help with the effective placement of facial features, sketching in individual elements and finishing up by adding quick shading using a combination of hatching and crosshatching.
Drawing believable portraits (and any part of the human figure) is challenging, as it requires us to not only have decent drawing skills to be able to render form/three-dimensionality as well as different textures like hair and skin, but it also entails having a good amount of knowledge on proportion.
You see, faces are probably what we see most as human beings. Due to this, even non-artists are usually able to tell when something looks off, even though they may not know exactly where the error is.
In my past blog post/YouTube video titled How to Draw a Face (for Beginners), I take you step-by-step, through drawing a simple, forwards-facing portrait and explain basic facial proportions. *This is, in my opinion, an essential place for beginners to start.
In my blog post, How to Draw Faces at a 3/4's Angle-My 4 Step Process, I get into starting to understand the head shape as a three-dimensional form, why it's useful to understand the underlying structure of the face (the human skull), and take you through drawing a portrait at an angle.
Though I primarily sell my paintings, I'm a huge sketching fan. I consider drawing to be the basis for all kinds of art and really believe in keeping a sketchbook habit. Even quicker sketches created consistently will help keep your observation sharp and continue progressing your artistic skills.
Not to mention, sketching is also incredibly practical as we don't really need much besides drawing paper, a few different pencil grades and an eraser. There's no need to take out your painting supplies and go through your whole set-up if you're short on time.
Do you need fancy supplies to progress your drawing skills and create the artwork you'd like to share with the world? How does one go about drawing a believable face? Why is keeping a sketching habit important for artists of all kinds?
In the time lapse video included within this blog post I share my entire face drawing process, starting with creating the head shape, moving onto laying down guidelines to help with the effective placement of facial features, sketching in individual elements and finishing up by adding quick shading using a combination of hatching and crosshatching.
Drawing believable portraits (and any part of the human figure) is challenging, as it requires us to not only have decent drawing skills to be able to render form/three-dimensionality as well as different textures like hair and skin, but it also entails having a good amount of knowledge on proportion.
You see, faces are probably what we see most as human beings. Due to this, even non-artists are usually able to tell when something looks off, even though they may not know exactly where the error is.
In my past blog post/YouTube video titled How to Draw a Face (for Beginners), I take you step-by-step, through drawing a simple, forwards-facing portrait and explain basic facial proportions. *This is, in my opinion, an essential place for beginners to start.
In my blog post, How to Draw Faces at a 3/4's Angle-My 4 Step Process, I get into starting to understand the head shape as a three-dimensional form, why it's useful to understand the underlying structure of the face (the human skull), and take you through drawing a portrait at an angle.
Though I primarily sell my paintings, I'm a huge sketching fan. I consider drawing to be the basis for all kinds of art and really believe in keeping a sketchbook habit. Even quicker sketches created consistently will help keep your observation sharp and continue progressing your artistic skills.
Not to mention, sketching is also incredibly practical as we don't really need much besides drawing paper, a few different pencil grades and an eraser. There's no need to take out your painting supplies and go through your whole set-up if you're short on time.
If you enjoyed this video, make sure to subscribe to my YouTube channel! I share a new video every Friday with art tips, drawing and painting tutorials, and encouragement for aspiring artists.
If you're not new to my blog posts or videos, you're probably already aware that I'm a huge fan of keeping it simple when it comes to art supplies. I'm a big fan of artists who are able to create amazing work using basic, and even limited, tools.
There's no need for anything fancy in order to make immense progress in your drawing skills.
The supplies below are what I usually have on hand when I'm drawing or sketching. *I'm not a big fan of kneaded erasers and have replaced them entirely with my Mono Zero eraser that I acquire via Amazon. I use blending stumps only when I'm creating more realistic drawings such as the one in this video.
If you're not new to my blog posts or videos, you're probably already aware that I'm a huge fan of keeping it simple when it comes to art supplies. I'm a big fan of artists who are able to create amazing work using basic, and even limited, tools.
There's no need for anything fancy in order to make immense progress in your drawing skills.
The supplies below are what I usually have on hand when I'm drawing or sketching. *I'm not a big fan of kneaded erasers and have replaced them entirely with my Mono Zero eraser that I acquire via Amazon. I use blending stumps only when I'm creating more realistic drawings such as the one in this video.
Drawing Supplies Used in Video
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I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
-Live classes on Art Fundamentals and Monthly Creative Assignments
+ much more!
*Click below to learn more!
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
-Live classes on Art Fundamentals and Monthly Creative Assignments
+ much more!
*Click below to learn more!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Wondering what the difference between acrylic and oil paint is? How do they compare in regards to required supplies, painting process and overall finish? Which one of these two painting mediums is best for you, your artistic goals and your current life situation?
In today's blog post (and the YouTube video included), I'll be explaining the key similarities and differences between acrylic and oil paint. I'll also be clearing up common misconceptions so that you can make an informed decision about which supplies to invest in and, most importantly, start moving forward in your artistic journey right away!
When I was first starting to look into painting, I was very confused about the similarities and differences between these two mediums. Not only did the examples of artwork I found created with each vary immensely, but there were also tons of contradictions between one article/book to the next in terms of the required supplies, the preparation phase, and the painting process itself.
It was honestly overwhelming and I didn't have time to make sense of it all. Quite often, I held myself back from buying any supplies and moving forward due to this.
Eventually, there came a point at which I could no longer ignore my desire to improve artistically, highly-demanding full-time job and all. I had already wasted too much time and knew that the best way to learn and to make sense of it all would be through actually doing. I visited my local art supply store, and with the information I had learned from my research (as well as with the help graciously provided by the lady at the store), bought a few items to explore.
I share more about how I finally prepared to leave years and years of "normal" full-time positions to pursue creative entrepreneurship in this blog post/YouTube video.
Suffice to say, a lot of supplies were wasted or left completely unused. And not only were a lot of bad paintings created, but several of them literally fell apart after a couple of months (don't ask).
I don't regret it though, because I learned so much through this first-hand exploration, both about different painting mediums, as well as about myself as an artist. What I like, don't like, what techniques suit the style I'm going for best, etc.
After years of practice and exploration I've been able to learn a lot about acrylics, oils and even watercolors. I love them all, use them all on a month-to-month basis, and have come to know the pros and cons of each throughout this time.
If you're just as confused and overwhelmed as I was all those years ago, but still feel that nagging inside telling you to get painting (it never goes away by the way), the following information will definitely help you make faster progress. However, as with all artistic mediums and supplies, it's going to be up to you to commit to this journey and the exploration it entails, in order to get to know yourself artistically and the specific supplies you personally enjoy.
Let's get into today's topic!
If you enjoyed this video, make sure you subscribe to my YouTube channel. I publish a new one every-single-Friday sharing art tips, drawing/painting tutorials and encouragement for aspiring artists!
Introduction
Oil paint is an incredibly old medium and has been used by artists since the fourteenth century. Before oils existed, most paintings were created with egg tempera, which was basically created by the mixture of ground pigment and egg. Though some artists continued using tempera (and this medium is still used by some in present day), oil paint became the preferred medium once it was invented due to its greater versatility and longer-working time which allowed for effects that hadn't been seen before.
On the other hand, acrylics are a modern invention. They were created in the middle of the twentieth century as a practical substitute for oil paint. Acrylic paintings can be finalized a lot quicker due to their fast drying time, and offer both versatility and durability. This medium allows the artist a wide range of approaches and seems to go more in hand with today's fast-paced world.
In time, a lot of artists who used to work with oils made the switch to acrylics due to their overall practicality. However, there are others who's hearts will forever remain with oils due to the richness, vibrancy and depth they're able to provide.
It's important to recognize that both painting mediums allow for a variety of art styles, techniques, methodologies and overall finishes. Whether you enjoy creating abstract art, stylized figures, Impressionistic-style brush strokes or hyperrealism, all of these can be achieved with either. It's just a matter of learning specific skills and techniques.
As with anything else, there are pros and cons to both mediums. Understanding them will enable us to come to a better decision about which could be best for us depending on our personal situation and goals.
On the other hand, acrylics are a modern invention. They were created in the middle of the twentieth century as a practical substitute for oil paint. Acrylic paintings can be finalized a lot quicker due to their fast drying time, and offer both versatility and durability. This medium allows the artist a wide range of approaches and seems to go more in hand with today's fast-paced world.
In time, a lot of artists who used to work with oils made the switch to acrylics due to their overall practicality. However, there are others who's hearts will forever remain with oils due to the richness, vibrancy and depth they're able to provide.
It's important to recognize that both painting mediums allow for a variety of art styles, techniques, methodologies and overall finishes. Whether you enjoy creating abstract art, stylized figures, Impressionistic-style brush strokes or hyperrealism, all of these can be achieved with either. It's just a matter of learning specific skills and techniques.
As with anything else, there are pros and cons to both mediums. Understanding them will enable us to come to a better decision about which could be best for us depending on our personal situation and goals.
Similarities and Differences Between Acrylics and Oils
1. Drying Time
Acrylics dry fast, which means we have to work fast if we're looking to create gradients or wet-on-wet blending effects. Paint literally dries in minutes, depending on the humidity and the temperature of the room you're working in.
Oil paint, on the other hand, dries very slowly (some pigments even more than others). This means you can take your time moving paint around and blending out colors. It can take an oil painting months upon months to dry completely, depending on the thickness of your layers! This means that, if you're intending to varnish your paintings, it'll be a while before you're able to do that.
There are mediums that can be added to both acrylics and oils to either slow down or quicken their drying time, depending on your needs. You're always going to be able to manipulate both painting mediums in terms of their workability during the painting process, as well as their overall outcome, but it is going to entail buying medium to mix in.
Acrylics dry fast, which means we have to work fast if we're looking to create gradients or wet-on-wet blending effects. Paint literally dries in minutes, depending on the humidity and the temperature of the room you're working in.
Oil paint, on the other hand, dries very slowly (some pigments even more than others). This means you can take your time moving paint around and blending out colors. It can take an oil painting months upon months to dry completely, depending on the thickness of your layers! This means that, if you're intending to varnish your paintings, it'll be a while before you're able to do that.
There are mediums that can be added to both acrylics and oils to either slow down or quicken their drying time, depending on your needs. You're always going to be able to manipulate both painting mediums in terms of their workability during the painting process, as well as their overall outcome, but it is going to entail buying medium to mix in.
Mandarins- Still life acrylic painting on stretched canvas by Erika Lancaster
Acrylic painting close-up
2. Cost
Generally speaking, painting with acrylics is going to be cheaper than painting with oils. Not only because the paint in and of itself tends to cost less, but also because (for basic paintings) less supplies are required than when we're painting with oils.
All we really need to paint with acrylics is:
What we need when painting with oils:
Generally speaking, painting with acrylics is going to be cheaper than painting with oils. Not only because the paint in and of itself tends to cost less, but also because (for basic paintings) less supplies are required than when we're painting with oils.
All we really need to paint with acrylics is:
- Paint
- Brushes
- Water
- Color mixing palette
- Substrate (which can even be thick paper)
What we need when painting with oils:
- Paint
- Brushes
- Solvent/paint thinner
- Color mixing palette
- Primed substrate that's been prepared to take oil paint (which often entails buying gesso)
- Painting medium (its not 100% necessary, but it helps make the thick paint more manageable to work with)
3. Toxicity and Health Risks
A lot of aspiring artists avoid painting with oils because the process involves using solvents and mediums which can be harmful to both our health if we're not careful, as well as to the environment, if we don't know how to properly dispose of these substances.
To avoid potential health risks:
All this said, something you should definitely know is that oil paint in and of itself isn't any more toxic than acrylic paint. The solvents and the mediums that we add to them while painting are.
Oil paint is composed of pigment that is suspended in an oil-based binder such as linseed oil, safflower oil, poppy oil or walnut oil. Even though these oils are heavily refined, they are all plant-based and non-toxic.
On the other hand, acrylic paint consists of pigment and a synthetic resin binder. The components within this resin binder vary from brand to brand. Acrylic paints are basically plastic, and when they are used, chemicals like ammonia are released into the air.
Even though using acrylics isn't as smelly as working with oils, don't think that you're not breathing harmful fumes in!
There are specific pigments that are highly toxic, whether we're using acrylics, oils or even watercolors. Some of them are: Cadmium Red/Orange/Yellow, Prussian Blue and Naples Yellow. *Please do further research if you're interested in learning the level of toxicity for a specific pigment.
There are excellent brands of art supplies like Gamblin that are coming out with more and more products, including solvents and mediums, that aren't toxic.
Whichever painting medium you decide to go for, make sure you're exercising precaution and safety measures, at all times.
A lot of aspiring artists avoid painting with oils because the process involves using solvents and mediums which can be harmful to both our health if we're not careful, as well as to the environment, if we don't know how to properly dispose of these substances.
To avoid potential health risks:
- Work in a well-ventilated room (consider also wearing a nose mask)
- Wear gloves (I love these I buy through Amazon)
- Never dump used solvent down the drain! *Learn how to dispose of used hazardous substances in your city.
All this said, something you should definitely know is that oil paint in and of itself isn't any more toxic than acrylic paint. The solvents and the mediums that we add to them while painting are.
Oil paint is composed of pigment that is suspended in an oil-based binder such as linseed oil, safflower oil, poppy oil or walnut oil. Even though these oils are heavily refined, they are all plant-based and non-toxic.
On the other hand, acrylic paint consists of pigment and a synthetic resin binder. The components within this resin binder vary from brand to brand. Acrylic paints are basically plastic, and when they are used, chemicals like ammonia are released into the air.
Even though using acrylics isn't as smelly as working with oils, don't think that you're not breathing harmful fumes in!
There are specific pigments that are highly toxic, whether we're using acrylics, oils or even watercolors. Some of them are: Cadmium Red/Orange/Yellow, Prussian Blue and Naples Yellow. *Please do further research if you're interested in learning the level of toxicity for a specific pigment.
There are excellent brands of art supplies like Gamblin that are coming out with more and more products, including solvents and mediums, that aren't toxic.
Whichever painting medium you decide to go for, make sure you're exercising precaution and safety measures, at all times.
Lemons and Flowers- Still life oil painting on stretched canvas by Erika Lancaster
Oil painting close-up
4. Painting Process
There are many different ways of going about using acrylic and oil paint, and it's really going to depend on the overall style that you wish to achieve.
I really enjoy the more Impressionistic/expressive style that the alla prima (wet-on-wet) technique allows and use it with both of these mediums. *This is the technique I'm using in the video included here. I simply go about it a slightly different way, depending on the medium on hand.
For example, because oil paint dries so slowly, I have to be much more careful not to over-blend and/or create mud when placing fresh paint on paint that's still wet. Because acrylics dry so quickly, the paint strokes I lay down will dry and not move minutes later, when I place fresh paint on top. They also allow for quicker corrections that have to be made.
However, high levels of realism through a development of a variety of layers and washes can also be achieved with both mediums!
Because acrylics dry so fast, a lot of layers and effects can be developed in a matter of hours. On the other hand, when working with oils, we have to wait for the previous layer to dry completely before applying the next or we risk the top layer cracking. It can take several days and even weeks for one layer of oil paint to dry completely.
One very important thing when working with oils, is that we need to follow the fat over lean rule, which is even more important if you're working in layers. This basically means that the earlier layers of a painting have to be thinner and have to contain less oil, and as you move forward, the layers are thicker and contain more oil. This can be done by shifting the ratios of solvent/paint/medium in color mixtures and ensures that layers will dry effectively. This is vital so that the paint doesn't start cracking.
One final point I'd like to add in this section, is that acrylics and oils can be combined in one same piece. A lot of artists stain their canvas or develop an underpainting using acrylics and then move on to developing further details and textures using oils.
You can use oils over dry acrylics but never, ever use acrylics over oils!
There are many different ways of going about using acrylic and oil paint, and it's really going to depend on the overall style that you wish to achieve.
I really enjoy the more Impressionistic/expressive style that the alla prima (wet-on-wet) technique allows and use it with both of these mediums. *This is the technique I'm using in the video included here. I simply go about it a slightly different way, depending on the medium on hand.
For example, because oil paint dries so slowly, I have to be much more careful not to over-blend and/or create mud when placing fresh paint on paint that's still wet. Because acrylics dry so quickly, the paint strokes I lay down will dry and not move minutes later, when I place fresh paint on top. They also allow for quicker corrections that have to be made.
However, high levels of realism through a development of a variety of layers and washes can also be achieved with both mediums!
Because acrylics dry so fast, a lot of layers and effects can be developed in a matter of hours. On the other hand, when working with oils, we have to wait for the previous layer to dry completely before applying the next or we risk the top layer cracking. It can take several days and even weeks for one layer of oil paint to dry completely.
One very important thing when working with oils, is that we need to follow the fat over lean rule, which is even more important if you're working in layers. This basically means that the earlier layers of a painting have to be thinner and have to contain less oil, and as you move forward, the layers are thicker and contain more oil. This can be done by shifting the ratios of solvent/paint/medium in color mixtures and ensures that layers will dry effectively. This is vital so that the paint doesn't start cracking.
One final point I'd like to add in this section, is that acrylics and oils can be combined in one same piece. A lot of artists stain their canvas or develop an underpainting using acrylics and then move on to developing further details and textures using oils.
You can use oils over dry acrylics but never, ever use acrylics over oils!
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5. Overall Look and Finish
Because oil paint contains more pigment than acrylic paint, colors in oil paintings usually look a lot richer, more vibrant and glossy. This said, even though oil paintings can last a very long time if they have been created using quality supplies and proper methods, they do tend to fade and/or yellow over time. It'll be years and years before this happens though!
Acrylic paintings, on the other hand, usually look a lot more matte and flat when compared to oil paintings. Colors also tend to darken during the drying phase. However, once this drying process is completed and this color change happens, they don't change after that as long as they are kept in an optimum environment (away from direct sunlight and humidity).
As far as texture goes, we can find both acrylic and oil paintings that are very smooth, as well as highly-texturedized. Oil paint lends itself to very easily be placed thickly on the canvas, leading to beautiful, palpable textures, if that's what the artist is intending to create. However, texture mediums can be added to acrylic paint and impasto-like effects can also be created by placing it heavily on the substrate using different tools like painting knives. The artist can also create a texturedized surface prior to starting to paint.
The overall finish of both acrylic and oil paintings can also be altered by using different types of varnishes, depending on whether you'd like your painting to appear more matte or glossy. There are a lot of different varnishes available in both spray and liquid form that offer a variety of finishes.
Because oil paint contains more pigment than acrylic paint, colors in oil paintings usually look a lot richer, more vibrant and glossy. This said, even though oil paintings can last a very long time if they have been created using quality supplies and proper methods, they do tend to fade and/or yellow over time. It'll be years and years before this happens though!
Acrylic paintings, on the other hand, usually look a lot more matte and flat when compared to oil paintings. Colors also tend to darken during the drying phase. However, once this drying process is completed and this color change happens, they don't change after that as long as they are kept in an optimum environment (away from direct sunlight and humidity).
As far as texture goes, we can find both acrylic and oil paintings that are very smooth, as well as highly-texturedized. Oil paint lends itself to very easily be placed thickly on the canvas, leading to beautiful, palpable textures, if that's what the artist is intending to create. However, texture mediums can be added to acrylic paint and impasto-like effects can also be created by placing it heavily on the substrate using different tools like painting knives. The artist can also create a texturedized surface prior to starting to paint.
The overall finish of both acrylic and oil paintings can also be altered by using different types of varnishes, depending on whether you'd like your painting to appear more matte or glossy. There are a lot of different varnishes available in both spray and liquid form that offer a variety of finishes.
Bats- Abstract oil painting on stretched canvas by Erika Lancaster
Oil painting close-up
So, which medium is best for you?
This is going to depend on your personal circumstances, as well as your tastes and what you're looking to improve upon.
If you usually don't have much time for your art, don't have a designated space to work in, or you have kids or pets running around, acrylics are probably the best option for you (at least for now).
On the other hand, if you do have a space you can work in for hours-on-end, you aren't too sensitive to strong smells, you're interested in learning classical techniques, and/or you really care about the depth/color/richness of your paintings, then I'd definitely explore oils!
Whatever medium you choose to go for, make sure you exercise safety measures.
I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
This is going to depend on your personal circumstances, as well as your tastes and what you're looking to improve upon.
If you usually don't have much time for your art, don't have a designated space to work in, or you have kids or pets running around, acrylics are probably the best option for you (at least for now).
On the other hand, if you do have a space you can work in for hours-on-end, you aren't too sensitive to strong smells, you're interested in learning classical techniques, and/or you really care about the depth/color/richness of your paintings, then I'd definitely explore oils!
Whatever medium you choose to go for, make sure you exercise safety measures.
I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
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