Have you ever traveled to a new place and wished you had a few solid recommendations of inspiring places to visit from actual locals who know about art? Planning a trip to Ireland and wish to make the most of it so you can return to your studio inspired and full of new ideas?
Traveling can be such an amazing source of inspiration for artists and art-appreciators! When I have the opportunity to visit a new city/country, I strive to make the most of it both in terms of enjoyment/relaxation, as well as taking in inspiration that I will later be using for work.
As I mentioned in my blog post 3 Proven Hacks to Progress Artistically While Traveling, I love reaching out to actual locals who share my interests and get suggestions from them about places I should visit.
Today's post was written by Neville from www.irelandart.com and he's sharing a list of recommended galleries/museums we simply must spend time in when visiting Ireland. There are few things as inspiring than spending time surrounded by all kinds of amazing artwork!
Whether it is their Guinness, food, music or rugby, the people of Ireland seem to turn everything into art. For artists, art lovers and novices in need of inspiration, Ireland should be at the top of your bucket list as whatever your art fancy may be; you will find it in abundance in the Emerald Isle. Let’s look at some of the most popular art venues the country has to offer.
What you'll need:
-Computer or another device with a photo editing software like Photoshop
-High quality images (either your own or that you have permission to use)
*Find my list of favorite free image sources HERE
2. Create your individual clippings
Take your time searching for individual elements that call to YOU personally. Prepare AT LEAST 5-10 individual items and create a variety in terms of texture, color, shape, etc. I also recommend picking out different types of subjects. For example, create some clippings of human figures (or parts of the human figure), a few of inanimate objects, animals, textures that can be perhaps used as backgrounds, etc.
For this exercise I looked for my images online, but I also wanted to include my own hand in my composition, so I went ahead and took a picture. If you're creating your collage digitally, make sure to keep your images organized in folders so you don't give yourself a headache while doing your photo editing!
Click on each photo to go back to its original source at Unsplash and Pexels.
Start playing with your clippings, arranging them in a variety of ways to see what is most interesting. Don't paste anything down yet! I usually start by creating what I want my focal point to be and then add to it. Think of where your biggest shapes are going to be placed and then add smaller ones as you go. The point isn't to fill up your entire background space, but to add smaller elements where it makes sense to depending on your overall message.
Try to think more about a possible meaning, than about saturating with color and shape just because it looks pretty. As you go, you'll inevitably begin creating connections and thinking of ideas that are personal to you. At this point, I almost always start thinking of possible titles for my collage!
4. Carefully paste everything together
Paste everything together, thinking about overlapping elements and position within space. Try to apply your knowledge of Art Fundamentals so that you can create a composition that has meaning to you, but is also visually pleasing.
5. Consider whether you can take your collage a step further!
Finally, it's time to think about whether you are going to leave you collage as an exploratory exercise or whether you are going to create something with it!
Personally, I decided to create a watercolor painting with mine! In the past, I have even used collages as references to create large canvas oil paintings! The possibilities are endless!
Have you ever had positive experiences creating collages? Do you have any particular way you use them? I'd love to know your thoughts! Leave a comment in the comments section below!
If you were to asked to choose between an artwork that displayed an amazing quality of realistic rendering or one that captures your attention due to its unique expression of ideas, which would you choose? Are you one of those people that just plain hates all degrees of abstraction in art, praising only those artists who consistently produce work with high levels of realism? On the other hand, do you find photorealism boring and lacking a particular style or unique touch on part of the artist?
``Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely.´´
This is not going to be an opinionated post bashing either abstract or figurative artwork or anything in between. This will not be a rant about how much I dislike either style and, much less, a criticism towards artists of any kind. Au contraire, my friend! One of my main philosophies in life is appreciating and learning from all types of things and finding morsels that speak to me so I can create my own unique mishmash of awesome.
I believe that there is something to learn from everything, and that if one remains open, there will ALWAYS be something valuable to take that will enrich us as human beings (and consequently improve our work). I believe exploration and the desire to improve should be an intrinsic part of an artist's life, and feel like constricting oneself to a particular style will not allow as much progress to be made.
This said, today I am not going to get into the contemporary kind of artwork that does not really demonstrate any kind of particular knowledge about Art Fundamentals on part of the artist. You know which kind of works I am talking about! Though I do give some of these artists merit for striving to engage with their audience at a philosophical level and attempting to communicate ideas about difficult topics, in this blog post I am only considering work that shows knowledge of Elements and Principles of Art/Design.
In my personal case, it didn't take long to realize that I am naturally drawn towards creating figurative artwork. What HAS been a struggle, however, has been reaching a conclusion about what degree of realism I want my artwork to convey. You see, though I admire and respect hyper/photorealist artists very much, I would like to be able to arrive at some distinctive style that I can call my own someday.
Though it requires an immense amount of patience and skill to produce hyperrealism, I want my work to be more than an exact replica of what everyone else is able to see by looking at a picture. I'd like to arrive at an artistic style that demonstrates both skill AND is able to communicate an idea or feeling. I know I have a long way to go before arriving at this point, but simply having reached this conclusion tells me I am making progress as an artist.
What do the terms Abstract and Figurative mean in Art?
Figurative and Abstract are simply two (very broad) categories in which artwork, be it painting or sculpture, can be divided into. It is important to understand that there are numerous degrees of figuration and abstraction, and this can even occur within one same piece. Though some art can be easy to categorize into either pool, others are a bit harder to decipher. There are a few art terms that are often confusing when learning about figurative and abstract art that I want to touch upon.
The word representational is often used interchangeably with figurative but these two terms are not synonyms. Both abstract AND figurative artworks are usually representational. Why? Because, most of the time, even when creating work that is completely abstract, there IS something from the real world that artists are trying to represent.
Two artists, one figurative and one abstract, can be creating a painting using the same flower arrangement as reference, and each of their works at the end (though completely different from each other) are going to be a representation of those same objects. Abstract artists simply choose to express what their eyes are taking in in a more expressive and unconventional manner.
Also, it is important to note that the term figurative does not solely refer to artworks containing the human figure as subject, though many times they do. This term describes any work that is clearly derived from object (or living) sources, be it a portrait, landscape, still life, etc. In other words, if you are able to instantly recognize what it is your looking at, whether its a house, a flower, or a horse, it can be classified as figurative.
Finally, just because an artwork is figurative/representational, doesn't mean that it has to be realistic! Realism in art is created by the ability to render pictures using perspective, value, proportion, form, texture, etc. to depict subjects as closely as they appear in real life. This type of artwork is created with the intention of representing the subject as truthfully as possible.
Realism is also an art movement, but we are talking specifically about styles today. It takes an immense amount of knowledge about Art Fundamentals (form, perspective, shading, proportion, human anatomy, color theory, etc.) and practical experience in order to create realistic artwork.
This is not to say that abstract artists know nothing about Art Fundamentals or how to create the optical illusion of three dimensionality! There are amazing abstract artists that are able to combine color, line, texture and shape to create three-dimensionality, movement and many other interesting effects in their work. Consider the artwork below by the great Victor Vasarely. There is simply NO WAY that he could have created pieces like this one without having extensive knowledge of the Elements and Principles of Art, as well as years of practical exploration!
``It takes years for representational artists to develop their skills in mimicking the objects before their eyes.´´
This term simply refers to artwork featuring subject(s) that retain a fair amount of real-world characteristics. It is always representational and the audience is easily able to recognize what they are looking at, no matter what degree of realism is involved in the creation of the piece. The term figurative became a common term to use in art conversation after the arrival of abstract art.
Consider the following two artworks. Sargent and Matisse were both figurative artists, but they had VERY different styles!
For a very long time in history, realism was sought after by artists and praised by art appreciators. From the time the Greeks became obsessed with the human body and began studying its proportions to create beautiful marble sculptures representing their perfect Gods and Goddesses, to the Renaissance, when Filippo Brunelleschi discovered how to transmit perspective and depth on a flat, two dimensional surface, creating true-to-life art was what all artists strived to achieve.
Throughout history, mathematical and scientific advances allowed for both greater knowledge on part of the artist, as well as more effective artistic tools and supplies. It wasn't until the second half of the 19th century, with the surge of Impressionism, that realism started to be challenged by artists who wanted to explore further.
``Abstraction allows man to see with his mind what he cannot see physically with his eyes...Abstract art enables the artist to perceive beyond the tangible, to extract the infinite out of the finite. It is the emancipation of the mind. It is an exploration into unknown areas.´´
Contrary to figurative art, abstract art does not attempt to represent subjects in an accurate or natural way. It is not the objective of this kind of artist to achieve realism, but to communicate emotions or ideas. These artists make use of Elements of Art such as shape, color, line and texture to create visually appealing compositions that are meant to express what is in their mind.
As mentioned before, this kind of artwork is usually also representational, as the artist has at least some sort of reference to work from. However, there are artists that do not use any particular reference, but apply their knowledge of Elements of Art and Color Psychology in order to very effectively transmit emotion. Abstract art can range from easily comprehensible to entirely geometrical/organic with no recognizable figures. One of the main characteristics of this type of artwork is that it interacts with the viewer in the sense that it calls out for interpretation.
With the arrival of the Industrial Revolution and the invention of camera, artists started seeking new ways to create artwork that went beyond a realistic representation of what they could see. The Impressionists were the first to start exploring use color and paint in new ways that would permit not only the rendering of a beautiful picture, but expression on part of the artist. They wanted to create work that the camera couldn't. It was in this time that the manipulation of color and shape started to occur. Later on, the Cubist movement brought forth an even greater degree of abstraction.
Though the stylized drawings on cave walls and symbolic stone sculptures created by prehistoric people are disregarded by some as simple decoration, they demonstrate that abstraction has been part of human life since its beginnings. Groups of people all over the world used shape, color and line to communicate ideas and created decorative designs on pottery and other tools. This means humans have been creating abstract art since we first had the need to express ourselves. Abstraction is not a completely ``contemporary´´ or ``modern´´ thing, but a style that has been with us all along.
Tips to Explore/Improve Both Art Styles:
1. Practice drawing both from life AND from quality photography. First focus on shape and proportion to create an effective outline drawing. Worry about detail and shading only after you have been successful in this. Once your ready, explore shading in whatever technique yo prefer (you can learn about hatching/crosshatching shading techniques and download free practice worksheets in my "Guide to Shading Techniques: Hatching, Cross-Hatching, Scribbling and Others" blog post).
2. Keep a sketchbook and use it CONTINUOUSLY as a means of exploration. Read about why it is important to keep a sketchbook and how to use it in order to improve in my blog post titled "Why Sketchbooks are Essential Tools for Artists and a Few Usage Tips". Your sketchbooks will be your best friends!
3. Whatever your subject or choice may be (portraits, landscapes, still life, etc.), study the elements involved INDEPENDENTLY. For example, if you wish to be a portrait artist, make time to study only eyes, then focus on noses, then lips, and so on BEFORE attempting to draw or paint a complete realistic face. If you want to do landscapes, make time to study different types of trees, how to paint clouds, water, and so on BEFORE attempting to create a complete realistic landscape. Explore your medium of choice and practice creating different colors and textures with it.
4. Always keep learning and practicing Art Fundamentals. No matter what your artistic style is or even what subject you wish to specialize in in the future, ALWAYS make time to practice things like form, perspective, anatomy and effective compositional arrangement. I created a blog post for beginners about perspective and drawing three dimensional shapes which includes free worksheets to practice with that you can read here. I will be expanding on different Art Fundamentals in the future, so stay tuned!
1. Practice the deliberate manipulation of Art Elements (be it color, shape, texture, etc.) in order to more efficiently transmit ideas or emotions. Maybe for you this will mean simply starting to use colors that are slightly more unnatural, bright or contrasted in order to make your drawings or paintings more impactful. Maybe it means arriving at your own, stylized version of a human figure.
Maybe you wish to bring out only a certain part of your drawing or painting by adding more detail to that area. Whatever this may be for you, think about the message behind your work and how you can modify reality in order to impact the viewer. Don't be afraid to break the rules!
2. Try using art supplies that FORCE you to pay less attention to small details. This goes especially if you are naturally prone to want to create high levels of realism. If you paint, try using larger brushes and/or creating a picture using less brush strokes! If you draw, try using a medium like charcoal or oil pastels that don't really allow for high level of detail.
Try to discern between what a picture has to NECESSARILY include in order to portray what you want to portray, and what can be left out. Also, try using techniques that will allow you to work faster and looser.
The following pieces have been explorations I have done in the past in order to gain practice at working faster and more loosely. This has been hard for me because I am prone to want to add detail, but I am seeing much progress with time!
3. Experiment and explore with unconventional supplies! Use ready-made things you have laying around in your studio or home like fabric, paper, pieces of plastic, etc. and think of them in terms of shapes, color and texture. How could they complement each other to create one same composition? Make your collection and think, are you drawn to these particular objects for a specific reason?
One of the best (and most fun) ways for me to explore shape, texture and color is by creating collages! They are something I start with no particular idea in mind, but new ideas always pop into my head throughout this process!
4. Look inwards and use internal stimulation instead of external stimulation to create your work. Give importance to getting to know yourself and think about what ideas and themes are important to YOU as a human being. Continuously write and brainstorm what comes into your mind. Start works based on these ideas instead of working from images or objects that exist beyond you. How can you use color, shape, texture, etc., to transmit your idea?
Making Time to Explore Both Styles
``What interests me is all the stuff that goes into abstract and abstract-figurative art. Not the styles, but the stuff that, in various combinations, make the styles: mixing and matching painting methods and ideas.´´
As artists, we should make time to explore both figurative and abstract art throughout our journeys because it will enhance the outcome of our work. I believe we should always seek improvement and be willing to step out of our comfort zones. On one hand, it's incredibly important to learn the rules before attempting to break them and to always make time to go back to the basics, no matter what level of expertise we have achieved. This will help us maintain our observational and rendering skills fresh.
On the other hand, we should explore new techniques that will enable more effective communication with our audience because, well, isn't that the point? Great art is engaging at a visceral level and makes people feel and/or think!
Personally, some of the artwork that has called out to me the most combines both figurative AND abstract techniques within them. This is what I seek to achieve some day with my work!
I'd love it if you could answer the quick survey below!
How to Effectively Use Other Artists' Work as Inspiration and a Great Method to Start Developing Your Own Artistic Style
Are you constantly trying to find inspiration by admiring other artists' work and find yourself copying more than you'd like? Do you feel like you are making no progress towards finding your own artistic style? Are you simply unable to produce as much original artwork as you'd like?
“Those who do not want to imitate anything, produce nothing."
In this post I will explain one of the methods I use to make sure I produce original artwork while getting inspired by other artists. This strategy is an amazing way to work towards finding and developing one's own artistic style. Plus, it's very fun!
The act of copying is a very delicate subject in the artistic field and just the word seems to put many of us on edge. I say, let's try to relax and admit that each one of us has been constantly inspired throughout his/her life by people, experiences, artwork (and by “artwork" I mean movies, music, theater, books, etc.), the environments we have lived in, advertising, and pretty much everything around us. Everything, and I mean EVERYTHING, has a conscious or unconscious effect on us and, therefore, on the work we produce as artists.
We have all been influenced by a combination of different things and have different likes and dislikes. This is not to say that two different artists are never going to produce similar work. There are bound to be similarities amongst us in terms of technique and/or subject matter because there are only a certain amount of techniques and subjects to work with.
However, if we put in the effort to discover ourselves as artists (what techniques/supplies we enjoy working with most, what our own distinctive abilities as well as areas of improvement are, what ideas we want to put out into the world, etc.), we will eventually get to a point at which our work will be a direct representation of ourselves.
This is, in my opinion, what matters most and what I am personally working towards. At this point in my artistic journey I allow myself to admire and analyze other peoples' work, but make sure that the bulk of my time goes towards looking inwards and doing my best to apply what I have learned in my own way.
Having said all this, let's begin!
The Artist Mishmash Exercise
To begin you will need a phone, computer, or any other device on which to search for existing artwork, a few pieces of blank paper and a pencil. Make a list of three artists that create work you greatly admire. If you have already created a Pinterest inspiration board like I have, go ahead an use it! If not, now is the time to investigate.
I really recommend keeping it at only three and trying to select artists that produce very different types of artwork. Once you have finalized your list, and perhaps read a bit about each artist if you don't know about them already, analyze several of pieces of each, and write down four to five specific characteristics that you have found in each artist's work.
a) Henri Toulouse-Lautrec (1864-1901)
French artist Toulouse-Lautrec was both a painter and an illustrator. He is known for his provocative paintings and drawings depicting the decadent Parisian nightlife, that he was a part of himself. He created many posters and advertisements for nightclubs including the Moulin Rouge, and elevated advertising to a fine art status. He was a skilled Post-Impressionist painter that experimented with a variety of techniques and supplies. In his posters, he made use of bold, flat shapes of color.
Characteristics of his work I really like:
-Roughness/raw quality of his work in both subject and technique
-Bold use of color, perhaps unnatural at times
-Variety of mediums and substrates used in his sketches and paintings (charcoal, pastels, oils, lithographs, graphite, crayons, canvas, paper, cardboard, etc. )
-Hand-lettering in posters
b) Hannah Höch (1889-1978)
Höch was a German visual artist that is considered the pioneer of the photomontage technique. Her work transmitted deeply rooted social and political messages regarding issues that were occurring at the time (sexism, war, etc.). Though she also worked with oil paints, she is primarily known for her bold collages created with images taken from fashion magazines as well as illustrated journals. Her work conveyed strong, important messages, but were humorous at the same time.
Characteristics of her work I really like:
-Collage/photomontage technique (I think it's quite interesting how we can take bits and bobs of already existing images and create a whole new meaning for them by combining and rearranging them)
-Charged with deep meaning about political/social issues but humorous at the same time
-Incorporation of popular elements into artwork
c) Edward Hopper (1882-1967)
Hopper was an American artist that started his artistic career as an illustrator and turned into a fine artist later on. He is considered to be one of the most important realist painters of the twentieth century. His enigmatic artwork depicts the loneliness of modern urban life in America. The arrangement of elements within his compositions, as well as his amazing use of light/shadow and detail, create very visually striking pieces that very effectively create tension and emotion in the viewer.
Characteristics of his work I really like:
-Realist style but not literal copy (certain degree of interpretive rendering that makes artwork more expressive)
-Artwork tells a story or makes the audience think
-Use of color and contrast creates very striking imagery
-Feeling of mystery and solitude
Alright! Once you have your three artists, and you have listed a few characteristics of each person's work, start brainstorming ideas in which you could incorporate most of these into one same piece. Create several different sketches! You don't have to use ALL of the points you've written down, but make sure to at least use one characteristic of each artist.
Having trouble? Consider these tips.
-Start with the artist that uses subjects or styles that you have a bit of practice in already and then see how you can incorporate characteristics of the other two.
-Instead of wasting too much time thinking of the overall idea you want your drawing/painting to transmit, start drawing ONE object/person/animal/shape and add to it as you go. You'll start making connections between the elements you start adding.
-After you have learned a bit about your favorite artists, think of an idea that is personal to YOU and YOUR LIFE, and then think about how one particular artist might go about representing that particular idea.
Once you have selected an idea to work with, go ahead and start with your final piece! Remember, this is an exercise and is not meant to produce a finalized artwork. As with all types of explorations, try to have fun with it and not pressure yourself to create something perfect. If a great idea for a final piece, awesome! If not, at least you learned something new!
After having sketched out a few different ideas, I selected one and created a composition in Photoshop using five different pictures. I used this (digital) collage as reference as I drew and painted. In this piece, I used a variety of supplies and techniques including watercolor pencils, Prismacolor Soft-Core pencils, Gamsol, watercolor paints, black gouache and even a bit of charcoal. Some areas in the painting are purposely made to look more realistic and polished than others. Finally, I did my best to create an image that propelled the viewer to think about and interpret what he/she is seeing.
Which are YOUR three favorite artists and what is it about their artwork you love so much? Do you think any of these characteristics can be found in your own work? I'd ABSOLUTELY LOVE it if you took a minute to comment below! Let me know if you use the Artist Mishmash technique! I'd love to see what you come up with!
Do you frequently struggle to find ideas for new artwork? Is it hard for you to keep the momentum going in order to create large quantities of work? Do you frequently end up copying or building upon somebody's pre-existing artwork because you can't seem to think of ideas for yourself? Are you constantly wasting hours looking on Pinterest or Instagram for the PERFECT idea for your next artwork, just to end up creating nothing at all?
All of these worries and anxieties are quite normal for artists to have, especially when one is just starting out. So, firstly, let me just say that you are not alone and, more importantly, you are not less of an artist for experiencing these feelings. Secondly, let me tell you that you are being way to hard on yourself and that it is quite unrealistic to have high expectations for every single piece you create.
In this blog post I will explain the mental approach that I have adopted towards creating art and how, by thinking this way, I have managed to keep a steady work flow and creativity blocks at bay. It's actually pretty simple.
I'm sure by now you have heard how, in ancient times, Greeks and Romans believed that creativity came from divine spirits outside and beyond the artist. At the risk of sounding like a control freak (and contradicting Elizabeth Gilbert), I think it is best to believe that WE ourselves have the power of controlling our inspiration levels.
How can we possibly be in control of our inspiration, you ask? Well, it is less about waiting around for the PERFECT idea to come to you and more about taking care of yourself as a human being (this is more important that you might think), remaining open, shifting your mindset in order to be more appreciative of life moments, and consistently showing up to do the work (creativity is a muscle that has to be trained/strengthened).
I challenge you to be appreciative of the things around you (people, animals, objects) and to be more mindful of the feelings/thoughts that you are experiencing throughout the day. Pay attention. Be curious. Really observe and try to see things in different perspectives. Put yourself in other peoples' shoes. See the beauty in all things. Take notes. Turn yourself into an open channel. It is actually YOU that decides to turn the inspirational switch on.
If you find you are unable to do this, there may be a chance that life has exhausted you and you have to make it a priority to take care of yourself before anything else. It's really incredible how much more productive we can be once we have committed to taking care of our mental and physical health.
I sincerely believe that remaining open, together with an intrinsic desire to improve personal skills and wanting to communicate important ideas to others, should give an artist more than enough fuel to continuously make art. Furthermore, there will always be room to improve artistic skills, whether it is through more technical studies or exploring new mediums/techniques.
I have found that these explorations and studies always end up enhancing my work and they allow me to become more confident, which always opens up new possibilities. No matter how talented an artist is, there will ALWAYS be room to grow. What is important is to show up everyday with a desire to improve and progress, instead of waiting for a magical moment to happen.
In all the time I have been drawing and painting, inspiration has never hit me like a sudden lightning bolt. My best artwork so far has always been a result of a brainstorming process, chipping away at an idea, committing to it and allowing myself to enjoy the process. For me, the magical moment occurs after I have decided on an idea and have allowed myself to begin. I get into that magical zone while I draw or paint.
Finally, I want to remind you to take it easy on yourself. Always acknowledge your victories, however small they may be. Do your best to enjoy the process. Always remember this: It's the journey, not the destination.
Specific Ideas to Keep Your Art Flow Going
1. Stay healthy
Eat good food. Move more. Make time for your physical and mental well-being. This is the foundation for everything else. If you find you are simply unmotivated to make art, devote time to learning about other topics that interest you, whatever it may be. I find books and documentaries are awesome ways to get inspired.
2. Stop comparing yourself to others
Focus first on what YOU need to improve or the ideas that YOU want to transmit through your artwork. You can create inspirational Pinterest boards as much as you want, but always value your own work and respect the point you are in in your own journey. Remember that we tend to only see curated galleries of other artists' best pieces. Rarely do we see their failures and their struggles.
3. Make time for exploration
Try different mediums and styles. Pinpoint what it is about other peoples' work that you find intriguing (color, use of texture, line, etc.) and apply it in an artwork in your own way. Combine different drawing or painting supplies in one same piece. Deliberately try creating "ugly" artwork! Experiment with subjects that you have never attempted before. You never know if you don't try.
4. Talk to other human beings
It doesn't have to be about art! Ask questions and be interested. Really listen to what they have to say. Sometimes I think about what I have in common with others and what I can create that can resonate with him or her. Art is all about reflecting and connecting!
5. Create a work space that ignites your positive thoughts
Keep your studio organized. Add decorations that will help relax you and make you happy. I really believe that the environment that surrounds us impacts our mood and creativity.
6. Keep a sketchbook (or several)
If you are ever unmotivated, a sketchbook is able to provide a record for you to see how far you have come. They are also a great way to stay consistent. It is always an interesting exercise to re-work an old drawing or painting in a different way using the skills you have developed since then. Keep a small notebook to write ideas down in as they occur to you throughout the day. Read my post about why it is important to keep a sketchbook as an artist here.
7. Don't strive for perfection
Perfection is SO overrated! It is through taking risks that we grow. Nobody is perfect and there will always be room for improvement, no matter who you are. A perfectionist and ever-anxious state of mind will not lead you to create your best work. Read about the dangers of perfectionism in my blog post titled How I Killed My Perfectionist Demon and Why Perfectionism is the Worst.
8. Use your choice of literature, music, movies, photography, etc.
I find ALL kinds of art enjoyable and love using movies, music, literature and photography to get inspired. Think about what it is about that particular movie, song or book that resonates with you and create art based on those ideas/characters.
9. Make note of what you would like to improve and create plans/goals
Take 30 minutes each week to think about what specific skills you wish to improve (from technical drawing skills to specific techniques or media) and set goals for yourself. Just remember that these goals have to be feasible. Set limits for yourself so you don't get overwhelmed.
I leave you with this quote by amazing artist Chuck Close:
“The advice I like to give young artists, or really anybody who'll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case.”
Visit artist's website here.
Learn more about Chuck Close and view more of his amazing artwork at:
How frequently do you find yourself going through an artist block and how long do they usually last for you? Do you consciously make time for your mental and physical health on a day-to-day basis?
Let's have a discussion in the comments section below!
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Do you LOVE buying sketchbooks but find you rarely use them? Do you find a clean, blank page completely intimidating? Are you afraid of ruining your beautiful new sketchbook and stop yourself from using it to experiment and learn as much as you could? Are you confused about what sketchbooks should or shouldn't be used for?
I am going to start out this post with a somewhat embarrassing confession. Until about two years ago, I never had a sketchbook. Pretty much all my drawings were created on loose sheets of paper that ended up in folders (if they were lucky) or lost under piles of junk never to be found again. What can I say? I got busy with full-time jobs that, perhaps were “artsy” and creative, but never really left me the time and energy to explore art for myself.
It’s easy to get overwhelmed with daily responsibilities and forget about that one activity that we'd really like to spend some time doing if we could ever find some extra time. Keeping up with demanding jobs, family responsibilities, social commitments and making time for health on top of everything else, can keep us from pursuing activities which we know would bring us a great amount of joy and inner peace, but sometimes (unfortunately) loose their priority. I’m sure many of you can relate.
It took me forever to fill up that first little sketchbook I ordered from Amazon two years ago. I moved out of the house I was living in back then, got married and was extremely busy giving my all at my job, working overtime several days a week and arriving home exhausted. I had started trying out some new art supplies in this sketchbook (I think mostly watercolor pencils and drawing pens) but wasn’t really serious about it yet. My priorities were still elsewhere.
Finally, last year, I became incredibly inspired by artists I was finding online and I made the decision to make time for my own improvement as an artist. I knew that this would not only bring me personal fulfillment, but would also help me become the Art Teacher I wish I had when I was a student.
I started to feel like this big part of me that I had been suppressing for so many years was emerging, like I was finally becoming whole. I had never experienced anything as addictive as creating these little artworks that began filling my sketchbook (by this point it was a bigger one). The part of my days which I looked forward to the most were those moments in which I could immerse myself in my art and slowly peel back these layers that would lead me to discover myself as an artist. I haven’t stopped since.
Later on, as I found myself filling not only sketchbooks quicker and quicker, but creating painting after painting on proper watercolor paper, I began investing in higher quality supplies. I am still in the process of creating my collection and finding those specific brands of paper and paint that I love most, but my persistence and personal drive to become better have brought me far from where I started.
Why sketchbooks are so important in an artist's journey
1. They are a chronological record of your progress
If you ever feel unmotivated or need solid proof of your progress, you can look back to your old sketchbooks and see how far you've come. You can also study them in order to find patterns in your work, as well as your style evolution throughout the years.
2. They protect your work for you
If you are generally a disorganized person or simply a busy one, it is very easy to loose those sketches you create. Whether you are a professional artist or a hobbyist that finds joy in art, it is important that this work is protected and not lost.
3. They are portable
As artists it is important to have the tools we need handy at all times. Whether it's a camera to take reference photos, a small notebook to jot ideas down in, or an actual sketchbook, we need to be prepared when we are out and about. It's important to keep in mind that drawing and painting from life is extremely important for those of us seeking to do this professionally.
4. They provide us with an informal, no pressure way of exploring
I believe that in art, as in most things in life, it is more about the journey than the end results. As artists we have to fall in love with the process of exploration, and keeping a sketchbook is a great way to do that. They are visual journals of our progress and inner workings and perhaps are even more important than the finalized pieces we produce. Ignoring practice and going straight to the canvas isn't going to get you anywhere. This is a mistake I made in the beginning.
5. They remind us to keep going
When I am sitting in my studio thinking about how I can move my skills forward, I can hear my sketchbooks calling out for me. Maybe I sound like a crazy person, but to me, they seem hungry to be filled up with more work. And more practice equals more results. So it's a win-win.
Tips to get the most out of your sketchbook
1. Give it a date
I like writing the month and year when I started working in each sketchbook somewhere on its cover. By doing this, I can look back to older ones and see how far I've come. It's easy to get frustrated on a day-to-day basis when a drawing or painting isn't going as smoothly as you were expecting, but when you look back and see the progress you have achieved, it can be very motivating to keep going.
2. Carry it everywhere
I like having sketchbooks in different sizes so that I can take smaller ones with me whenever I'm going somewhere where I'll have a chance to sketch. I also like to have little regular notebooks to jot ideas down for future artworks if anything occurs to me when I am out of my studio. You never know when a great idea is going to pop up. Ideas are so easily forgotten and, even if they aren't used right away, they could come in handy in the future.
3. Make sure you buy one that is appropriate for the supplies you plan to use in it
Do you like to do mostly pen and ink sketches? Are you into watercolors, gouache or other media that requires water? Do you like to explore mixed-media? Would you like a sketchbook that can hold layers of paint in it or perhaps even glue and other items you'd like to place in it? Are you planning on using things like gesso in order to use oil paint in it? There is a sketchbook for every need out there. Just make sure you acquire one with appropriate paper for your exploratory needs.
4. Write in it
I love to jot down notes about mistakes and what I have to make sure not to do next time I'm attempting to draw/paint that particular subject or use that particular technique. Write down ideas that came up throughout the process of the piece you were working on. Write personal thoughts or feelings about what made you want to explore that particular subject. I believe all these things will contribute to your work immensely because getting to know yourself is a big part of becoming an artist.
5. Never fear the blank page/new sketchbook
Remember your sketchbook is a place for you to explore and to learn. You aren't ``ruining´´ anything! This is your personal space and you don't have to share it with anyone if you don't want to. If you always have this fear of perfection looming over your head you are never going to get the amount of work done that it takes to become better. Relax and enjoy the process!
To end this post, I want to include this quote by French artist Eugene Delacroix:
``The artist who aims at perfection in everything
achieves it in nothing.´´
What methods/activities have you found useful to make sure you keep creating art and developing your skills through time? Have you ever gotten to a point at which you feel like you've plateaued? Leave a comment below and and let's help each other out!
In my blog you'll find information and resources to help you improve your art skills. I also share tips that will help you stay happy and productive as your journey progresses.
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Links To Useful Sites
Painting With Oils
Student Art Shows
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