*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :) What's the actual reason behind swatching watercolor paint (aside from the satisfaction of laying pretty colors down on paper)? What specific things should we be looking for when testing out a new watercolor paint set, besides differences in color? What are the different variables that may affect watercolors' behavior and their final appearance? In this blog post, I'm going to explain the most important characteristics that you should start taking note of when it comes to watercolor paint. By understanding these different aspects and how they vary from pigment to pigment, you'll be able to make more informed choices when it comes to picking your color palettes/schemes for your paintings, which will make everything go a lot smoother. I'll also walk you through my own personal method for swatching out a new paint set and share why I like testing my paints on two different types of paper. It's very useful to explore a new paint set before actually attempting to create a painting with it. This is especially the case when it comes to watercolors, as this painting medium's inherent characteristics make it tricky to use. For one, watercolors are translucent, which means we can't simply cover up our mistakes like we can when working with acrylics or oils. Secondly, due to their water-soluble properties, they tend to have a mind of their own. Finally (and something that was very hard for me to wrap my head around in the beginning), behaviors and effects can vary greatly from pigment to pigment, even within a set manufactured by the same company. There are also many external factors that can affect our watercolor painting process and the final outcome of a piece, such as how clean our water is, what kind of paper is used, and even the temperature of the room we're working in! Always remember that, as artists, we have to learn to embrace the exploration process. It may seem like a waste of time and resources when we're just starting out, but these smaller studies give us confidence and allow us to find ourselves as artists, so that we're then able to create more effective finalized works. If you're a beginner just starting out with watercolors, I highly recommend checking out my blog post titled 10 Things I Wish I Knew Before Starting With Watercolors. By understanding these ten ideas and applying them in your painting, you'll be able to progress your watercolor skills much quicker and waste less supplies in the process. Let's get to the swatching! If you enjoy this video, subscribe to my YouTube channel! I publish a brand new video every-single-Friday with art tips, drawing/painting tutorials and encouragement for aspiring artists. There is no right or wrong way to test out a new watercolor paint set. The whole point of swatching and testing out colors is for you, the artist, to have a better understanding of different color behaviors. This way, you'll be able to select the colors you like best depending on the particular subject you paint, your personal techniques and the overall effects you're going for. If you're just starting out and haven't found your style, no problem! As your artistic journey progresses, you'll discover your own way of working and the specific paint qualities that are important for you. Later on, you'll be able to modify your swatching process to whatever fits you best and perhaps leave out aspects that aren't as important. Watercolor Paint Characteristicsa) Mass tones A color's mass tone tells us what it looks like when it's straight out of the tube and at its fullest saturation. Basically, it's the color at its purest and undiluted self. -This is usually the first rectangle I fill in below the hue's name and I make sure to use the least amount of water possible. b) Staining qualities A color's staining quality refers to how difficult it is to remove from the paper when lifting, scrubbing or attempting to reactivate it once it's dry. -To test this out, I like lifting paint from a small section of my Masstone square/rectangle when it's still wet with either a rag or a paintbrush. I also like coming back to my color swatch once it's dried completely to see if any color can be lifted or reactivated because I personally use this technique a lot in my work. There are some pigments that are known for being extremely staining, such as Prussian Blue, and others that lift up quite easily. c) Opacity A color's opacity tells us how opaque or transparent it is. Usually, you're looking for transparency when it comes to watercolors, as this is the quality that gives paintings created with this medium their distinctive glow. -For faster swatches, I like drawing a couple of ink lines in this square/rectangle (allow them to dry completely) and painting over them with each color to see if there is any chalky residue left behind. -Another option is painting a couple of lines or shapes with a different color (a different color from the one you're testing) and seeing how much the subsequent layer of color allows the bottom to shine through. d) Level of dispersion A color's level of dispersion refers to how easily it expands and/or intermixes with other colors when dropping on damp paper. A high level of dispersion means a paint color expands quickly and intermixes a lot with colors around it. A low level of dispersion means it mostly stays in place. -For faster swatches, I like simply wetting this square/rectangle with clean water and dropping the color in in several different places to see how fast it expands. -Another option is dropping a different color in first and then placing the specific hue you're testing out to see how much it expands/intermixes. I do recommend preparing a larger square/rectangle for swatching if you want to test this out. Because I don't do a ton of wet-on-wet work myself, this isn't I take too much time doing. However, if you do a lot of landscapes or even abstracts, it may be very useful for you to spend time testing out this particular one for your different colors! e) Granulation A color's granulation level can be identified by laying down a flat wash, allowing it to dry completely, and observing how even and uniform it looks after. Pigments that have a high level of granulation separate from their binder when mixed with water and tend to settle into the texture of the paper it is placed on. This leads to white dots and a patchy look in some areas. *A high level of granulation isn't inherently bad, as it can be used to create great effects in areas that require them. Many artists use highly granulating paints to their advantage! -I don't usually create a separate square/rectangle to test out granulation, but come back to observe this later on after my paint has fully dried and settled into the paper in all my sections. f) Permanence A color's permanence refers to how resistant it is when exposed to light. In other words, how quickly does it start to fade out? Usually, manufacturers include this information somewhere within the packaging of the product with the following codes: AA (Extremely Permanent), A (Permanent), B (Moderately Durable) or C (Fugitive). -I don't usually create a separate square/rectangle to test out permanence, but come back to observe how much the color has faded out a few months later. g) How do colors react on different types of papers? I usually like seeing how different pigments react on at least a couple of different types of watercolor paper because I know how much of a difference the right paper can make! -For the swatching of this particular Winsor and Newton set, I used both higher quality Arches watercolor paper, as well as cheaper Canson paper. Both of these were 140 lb. Cold Press papers, but the Arches had much more of a texture to it. Another option could be testing your paint out on both Cold Press and Hot Press papers. Check out my blog post/YouTube video Watercolor Supplies for Beginners + Things You Should Know. In it, I explain everything you have to know about watercolor paper and demystify a lot of common thoughts beginners have in relation to watercolor supplies. Swatching Outcome and My Conclusions
Swatching out Winsor and Newton paint set on Arches 140 lb. Cold-Press watercolor paper. This photo has not been manipulated in any way.
Swatching out Winsor and Newton paint set on Canson 140 lb. Cold-Press watercolor paper. This photo has not been manipulated in any way.
The colors included in this Winsor and Newton 12-piece tube set are: Cadmium Yellow Hue Cadmium Red Pale Hue Alizarin Crimson Ultramarine Blue Cerulean Blue Prussian Blue Viridian Green Yellow Ochre Burnt Sienna Burnt Umber Ivory Black Chinese White I enjoyed testing out this Winsor and Newton watercolor tube set and look forward to painting a piece with it. Even though this brand's Cotman line is described as being their affordable/student grade option, this particular tube set offers an excellent color payoff, contains a good amount of paint and is quite comfortable to work with. The paint's texture is just thick enough when squeezed out of the tube and onto the paint-mixing palette. Each tube contains 8 ml of paint and the manufacturer has included relevant information on its packaging such as each color's level of Permanence and Pigment Code. A few things I noticed in regards to the differences between the swatches created on the two different watercolor papers: a) Overall, the colors painted on the Arches paper are more vibrant than how they appear on the Canson paper. b) The degree of this varies from pigment to pigment, but I was able to lift up more paint from the Canson paper, especially once the paint had dried. This probably has to do with the fact that the 100% cotton Arches paper absorbs the pigment a lot more effectively. c) Wet-on-wet effects were much more beautiful on the Arches paper, which allowed them to disperse a lot more fluidly and gradually. On the Canson paper, the paint pooled in certain areas and left a patchy effect. d) All colors, except for the Chinese white are completely transparent (which is a good thing). Transparent watercolors allow bottom layers to shine through and give paintings a unique glow. If you zoom into the ink lines below the Chinese white swatch, they appear to have a bit of a chalkiness over them. Watercolor Supplies Used:
*I buy most of my art supplies online through ConsumerCrafts or Amazon. Both of them are excellent options for finding great supplies at accessible prices. Click on images below to learn more about each product.
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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :) Are you eager to start selling your artwork online but perhaps feel overwhelmed with all the options out there? Wondering if print-on-demand platforms like Society6 and Redbubble are right for you? Do the technical aspects involved in creating on online shop and uploading your artwork effectively keep you from moving forward? In today's blog post I'll be sharing my entire process for creating products to sell on Society6, as well as essential information you should definitely know if you're thinking of opening a shop of your own on this platform. I'll also be providing a list of pros and cons about Society6 to help you make an informed decision on whether opening this type of shop is right or you. Society6 is an online marketplace that allows artists and designers to easily create their own shops and sell their work not only on prints, posters, canvases, and other kinds of wall art, but on a large variety of accessories like phone cases, tote bags, apparel and even furniture! One of the reasons why I decided on Society6 over other platforms is because, in my research phase, I heard great things about the quality of their products from other artists. About a year and a half ago, when I first started learning about different options for selling my work online, I was taken aback by the amount of platforms available and the differences between each. Some of them require artists to go through application processes, others ask for fee payments for each artwork uploaded, others keep a huge percentage of the artist's earnings, etc. Of course, there are marketplaces like Etsy through which the artist assumes all responsibility for customer service, packaging and shipping orders, which you can go for right-off-the bat if you want more control and direct contact with your customers. I decided to create shops on both Society6 and Redbubble, as they are fast to open, easy to use and require no monetary investment. However, since before starting with my online art business journey, I knew that my end goal was to eventually sell my original artwork through Etsy. The way I saw it, these smaller shops would be a great way to start developing a habit for creating new pieces and uploading them on a semi-regular basis. They would also enable me to test out what people liked most and to start marketing my different products through social media. I saw these shops as a stepping stone, as I knew I still had a ton to learn about before opening my shop on Etsy. Also, I'm all for creating a variety of income streams and plan to keep these smaller shops running even after my Etsy shop has gained some traction. Setting up multiple income streams is a total must for artists of all kinds, in my opinion. There are three things that you should do before concluding whether a platform/marketplace is right for you or not: a) Research, research, research (but don't get stuck there) This entails visiting the site yourself and reading the information the company provides. You must know what their terms are, the support they provide, how/when you're getting paid, the quality level of their products, etc. I also recommend listening to reviews from at least three different artists or designers that have been on the platform for a decent amount of time. Also, think about whether the company's overall vibe (the mood and attitudes they transmit through their site, social media channels, advertisements, etc.) meshes with yours. b) Give thought to what goals you have for your artwork There are so many ways an artist could go in. Is your dream to sell paintings for large amounts of money and getting into galleries? Are you primarily a commercial illustrator working with clients? Would you like to venture into surface pattern designing? Would you like to have your own larger shop on Etsy (or on your own website) through which you'll take care of all production and shipping to your customers in the future? You have to know what it is you want to do before investing too much time and energy into something that may or may not be right for you. What does your gut tell you? c) Actually do it and give it a decent amount of time Once you've come to a decision (be careful not to spend such a long time in the research phase that you never actually get to anything), it's essential to put in consistent effort and be patient. You might be doing everything right and still see nothing happening for months. Remember it takes time to see results on any platform and it's essential to stay consistent for a while before arriving at any conclusions. Always continue learning what aspects you can improve about your shop and how you can get your work out there effectively.
If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :)
How to Scan, Edit and Upload Artwork Onto Society6 1. Creating Your Artwork
You can upload any kind of artwork onto Society6 and choose any (or all) of the items available to place it on if you so desire. However, it's important to take into account that not all kinds of artwork will look good on all types of products. And, of course, the less amount of items you make available, the less options you will offer to your visitors, which translates into less sales.
With my limited amount of time, I decided to create patterns using the watercolor illustrations I was already creating for the calendars I send out to my newsletter subscribers every month! With one same pattern, I would be covering most of the items offered by Society6 at once and they would look awesome. I know creating patterns might not fit your own artwork but, if you wish to create patterns with your illustrations as I do, I highly recommend creating your artwork with little to no background so that it's easy to "clip out" in Photoshop (or the photo editing software of your choosing). As you upload your first drawings or paintings and start placing them on products, you'll find what types of items suit your work best. As much as it's great to have more products to offer, don't feel obligated to create products that don't make your artwork shine. 
Watercolor food and botanical illustrations by Erika Lancaster. Winsor and Newton watercolors on Canson 140 lb. watercolor paper.
Watercolor food and botanical illustrations by Erika Lancaster. Winsor and Newton watercolors on Canson 140 lb. watercolor paper.
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3. Editing Your Artwork & Creating Your Designs
Once I have a high quality scan of my illustration on my computer, it's time to open Photoshop and move onto the cleaning/editing process, as well as creating any sort of pattern I'd like with it. If you don't currently have Photoshop, and don't want to pay for the software, don't worry! You can download Gimp for free, which is a very popular photo-editing software you can get online for both Mac and PC. This popular alternative is even used by professional illustrators and contains pretty much all the tools that could come in handy for you as an artist.
In Photoshop, I mainly remove the background from my illustration, do any cleaning necessary (to remove hairs, etc.) and perhaps increase the contrast a tiny bit at times. To "clip" the illustration from the background I like using the Pen Tool, which provides me much more control than the Magic Wand selector. You want to be careful when cutting your illustrations out, because any white spots you leave outside of your illustrations will get printed on the products! I always make sure to re-check my work when I'm done.
Every now and then, I also use Photoshop to manipulate colors so that I'm able to create colorful patterns using only one "base" illustration.
Once I've successfully separated my illustration from it's background, it's time to create an appealing pattern with it! I visit Society6's Pixel Dimension Requirement page to make sure I'm creating my file in the right size before working on my pattern. In this page, Society6 lists out the document sizes (in pixels) needed for each of their products. But don't worry, you don't need to create a separate file for each!
What I do is create a new document in Photoshop with their minimum recommended size of 6500 x 6500 pixels and create my pattern there. This size is covers most of the products on the list and the platform will automatically place it on all the products that require this size or smaller, which saves a lot of time. There are currently only 2-3 products that require a larger size than this and you can create separate files for those if you wish. There are also a couple of products like stickers and t-shirts which you'll probably find need a separate design or layout.
Pixel Dimension Requirements for Society6 Products. Click on image to visit site.
Once I'm happy with my pattern, I deactivate the background layer in Photoshop and save the document as a .png, which allows the background to remain transparent. This is the file you'll upload onto Society6.
Because I know I'm most likely going to have to come back to Photoshop to create separate .pngs for stickers and t-shirts, I leave it open.
Click to visit Gimp's website and download the software.
3. Uploading onto Society6
Opening your shop on Society6 is very fast and easy. All you need is a PayPal account. I recommend giving thought to your Username/URL because you won't be able to change it later and filling out your Artist Bio as soon as your able. Upload a banner and an avatar image to make your shop your own.
Once that's done, all you have to do is click on the button at the top that says "Sell" and you're going to be taken through a very straightforward 3-step process. The platform take a minute to process your artwork when you upload, as it's placing it on all available products that it fits on.
Next, you'll have to fill in a title for your work, as well as tags and a description. A tip here is to put yourself in the buyer's shoes. Instead of typing in a subjective title for your artwork, think about what words visitors actually type into Society6's search bar when looking for products. Be descriptive, create a five word title, use up all the available tags, and create a good little paragraph.
Finally, the fun part! You'll be taken to the last section, in which you'll see your design on all sorts of awesome items. You get to decide which to deactivate if you wish. I highly recommend taking time to look over every single product to ensure that your design is at an optimum size in each. All you have to do is click on each item and shift your design's size/location.
As you scroll down the Create Products page, you will see what products require a separate .png file. I usually need to create a separate file for stickers, as a sticker page has to have fewer elements and they have to have a good distance between them (stickers have a white outline around them that shouldn't overlap). I also create separate patterns for t-shirts that are usually more vertical and contain less elements than my initial pattern.
Create whatever .png files you need and upload them separately onto individual products by clicking on those items.
Finally, hit Publish and, in around 15 minutes, your products will be up on your shop!
Once that's done, all you have to do is click on the button at the top that says "Sell" and you're going to be taken through a very straightforward 3-step process. The platform take a minute to process your artwork when you upload, as it's placing it on all available products that it fits on.
Next, you'll have to fill in a title for your work, as well as tags and a description. A tip here is to put yourself in the buyer's shoes. Instead of typing in a subjective title for your artwork, think about what words visitors actually type into Society6's search bar when looking for products. Be descriptive, create a five word title, use up all the available tags, and create a good little paragraph.
Finally, the fun part! You'll be taken to the last section, in which you'll see your design on all sorts of awesome items. You get to decide which to deactivate if you wish. I highly recommend taking time to look over every single product to ensure that your design is at an optimum size in each. All you have to do is click on each item and shift your design's size/location.
As you scroll down the Create Products page, you will see what products require a separate .png file. I usually need to create a separate file for stickers, as a sticker page has to have fewer elements and they have to have a good distance between them (stickers have a white outline around them that shouldn't overlap). I also create separate patterns for t-shirts that are usually more vertical and contain less elements than my initial pattern.
Create whatever .png files you need and upload them separately onto individual products by clicking on those items.
Finally, hit Publish and, in around 15 minutes, your products will be up on your shop!
Back-end of Society6 store. Placing artwork on products.
*Next step! Market your artwork!
No matter how amazing your artwork is, if nobody knows about it, you're going to have a hard time making sales. Don't be afraid of putting your work out there!
While Society6 does a great job attracting shoppers to their site, their marketplace is saturated with incredible artists that have been on the platform a very long time and have formed a history/reputation for themselves. All of us need to go through that and have to accept and learn to enjoy the phase we're in.
If you're serious about selling your work online, I suggest optimizing your social media accounts so that you give your audience a clear idea of what you do and offer. Pick one or two and keep them professional. Refrain from sharing personal things and stick to uploading pictures of your creative process, your favorite tools, what you find inspiring, links to useful articles that your target audience would find helpful, and share your new products!
Visit Society6's blog to find great tips for getting your work out there.
While Society6 does a great job attracting shoppers to their site, their marketplace is saturated with incredible artists that have been on the platform a very long time and have formed a history/reputation for themselves. All of us need to go through that and have to accept and learn to enjoy the phase we're in.
If you're serious about selling your work online, I suggest optimizing your social media accounts so that you give your audience a clear idea of what you do and offer. Pick one or two and keep them professional. Refrain from sharing personal things and stick to uploading pictures of your creative process, your favorite tools, what you find inspiring, links to useful articles that your target audience would find helpful, and share your new products!
Visit Society6's blog to find great tips for getting your work out there.
Pros and Cons of Society6 (and other similar online shops)
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Welcome back, fellow artists!
I'm very excited to share that I made it through my first time participating in the Inktober drawing challenge!
In today's blog post, I'll be sharing my last time lapse compilation of Inktober sketches, as well as things I learned by having pushed myself through it. Though the drawings I'll be sharing were created specifically for Inktober, most of the information I'll be including throughout the post (and video) can relate to any type of daily art challenge.
There's no question that being able to produce a new piece every-single-day for an entire month (no matter how small), is extremely difficult. However, there's a ton to learn from participating in art challenges like this one, as they allow us to improve not only our cold-technical skills (drawing, shading techniques, etc.) and our time-management abilities, but also test us mentally in many ways.
This is why I made the decision to finally take on Inktober this year!
If you visited my blog or YouTube channel at any point throughout October, you're probably aware that I've been sharing time lapses for every-single-one of my Inktober sketches! I've also talked about a variety of topics pertaining to it.
Make sure to check out my past Inktober blog posts and find the rest of my time lapses over at my YouTube channel:
5 Tips to Make it Through Inktober and How I'm Going About It
My Inktober Supplies and Time-lapses for Sketches 6-11
Inktober Sketches 19-25 + Reviewing My Supplies
If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :)
What I Learned from Inktober
Technical Aspects
1. Stay present/mindful while you're creating art
I noticed pretty quickly as I was starting with Inktober, that when I was tired and/or my mind was just not in the art-making process, my drawings turned out much sloppier. I either went overboard with my mark-making, which led to certain areas appearing very flat or I created too much of a texture where I wasn't intending to.
Now I know that, no matter how small a sketch or study I'm working on, I have to do my best to stay present (whether it be 5 minutes or an hour). If I'm too tired or unable to concentrate, I'll consider resting and getting back to work the following day, or take a break to do something else that will allow me to de-stress before getting back into it.
Now I know that, no matter how small a sketch or study I'm working on, I have to do my best to stay present (whether it be 5 minutes or an hour). If I'm too tired or unable to concentrate, I'll consider resting and getting back to work the following day, or take a break to do something else that will allow me to de-stress before getting back into it.
2. Take it slow and respect the process
With this, I don't necessarily mean to force yourself to lay down each line or brush stroke super slowly if this isn't your thing. Personally, I love working at a faster pace and leaving some sort of expression, rawness and imperfection in most of my work.
What I mean with taking it slow is learning to enjoy the different phases of creation (brainstorming, preparation, preliminary sketch, developing marks/colors/values, etc.) and acknowledging each as an essential part of the process. I realized this halfway through the challenge. Whenever I skipped a phase, my piece didn't turn out as well as it could have.
With a daily challenge like this one in which I had limited time, many of these phases were done simultaneously with other tasks, but I made a point to go through them, nonetheless.
What I mean with taking it slow is learning to enjoy the different phases of creation (brainstorming, preparation, preliminary sketch, developing marks/colors/values, etc.) and acknowledging each as an essential part of the process. I realized this halfway through the challenge. Whenever I skipped a phase, my piece didn't turn out as well as it could have.
With a daily challenge like this one in which I had limited time, many of these phases were done simultaneously with other tasks, but I made a point to go through them, nonetheless.
Mental Aspects
1. Practice increases confidence (and speed)
The only way to really improve your self-confidence with any particular activity is practicing it and experiencing it first-handedly on a continuous basis. The more you do something, the more skilled you become, which makes you more comfortable doing it, which translates into doing things better and faster.
I had previous experience drawing with pen and ink, and have even shared different tutorials on mark-making and shading techniques both here at my blog, as well as over at my YouTube channel, which I highly recommend you check out:
Guide to Shading Techniques: Hatching, Cross-Hatching, Scribbling and Others
Pen and Ink Sketching: 6 Shading Techniques
Shading a Hand Using Pen and Ink
However, I had never drawn with pen and ink as continuously as this drawing challenge pushed me to. By the end of the month, I was creating my sketches a lot faster than in the beginning. I was also able to tell when I was making a mistake quicker, which enabled me to stop in my tracks and succeed at making them less noticeable.
I had previous experience drawing with pen and ink, and have even shared different tutorials on mark-making and shading techniques both here at my blog, as well as over at my YouTube channel, which I highly recommend you check out:
Guide to Shading Techniques: Hatching, Cross-Hatching, Scribbling and Others
Pen and Ink Sketching: 6 Shading Techniques
Shading a Hand Using Pen and Ink
However, I had never drawn with pen and ink as continuously as this drawing challenge pushed me to. By the end of the month, I was creating my sketches a lot faster than in the beginning. I was also able to tell when I was making a mistake quicker, which enabled me to stop in my tracks and succeed at making them less noticeable.
2. Creativity is a muscle that gets stronger with consistent use
I'm sure you've heard this saying about creativity being a muscle before, but there's really nothing like participating in a daily challenge to really understand what pushing our creative limits every-single-day for a long(ish) period of time can do for us.
At the beginning, I really struggled to come up with the ideas behind my drawings. I was also really unsure about what arrangement/composition would look best and took a long time to decide these things. By the end of the month my ideas came to me a lot faster and I was able to visualize more visually-pleasing compositions quicker. I knew whether an idea would work or not right off the bat and, if I thought it wouldn't, I moved on to thinking of a new one.
At the beginning, I really struggled to come up with the ideas behind my drawings. I was also really unsure about what arrangement/composition would look best and took a long time to decide these things. By the end of the month my ideas came to me a lot faster and I was able to visualize more visually-pleasing compositions quicker. I knew whether an idea would work or not right off the bat and, if I thought it wouldn't, I moved on to thinking of a new one.
3. Persistence and determination are essential in order to reach any meaningful goal
In my blog post titled Time Management for Artists: My Secrets for Staying Consistently Productive, I explain how important it is to get to know ourselves so that we can truly come to a conclusion about what we want in life. This is the only way, really, that we can set meaningful goals so that we can then work towards them consistently.
Many of us are able to set those goals initially, but we fail at sticking to what we have to do because we lack motivation or life simply gets in the way.
It has been through gaining clarity on what I want in life and sheer persistence, that I've been able to get to where I am today. I think I owe my completion of Inktober to this basic understanding. I knew that participating in this challenge would be difficult, but that it would help me progress my skills further, faster. This is important for me at this point in my life, and I honored my decision by sticking with it.
Many of us are able to set those goals initially, but we fail at sticking to what we have to do because we lack motivation or life simply gets in the way.
It has been through gaining clarity on what I want in life and sheer persistence, that I've been able to get to where I am today. I think I owe my completion of Inktober to this basic understanding. I knew that participating in this challenge would be difficult, but that it would help me progress my skills further, faster. This is important for me at this point in my life, and I honored my decision by sticking with it.
4. Chasing perfection is counterproductive
Perfection is probably the biggest enemy of creativity. It cripples us as artists and stops us from producing the work we need to create in order to keep moving forward. Getting something done, no matter how small (or flawed) is better than not doing it at all.
In art, exploration and learning to embrace the process is incredibly important. Even more important, I would say, than creating a finalized masterpiece. Once I learned this, my skills progressed a lot faster. Perfection is overrated.
Something I've come to realize is that constantly chasing perfection has a lot to do with an innate fear of not being enough and having to prove to the world, in some way, that we are. You don't have anything to prove to anyone but yourself, and what matters is to strive for progress, not perfection.
Life is way to short to let our fears stop us from doing the things we want to do in life. It is usually the people who are able to acknowledge their fears and move on despite them that succeed in achieving their goals.
In art, exploration and learning to embrace the process is incredibly important. Even more important, I would say, than creating a finalized masterpiece. Once I learned this, my skills progressed a lot faster. Perfection is overrated.
Something I've come to realize is that constantly chasing perfection has a lot to do with an innate fear of not being enough and having to prove to the world, in some way, that we are. You don't have anything to prove to anyone but yourself, and what matters is to strive for progress, not perfection.
Life is way to short to let our fears stop us from doing the things we want to do in life. It is usually the people who are able to acknowledge their fears and move on despite them that succeed in achieving their goals.
5. Staying flexible is a must
Life is unpredictable. We can plan as much as we want to, but things will always come up and we have to be okay with shifting things around. As someone that thrives on routine, I'm still learning to be okay with modifying my schedules and specific things I had planned.
It's perfectly okay to take a break if you feel you need to (I did this a couple of times myself throughout the month). However, keep your priorities in check and get back to it as soon as you're able to.
There are two main ways that I stayed flexible throughout Inktober. For one, I had to accept that I would have to move my sketching to a different time of the day because things came up that I had to prioritize, or certain tasks simply took longer than expected. Sometimes I had to accept the fact that I would have to work on my Inktober sketch at the end of a long day of work.
Another way that I stayed flexible was with my supplies. The pages of the original Leuchtturm1917 sketchbook I planned on using ran out about 3/4's of my way through Inktober (I talk more about the specificities of my Inktober suppliesin this blog post).
Initially, I thought it would hold all of my sketches, but my heavy application of ink made it necessary for me to skip pages in between each piece. I had to make due with what I had on hand and be okay with using another sketchbook that didn't exactly match the characteristics I was looking for with this project. I accepted it and moved on.
It's perfectly okay to take a break if you feel you need to (I did this a couple of times myself throughout the month). However, keep your priorities in check and get back to it as soon as you're able to.
There are two main ways that I stayed flexible throughout Inktober. For one, I had to accept that I would have to move my sketching to a different time of the day because things came up that I had to prioritize, or certain tasks simply took longer than expected. Sometimes I had to accept the fact that I would have to work on my Inktober sketch at the end of a long day of work.
Another way that I stayed flexible was with my supplies. The pages of the original Leuchtturm1917 sketchbook I planned on using ran out about 3/4's of my way through Inktober (I talk more about the specificities of my Inktober suppliesin this blog post).
Initially, I thought it would hold all of my sketches, but my heavy application of ink made it necessary for me to skip pages in between each piece. I had to make due with what I had on hand and be okay with using another sketchbook that didn't exactly match the characteristics I was looking for with this project. I accepted it and moved on.
6. Always focus on the good
There are two ways in which I applied this throughout Inktober: throughout the creation process and whilst analyzing my finished pieces.
If you've been following my Inktober work, you're probably already aware that I decided to go with following the official prompts this year. There were honestly some prompts that weren't inspiring for me at all and I struggled to think of a good idea for my piece. However, in these situations, I decided to focus on what I could enjoy and what could go well. Even if I wasn't smitten with my idea, I set out to use the opportunity to improve my cross hatching/line work, etc.
To be perfectly honest there were several sketches that I didn't like very much, either because the idea just wasn't that great, or because I feel the execution was sloppy. Nonetheless, I decided to take it easy, pat myself on the back for getting the work done for the day, and always focused on the good.
There are always things that go well, no matter how much more our mistakes stick out to us. Being able to recognize both possible areas of improvement as well as our strengths is essential for us to improve our skills and find our artistic style.
If you've been following my Inktober work, you're probably already aware that I decided to go with following the official prompts this year. There were honestly some prompts that weren't inspiring for me at all and I struggled to think of a good idea for my piece. However, in these situations, I decided to focus on what I could enjoy and what could go well. Even if I wasn't smitten with my idea, I set out to use the opportunity to improve my cross hatching/line work, etc.
To be perfectly honest there were several sketches that I didn't like very much, either because the idea just wasn't that great, or because I feel the execution was sloppy. Nonetheless, I decided to take it easy, pat myself on the back for getting the work done for the day, and always focused on the good.
There are always things that go well, no matter how much more our mistakes stick out to us. Being able to recognize both possible areas of improvement as well as our strengths is essential for us to improve our skills and find our artistic style.
My Inktober Supplies:
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Thanks so much for checking out this blog post! Did you participate in Inktober this year? If not, are you planning to in 2019? I'd love to hear from you in the comments section below! :)
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Hey, there!
In today's blog post/YouTube video, I'll be sharing Inktober sketches 19-25, as well as a review of the supplies I've been using throughout this challenge. I wanted to really put these products to the test and have a good amount of experience with them before I actually expressed any opinions.
I have released several blog posts sharing tips and tutorials about pen and ink drawing that I highly recommend you check out if you haven't already (two very popular ones are this one and this one). In past YouTube videos, I've shared how much I enjoy using this drawing medium and why I think it's so effective at helping us progress our artistic skills.
All this said, I had never used pen and ink as consistently as I have with this drawing challenge. I committed to participating in Inktober this year because I knew that creating a new piece every-single-day for an entire month would lead to amazing growth in a short period of time. The challenge would help me not only exercise my creativity continuously and gain confidence in my pen and ink technique, but would also test my time-management skills and even more mental/personal aspects.
Over at my YouTube channel, I've shared all of my Inktober sketch time lapses so far:
1. Time lapses 1-5 + A Bit About My Thoughts and Process
2. Time lapses 6-11 + How I Come Up With the Ideas Behind My Sketches
3. Time lapses 12-18 + My Struggles So Far
*The video included in this post is my fourth compilation of sketch time lapses and I'm closing this Inktober series with a last video including my final drawings, as well as a bit about what I've learned. Make sure to subscribe to my channel and stay tuned for the last compilation of sketches coming up next Friday (Nov. 2)!
If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :)
If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :)
My Inktober Supplies
I knew since before starting the challenge, that I wanted to make a careful selection of supplies and stick with them throughout the entire month. This way, I would be able to come up with solid opinions about them.
All of my supplies were acquired online through either Amazon or ConsumerCrafts.com, which are both excellent online options to find quality art supplies at great prices.
1. Leuchtturm1917 Sketchbook
This was my first time using a Leuchtturm sketchbook and I really enjoyed it, especially in combination with drawing pens and ink. These sketchbooks are definitely on the more expensive side, but I'm really glad I invested in one and decided to use it for this drawing challenge!
The sketchbook is 15 x 21 cms. in size and is made up of 96 pure white 180 g/m drawing paper that is quite smooth. I love that the sketchbook includes two bookmarks and an elastic to keep it safely closed. These characteristics make the sketchbook perfect to take out for drawing in plein air or coffeeshops.
I had a couple of different sketchbooks to pick from laying around that I could go for, but I went for this one for two main reasons:
a) I knew that I wanted some areas of my Inktober sketches to have thick applications of ink and the thickness of its pages would allow for this.
b) The pure/brilliant white of its pages would really allow my black ink lines/shapes to contrast and pop out!
Though I find this sketchbook amazing for drawing purposes, I wouldn't recommend it for sketching with watercolors, as its paper is too smooth and I don't think it would hold/absorb water very well. I think it would, however, work pretty well for gouache and even acrylics.
It's always a smart idea to give thought to what kinds of mediums you're planning on using in your sketchbooks before making a decision about which one to buy.
The sketchbook is 15 x 21 cms. in size and is made up of 96 pure white 180 g/m drawing paper that is quite smooth. I love that the sketchbook includes two bookmarks and an elastic to keep it safely closed. These characteristics make the sketchbook perfect to take out for drawing in plein air or coffeeshops.
I had a couple of different sketchbooks to pick from laying around that I could go for, but I went for this one for two main reasons:
a) I knew that I wanted some areas of my Inktober sketches to have thick applications of ink and the thickness of its pages would allow for this.
b) The pure/brilliant white of its pages would really allow my black ink lines/shapes to contrast and pop out!
Though I find this sketchbook amazing for drawing purposes, I wouldn't recommend it for sketching with watercolors, as its paper is too smooth and I don't think it would hold/absorb water very well. I think it would, however, work pretty well for gouache and even acrylics.
It's always a smart idea to give thought to what kinds of mediums you're planning on using in your sketchbooks before making a decision about which one to buy.
2. Staedtler Pigment Liners
I've had this set of drawing pens for a while and I've always used them interchangeably with my Micron pens. I think these two brands/products are pretty close in terms of quality and price, and produce almost the same results. I will continue buying Staedtler drawing pens for the time being, as I found throughout this challenge that I really enjoy them.
The four-pack of drawing pens that I have includes .1, .3, .5, and .7 millimeter points. The majority of my Inktober sketches were created using only the .3 and .5 points. I find the four pack includes a perfect variety of point thicknesses and don't think I would personally need anything smaller or larger.
The ink in the Staedtler Pigment Liners is waterproof, bleed-proof, smudge-proof and fade resistant, which leads me to think they would be perfect for use in combination with watercolors. The lines created by these drawing pens are also very crisp and dark.
Lastly, the ink in these pens also lasts a very long time. Even though I used them every-single-day for 31 days (and pretty roughly-I might add), they never started drying out.
3. Speedball Drawing & Calligraphy India Ink
I acquired this little 2 ounce tub of black ink a while back for exploratory purposes and I'm very glad I had it on hand for this Inktober! It allowed me to create the flat black geometric background shapes that I decided would be the unifying aspect of my drawings prior to starting.
This Speedball drawing/calligraphy ink is a rich black and a bit on the thick side. However, it can be diluted to create a variety of values and a runnier texture. I used a small, angled, soft-bristled brush to apply it onto my paper and the wash always came out quite even. I never noticed any granulation, even in areas where I applied the ink thickly.
I also loved the fact that it washes off from skin pretty easily and that it has no overpowering odor to it. Lastly, the shape of its bottle is genius, as the bottom of it is wider than the top and makes it more stable. This avoids it from tipping over and creating a huge mess!
This Speedball drawing/calligraphy ink is a rich black and a bit on the thick side. However, it can be diluted to create a variety of values and a runnier texture. I used a small, angled, soft-bristled brush to apply it onto my paper and the wash always came out quite even. I never noticed any granulation, even in areas where I applied the ink thickly.
I also loved the fact that it washes off from skin pretty easily and that it has no overpowering odor to it. Lastly, the shape of its bottle is genius, as the bottom of it is wider than the top and makes it more stable. This avoids it from tipping over and creating a huge mess!
That's it in terms of my Inktober supplies for 2018! I hope that you found this blog post/YouTube video helpful and inspiring! :)
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Why, hello there! Thanks so much for visiting my little artistic corner of the Internet today!
Today's post includes a video in which I'll be sharing the sketching time lapses for Inktober prompts 6-11, as well as how I came up with the ideas behind these quick pen and ink illustrations. It's definitely a challenge to come up with a new original idea every-single-day, but I'm still going strong and am hoping to make it through!
I'm also sharing links to the exact sketchbook, drawing pens and ink that I'm using for this year's challenge, so make sure to find those at the end if you're interested in buying some new supplies for yourself.
Check out my previous Inktober-related blog post/video titled: 5 Tips to Make it Through Inktober and How I'm Going About it for specific tips to get the most out of this drawing challenge.
Also, here are a few past blog posts in which I share a ton of helpful info about pen and ink drawing/shading. They will definitely help you step up your game throughout the rest of this challenge!
If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :)
My Inktober Supplies
Here are the supplies I'm using for all of my Inktober sketches this year. I buy a lot of my art supplies through Amazon myself and, because I really enjoy sketching with pen and ink, I already had them in my arsenal!
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That's it for today! I hope that you enjoyed this post/video!
I'd love to know in the comments section below which Inktober prompt has been your favorite so far. If you haven't been able to participate, are you planning to next year?
Cheers, friends!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Are you confused as to how other artists manage to stay in a productive creative flow and can't help but feel jealous when seeing incredible new artworks others are constantly sharing? Do you want to make a living from your art someday, but doubt whether you'll have the courage, character and determination required to succeed? Does criticism and/or lack of support make you feel so low, that you want to stop creating altogether?
If you're set on becoming an artist, and you're constantly feeling any (or all) of these things, it's imperative that you start working on yourself, alongside your artistic skills. This is going to be absolutely essential for you if you ever want to achieve lasting success.
Being an artist is tough. Not only are we entrepreneurs (which means we work a lot, wear a ton of different hats and have to be willing to push ourselves out of our comfort zones every-single-day), but we also have to consistently create quality work that people will want to buy. Work that, in most cases, is created by us and us alone. Work that is pretty much a piece, or extension, of ourselves. All of this makes it necessary to stay strong if we're intending to make a living from our passion.
In today's blog post/YouTube video, I'll be sharing the top five things that I make sure to do on a weekly basis in order to stay healthy both mentally and physically as an artist. Since I started doing these things consistently a few years ago, not only have I been able to make much faster progress, but I'm also able to enjoy what I do much more and have been able to improve my self-confidence to a degree that I'm able to myself out there in ways I never thought possible.
It wasn't always like this though, and I'm getting very personal about my past today, which is something I very rarely do online. I do this with the hope that some of you out there will resonate with my story and really grasp how important prioritizing self-care is if you want to reach your goals.
I want to keep creating art until I'm a little old lady, and I hope that you also intend to keep inspiring and awakening others through your art for as long as possible.
It is my objective with this blog (and my YouTube channel) to help aspiring artists improve their skills and pursue their passions. However, we cannot give our all at any task if we're unwell mentally and/or physically. Not to mention, many of us artists are inherently sensitive, which is even more of a reason to stay aware of our wellbeing and set systems in place to ensure that we're not exhausting ourselves.
Artists have had a bad rap throughout history for living in excess and having erratic personalities. I'll have none of that! Whenever tragedies that artists (from all fields) have partaken in come into my mind, I also remind myself of all the others who have led happy and fulfilling lives.
“An empty lantern provides no light. Self-care is the fuel that allows your light to shine brightly.”
-Unknown
Before getting into the tips, I'm going to share a bit about my own personal struggles with you. I truly hope that if you feel scared, lost, uncertain or incapable of making it as an artist, this helps you understand that by working on yourself, you'll be creating that solid foundation you need in order to become the artist you've always wanted to be.
If someone had told me five years ago that I would be here, putting myself and my work out there in front of so many people and building my own art business, I would have never believed it. I was there, too, feeling all of those things and doubting whether I was ever going to do anything significant with my life.
For the longest time, I ignored my health and even abused things. I didn't even give thought to how my habits could have repercussions and was completely oblivious about the underlying issues that were causing my negative attitudes and self-harming behaviors.
I ate very poorly (or not at all), drank a lot (alcohol was the only thing that seemed to relax me), and never ever exercised. Mentally, I felt detached from others around me, numb to certain things in life that others considered important, and on edge all the time. I felt simultaneously stressed and exhausted. I went through pretty low points at which I felt completely lost and confused as to what I was supposed to do with my life.
I was jealous of people around me that seemed to function so well and didn't understand how they could do that when trivial things affected me so much. I wanted nothing more than to be able to relax and enjoy life like others seemed to be able to do. There were some days that were easier than others, but for the most part, I felt like there was something wrong with me. I won't even start getting into the disgusting, pesky little habits that I started developing to due nervousness.
This went on all throughout my teenage years to my mid-twenties.
It all changed when I had to go to the E.R. for the first time in my life due to a severe abdominal pain that wouldn't allow me to stand up straight. I'll spare you the details, but I was in bed and unable to move for about two weeks, in a pain unlike anything I'd ever felt before. It got to a point at which I was unable to breathe properly because it hurt under my ribs when I did.
Needless to say, the whole experience scared me a lot and I decided to make life changes.
I realized I was pushing myself way too much and that the stress level that my current job was causing in me was just unsustainable. With all this in combination with my total and utter lack of self-care, something was bound to happen sooner or later.
Self-portrait by Erika Lancaster (2018). Oils on canvasboard. *Find links to art supplies I used in the "My Art Tools" section of this website.
I started doing tons of research and learning all I could about everything health related. In small increments, my life habits started changing. I began eating a lot more healthily, exercising several times a week, drinking more water, limiting alcohol and junk food, etc. I also started reading self-help books and actively sought information from psychologists who helped me understand more about anxiety disorders.
A lot of things became clear to me at this point in regards to past physical ailments, nervous habits and my mental processes. Once I knew what was happening and why, everything changed. My monster now had a name and I started learning strategies to implement so that I could live my life without letting it affect me to such a degree.
I still have a lot of work to do and realize that some of these things are going to ride along with me throughout my life. However, I've embraced my weaknesses as parts that make me myself. What matters most is doing what I can to continue moving the needle forward every-single-day and working on becoming a better version of myself.
Today, at 33, I can honestly say that I've never been in better shape, I've never been happier or more productive, and my life goals have never been clearer to me. If I hadn't made the firm decision to take better care of myself, and made mental and physical health a priority, I would have never gained the courage and confidence to be here now.
Self-Care Tips for Artists and Creatives:
1. Take care of your body. It does a ton for you and it's the only one you've got.
As artists, we tend to sit and hunch over a lot. Not only this, but a lot of us tend to get into our work to such a degree that we can work for hours on end. Some of us start to develop back pain or even carpal tunnel or tendonitis due to the amount of hours spent working.
It's absolutely imperative to set daily working hours and take breaks throughout your day to move and stretch. If you're anything like me, and get so into your work that you forget to even drink water, I recommend setting an alarm once every hour. Prioritize movement, no matter what.
Schedule in specific days to exercise every week. It doesn't really matter what kind of workouts you choose to do, just make sure that you do them. If exercise isn't something that you currently do, start slowly and incrementally. I'm a total fan of fitnessblender.com and have been working out to their videos for years now. I highly recommend you check them out if you want to exercise in the privacy of your own home, for free and with minimal equipment. They provide all sorts of workouts for every fitness level so there's really no excuse!
*Disclaimer: I'm not being sponsored in any way. I really do love FitnessBlender and use the website every-single-week.
I'm now at a point at which I work out intensely at least five days a week doing HIIT workouts, kickboxing and strength training. As an artist, I focus on keeping my posture strong and staying limber.
I'm not going to tell you how to eat, but please be aware that what you put into your body has an effect on you at all levels. If you eat poorly, your brain and your body aren't going to work the way they should be, which leads to lower levels of productivity. I limit my intake of junk food and am always aware of whether what I'm eating/drinking is something that will nourish my body and make me feel good.
Finally, make sure you're sleeping enough. Sometimes we may fall into thinking we'll be able to make more progress if we stay up late burning the midnight oil, but the fact of the matter is that once we're tired, our work is going to be mediocre at best. Unless you can get away with waking up very late and/or you can ONLY get creative at night, you'll be much better off going to bed at a good hour and getting back to work once your rested and refreshed.
FitnessBlender website. Click on image to go there!
2. Take care of your mind. Do whatever you have to do to stay sane in this crazy, crazy world.
Just as important as taking care of your body, you should also make time to stay as balanced as possible mentally. For me, this means writing out my feelings and thoughts every single morning, and making sure I'm doing "brain-dumps" throughout the day in list-form, especially if these ideas could be useful for my work. It's hard for me to shut my brain off, and these two exercises are absolutely essential for me to do on a daily basis.
I highly recommend writing, as it's a great way to declutter your creative mind, organize thoughts that could be useful and let out the ones that could be bothering you.
Taking care of your mind could also mean starting your days with 10 minutes of meditation, taking a walk mid-afternoon to clear your mind, or sitting down for dinner with your partner to talk about your day.
I love waking up early and being able to take my time getting ready for the crazy day I know I'll be having. If I don't have that quiet time for myself at the beginning of the day, my entire day will suffer. I have adopted the habit of writing morning pages after waking up and I also do my best to have another quiet moment to myself before going to bed to be thankful for everything I have.
As an introvert, having time to myself is absolutely essential for me to recharge. I don't feel guilty about missing social gatherings if I don't feel up for it. I tell others about this and am completely unapologetic about it!
The alone time each of us needs varies, but I really think that even the most extroverted people should make time for introspection and self-analysis. And wherever you're at in the spectrum, if you feel that you need help, never hesitate reaching out to others. Sometimes even doing research on your own is very helpful, as it allows you to understand that there are others out there feeling the same way you are. Reading self-help books is something that has helped me understand anxiety and I no longer feel broken or alone.
Here are three great books that I read this year:
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3. Review short term/long term goals (personal, work and interpersonal). All of them are important!
Most people go through life without really giving thought to what they truly want. They settle for what's expected and let life happen to them instead of fighting for their dreams to come true. This is a surefire way of feeling unfulfilled and unhappy.
With introspection comes getting to know yourself, and with getting to know yourself comes discovering what you truly want in life. This alone will bring you a ton of clarity. Once you're there, it's important to give thought to your specific short-term and long-term goals in order to set the necessary steps to get there. No matter where you're currently at, prioritize those goals.
A while back I wrote a blog post titled Time Management for Artists: My Secrets for Staying Consistently Productive, which I highly recommend you check out if you feel like you're wandering aimlessly through life. I provide a free workbook to help you set your personal, work and interpersonal goals, as well as ideas for scheduling your week to ensure you're making progress each and every week.
For me, it was imperative to learn to say no to the things that didn't align with my goals once I had set them. I realized time is the most valuable resource I have and I don't want to waste it on activities or people that aren't going to help me get closer to them. It may sound harsh, but we absorb the negativity and positivity from those around us. As creatives, we should strive to be around people that are positive, have big ideas like we do, and lift us up.
As you work towards your dreams to come true, please don't forget to celebrate each and every small victory that comes your way!
4. Schedule time for organization and adulting. Keep your working area as safe and inspiring as you can.
Unless you're a clean freak, have people that help you with homely chores, or don't have very much going on in life, I'm willing to bet that your home and/or working area tends to get cluttered and messy pretty fast. Most of us are directly or indirectly affected by the environment we're in, which leads to being more stressed and less productive.
It also leads to more accidents, wasting time when we're unable to find things we need, and it can also lead to more serious health problems depending on the type of artwork we create. So make sure you're staying as organized as you can, and always follow safety instructions when using materials that are toxic.
If you paint like I do, always work in well-ventilated areas and use gloves so that potentially harmful substances don't come into contact with your skin. If you can, check out brands of art products that are doing their best to provide non-toxic paints and mediums like Gamblin!
I like scheduling in at least a bit of time each week to take care of cleaning, organizing and other administrative tasks so that things don't pile up (literally and in my head). It may initially seem like a waste of precious time but I assure you you'll be saving time in the long run.
As artists, we do what we love for a living, and keeping our studio organized and inspiring to work in really helps keep things as enjoyable as possible.
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5. Schedule time to disconnect from your work. Make time to socialize and set aside time for activities that relax you.
As artists, we spend a lot of time alone. It's important to make sure we're nurturing the relationships we have with people that are important to us. We can't let the connections we have with amazing people fizzle out OR keep ourselves locked up to the point that we miss opportunities to meet other great humans.
No matter how introverted we may be, we need some degree of connection with others in order to feel happy and fulfilled. Treasure the relationships you have with those amazing people in your life.
Finally, make sure you're doing things that relax you and bring you joy. As an artist, I'm sure creating art was initially something that brought you a great amount of pleasure. However, if it is now work for you, I would suggest looking for activities that allow you to disconnect for a while. I enjoy going to the movies, planning a dinner with friends or reading a good book.
Remember that the best ideas come when we're actually living our lives and not stuck in our studios!
Photo by Zachary Nelson at unsplash.com. Click on image to go to original source.
That's it for today, everyone! I hope you found this blog post helpful and that you start making your mental and physical health a top priority. I promise you that your work, as well as every other aspect of your life will greatly improve if you stick with it.
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is a participant in the Shareasale.com Affiliate Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Shareasale.com partner companies.
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