Hello! Here are some sketches and paintings I did this week . This was my second week starting my days with hand sketches and it's amazing to see how much I have improved already. I can tell I am getting faster and faster at drawing the initial hand shapes and proportions. Next week I want to focus on creating cleaner and more effective hatching and crosshatching when adding in shadows.
The first painting included here was created with gouache and it is literally the second painting I have done using this media. Gouache is something that I want to keep improving at. The second was created using watercolors and it was a remake of a painting I had done several months ago. This exercise was something I was interested in doing because I wanted to be able to compare two paintings of the same subject created months apart. After that are my morning hand sketches of the week which I post on Instagram and Twitter every morning from Monday through Friday.
Original photo by Jonathan Pielmayer found on Unsplash here.
And last but not least is something I don't usually do much of and didn't know if I should include or not. This is an acrylic canvas painting that I created as a present for my soon to be born nephew. My sister-in-law asked me to create some room decor for him that included a Winnie-the-Pooh inspired quote and I came up with this. Hand-lettering is something I really enjoy so I had fun coming up with nice design. I am also creating some watercolor paintings of Winnie the Pooh for his room but will not be posting those.
Thank you for coming by! Enjoy your Sunday!
Hello! This week was a tad busier for me in terms of non art-related appointments and obligations. I have been meeting with different accountants in order to choose who will be helping me set up the financial/tax side of starting my own business. I have finally decided who I'm going with and am super happy because this means I will be able to move forward with my online shops very soon.
Next week I'll be starting to teach my after-school acrylic painting and oil pastel extracurricular classes at the wonderful school I used to work at full-time, which means shifting my schedule around a bit. I am super happy to be seeing my old students again, and also meeting new ones! Teaching classes means having to do plan work and also buying/transporting supplies, so that's something else that I will be having to schedule in as I try to build my business.
As some of you may already know (especially if you follow me on Instagram), this week I started my days with hand sketches. I really want to improve my hand-drawing abilities and will be doing my morning sketches of this subject for probably the entire month of September. Near the end of the month I plan to start painting hands with gouache. I also started a new oil painting this week and will be posting about it soon.
I am going to start out this post with a somewhat embarrassing confession. Until about two years ago, I never had a sketchbook. Pretty much all my drawings were created on loose sheets of paper that ended up in folders (if they were lucky) or lost under piles of junk never to be found again. What can I say? I got busy with full-time jobs that, perhaps were “artsy” and creative, but never really left me the time and energy to explore art for myself. It’s easy to get overwhelmed with daily responsibilities and forget about that one activity that we'd really like to spend some time doing if we could ever find some extra time. Keeping up with demanding jobs, family responsibilities, social commitments and making time for health on top of everything else, can keep us from pursuing activities which we know would bring us a great amount of joy and inner peace, but sometimes loose their priority amongst everything else. I’m sure many of you can relate.
It took me forever to fill up that first little sketchbook I ordered from Amazon two years ago. I moved out of the house I was living in back then, got married and was extremely busy giving my all at my job, working overtime several days a week and arriving home exhausted. I had started trying out some new art supplies in this sketchbook (I think mostly watercolor pencils and drawing pens) but wasn’t really serious about it yet. My priorities were still elsewhere. Finally, last year, I became incredibly inspired by artists I was finding online and I made the decision to make time for my own improvement as an artist. I knew that this would not only bring me personal fulfillment, but would also help me become the Art Teacher I wish I had when I was a student.
So little by little I began investing in more art supplies and, this time, I actually USED them. I started consciously setting aside time for my own art after work and on weekend mornings and it went on like that for months. I began getting more and more excited about my personal improvement and finding my voice as an artist. I can honestly say the elation I felt from creating something and sharing it with the world was unlike nothing I had ever felt before. I started to feel like this big part of me that I had been suppressing for so many years was emerging, like I was finally becoming whole. I had never experienced anything as addictive as creating these little artworks that began filling my sketchbook (by this point it was a bigger one). The part of my days which I looked forward to the most were those moments in which I could immerse myself in my art and slowly peel back these layers that would lead me to discover myself as an artist. I haven’t stopped since.
Later on, as I found myself filling not only sketchbooks quicker and quicker, but creating painting after painting on proper watercolor paper, I began investing in higher quality supplies. I am still in the process of creating my collection and finding those specific brands of paper and paint that I love most, but my persistence and personal drive to become better have brought me far from where I started.
Why sketchbooks are so important in an artist's journey:
How to get the most out of your sketchbook:
``The artist who aims at perfection in everything achieves it in nothing.´´
Thank you for reading and have a good one!
What sketchbook brands or formats do you love most? Leave a comment below. I'd love to hear from you!
Hello everyone! I hope you are having a great weekend!
This little collection includes pencil sketches as well as oil and watercolor paintings. I am pushing myself to continue with drawing one female pose per day. I share these on Instagram and Twitter every morning (Monday through Friday), so if you follow me on there you've probably seen a few of these before. If you aren't following me by now, please do! I'd love to connect!
Hello! Here is a collection of pencil sketches and watercolor paintings I have created in the past couple of weeks. Thanks for popping by!
The past weekend I decided to go back to basics and do some human figure studies in my sketchbook. I want to get quicker at drawing the female figure in interesting poses because, for the longest time, I drew very stiff and boring bodies. I really admire comic book artists because they have to know how to draw pretty much every pose imaginable super fast!
I initially started learning about human body proportions around six years ago, when I came up with the idea of giving a Fashion Sketching Extracurricular class at the school I was working at. Even though back then I was focusing much more on creating templates that my students and I could use to design clothes on, I learned as much as I could about proportions of the human body and how to go about drawing one. I learned that even though in reality there are a million different body shapes and sizes, there are certain measurements that have to be kept in mind when drawing a believable human figure. Usually, realistic (adult) figures are around 7.5-8 heads tall whereas the fashion figure is elongated to around 9 heads tall. There are also other measurements that have to be considered like arm length, shoulder width, feet size, etc.
With this information in mind, I took out my ruler and created templates that I could use to start practicing an over-simplified skeleton of the human shape using simple lines and shapes. You can find a lot of different ways of drawing this skeleton, and in my opinion it doesn't really matter how you do it, as long as it represents realistic proportions and it allows you to visualize your drawing so you can eventually work from it.
By taking time to practice drawing this skeleton and (when your ready) using it to flesh out your humans, you'll eventually be able to develop an eye for what looks right in an artwork and what doesn't. After some practice, you'll be able to draw any pose that you see in pictures or real life and you'll become faster and faster!
The sketches below are recreations of what I used to start practicing all those years ago and an empty template that you can use to practice yourself! If you have never tried this before, I suggest beginning with the forward view. When you've got that down, start moving that skeleton around more and more! What would it look like dancing? Sitting down? Kicking a ball?
Once you can do this, it will be time to look into how to draw each bodily element!
Drag these .jpgs onto your desktop or download them below to use them as you'd like!
I am enjoying this time of experimentation with different supplies very VERY much. I had the opportunity this week to play around with oil paint, which I am totally a beginner at. I have not finished the large canvas landscape painting that I am working on, mostly because I am making sure to allow each layer to dry completely before applying the next. I will share that as soon as I am done. Today, what I will be sharing is this grayscale oil paint portrait which I finished last night. It is the first portrait I have ever painted in oils.
Here are three suggestions for those beginners out there looking to start painting portraits. Most of these can apply for gouache or acrylics as well.
1. Always use a good reference photo and take a few minutes to really observe it. Try to find one that has a good image resolution and interesting lighting. Even if your goal is not to create a painting or a drawing that looks like a specific person, it is always going to be helpful to have an image to look at throughout the process. This will help you establish realistic values and proportions.
2. It is ESSENTIAL for you to have a good amount of practice drawing realistic faces before attempting to paint a portrait. The only reason why I did a semi-decent job in my first portrait oil painting is because I have studied facial proportions for years and have a relatively good amount of practice drawing them. Only through time spent observing and practicing will one start developing an eye for what looks good and what is off. I once read that, since we humans look at faces probably more than anything else on a daily basis, anyone would be able to tell if something is slightly off with a portrait when they see it, even if they can't exactly pinpoint what it is. You NEED an effective sketch to start a painting off with. Or be such a pro that you have realistic proportions/angles engrained in your head so well that you can go in with your paintbrush right away. I wish to get to this point someday!
3. Once you feel ready to try your luck at your first portrait painting, do it in grayscale. This takes away the need to create realistic skin tones if you are not yet at this point. It is better to take the learning process step-by-step! Keep in mind that, aside from facial proportions, the other important element behind creating realistic art is the effective use of color values. I recommend focusing on setting up a palette with a variety of gray values, from lightest or darkest, and then making sure to place the different tonal values in appropriate places. I used odorless mineral spirits and Gamsol to thin out my paints and do blending. I really recommend this grayscale exercise. Once you succeed at this, go ahead and go for the color!
I am going to travel to the U.S. to pick up a few Amazon art supply orders very soon. I've ordered a set of gouache paints which I am super excited to experiment with!
Have a wonderful weekend and I hope to see you around soon! :)
Here are a few little paintings I did last week in my efforts to step out of my comfort zone. I felt like it was time to challenge myself with new subjects that I don't usually choose to draw or paint. I think it is essential for artists to schedule in time every now and then for experimentation with different types of techniques, supplies and/or subjects because throughout these we are able not only to expand our abilities, but we are also able to learn about our own likes, dislikes and possible areas of opportunity. In my opinion, an artist should never stop learning and improving. We are creatives and most of us are innately curious creatures. We should use this curiosity to propel us to learn.
Here are my five suggestions to break out of an artistic rut:
1. Try drawing/painting an object, person, landscape (or whatever it is you usually create) in a different perspective. Do you always draw things from side view? Try doing a top view! Try doing extreme close-ups! It's impressive how much we can learn when we try to draw or paint a subject we've done a million times before, only in a different angle or arrangement!
2. Use different supplies to create your artwork. Do you usually create pencil drawings? Try a drawing with pens or charcoal sticks! Do you usually paint with watercolors? Try acrylics or gouache! You can even create a mixed-media artwork with a combination of supplies! You'll notice that in the boat and sofa studies I used my LePen Drawing pen which I had never used with watercolors before.
3. Pick a different subject all-together. Are you usually drawn to painting faces? Create a landscape or a still life piece! How can your current style translate into an artwork with a different kind of primary subject?
4. Plan and prepare a limited color palette that includes colors you wouldn't normally use. Take a look at the work you have created lately. Do you mostly use warm colors? Try using mostly cool (or vice versa)! Is there a specific color you usually leave out? Try creating a palette that includes it! Do you usually like a lot of color in your paintings? Try selecting a triad or analogous colors in the color wheel and only work with those! You can also try to select one color and use it as undertone for all the other colors you use in your painting.
5. Create Pinterest boards (or a folder in your computer) to collect artwork that calls to you for your own reference/inspiration. Check mine out here! You can then go back to it in times of experimentation and pinpoint specific things you'd like to try out. You feel attracted to these artworks for a reason! Try to target and make notes of specific characteristics you like (maybe it's the colors the artist used, the line work, how effectively emotions are transmitted, etc.) and try to implement it in your own original artwork.
Lastly, just do it! Don't sit there hours on end trying to decide. Just take action! And remember, these studies aren't meant to be masterpieces. It's more about what you learn during the process than the end product. I suggest trying your best to power through the drawing or painting so that your study reaches some form of conclusion. Make notes of what was difficult, what you have to make sure to do differently next time, or any new ideas that you'd like to try.
I leave you with a great quote by French artist Eugene Delacroix:
“The artist who aims at perfection in everything achieves it in nothing."
Hey all! Thanks so much for visiting today!
As I had mentioned in a previous post, I am doing some sketchbook studies every day in order to practice different head angles and/or more dynamic human poses. If you are interested in seeing these as I am producing them, please follow me on Instagram (icon in the sidebar to the right).
I am doing my best to dedicate time to both drawing and painting everyday because I want to improve in both areas. My husband probably thinks I am going crazy because I am using SO much of my Spring Break studying other artist's videos, drawing and painting. I could spend the entire day doing this (which isn't the best because other things require my attention as well). It's just very hard for me because, usually, so much of my time goes to my full-time job or getting mentally ready for the roller-coaster that is teaching, that I don't have as much time to do what I want to do in the evenings. Also I feel like I have to take advantage of this time now because, when I get back to my full time job on the 24th, I'll be so consumed with my students' end-of-year Art Exhibit that I am going to loose a lot of time in which I could be progressing with my own work.
Nonetheless, the school year will end in the beginning of June and I'll be back to it full steam. I also have to keep in mind that this is my last year in my full-time teaching position and I have to enjoy it as much as I possibly can. After this school year ends, I will have to excuses and will start on my own Etsy shop and YouTube channel projects!
If you are following me on Instagram or Twitter, you may already know that yesterday was a day of experimenting with masking fluid. To be honest, I haven't really used it much, ever. Sometimes I am a little lazy and eager to get on with the painting process and I would rather just do my best to leave white areas white when painting. This said, I have to say that this was one of the hardest things that I have had to get used to when painting with watercolors. The experience I had painting before hand was with Oils and Acrylics, in which one can work from dark to light and there is no problem adding in white details until the end. Watercolors broke my brain a little bit, but hopefully I have been able to improve.
Anyway, I decided to confront my fears (and laziness) yesterday because I have a lot of ideas for projects which will require me to use said masking fluid. I worked on a small experimentation in my sketchbook and an actual illustration on a watercolor paper at the same time in order to be able to wait for the masking fluid to dry on one while still working.
I used a paper clip to apply it. Does anybody have any better ideas?
Hi. As promised, I am starting off my days with some sketchbook work in order to loosen up and get into the right mind set to start whatever painting I will be working on that day. These are a couple of sketchbook spreads.