*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Why is it that abstract art looks so easy to do and when I try my hand at it, I always end up disappointed with my results? How can I become looser and more expressive when painting with watercolor? Does one have to prepare before starting a painting that's more on the abstract side of the art spectrum? When I first saw abstract artists at work, back when I was very young, I remember thinking just how easy it must be to create that kind of painting (or drawing). I saw how intuitively and spontaneously they moved along the process, and concluded there was no prep work involved or specific process to follow. I wasn't entirely wrong. However, the thing I failed to realize back then is, those artists that seemed to be creating magic on canvas in a matter of minutes and without any struggle at all, had a ton of knowledge about art and Art Fundamentals, and had full control over their preferred mediums. They had already devoted lots of time to learning, exploring, messing up and finding their voice to the point that they could now easily express emotions and ideas via marks, colors, shapes and textures. They had full knowledge of Elements and Principles of Art, and were masters at choosing color schemes, creating interesting and balanced compositions, harmony, contrast, and everything that makes an artwork look impactful, cohesive and have the ability to effectively communicate an idea or emotion. Because they had already gained a certain level of mastery through their first-hand experience, they were able to move through the creative process with confidence and ease. And confidence, in my opinion, is key to abstracts as it's what truly allows us to let go and be able to work more intuitively. Not to mention, these artists had already gone through the long process of finding themselves artistically and preparing their specific tools (and colors) of choice. They know the message they want to transmit and how they want to transmit it. So yes, they may be going along the creation of an abstract painting intuitively now, and they may or may not have prepared or practiced before starting a specific piece (this depends on each artist's creative process), but they have years of practice under their belts. When we're just getting started (and we're serious about improving our skills), it's important to realize that there is a lot to learn and that we need to explore and practice first-handedly consistently and intentionally, in order to make the progress we're after. As I shared in my past blog post, 5 Tips for the (Serious) Self-Taught Artist, learning about Art Fundamentals can make the biggest different in your artistic journey. Not only in your ability to create original and impactful drawings or paintings, but also in your ability to analyze and talk about art. This knowledge helps you communicate your ideas about your work, and the work of others, which is so important when your goal is to become a professional artist. By learning about Art Fundamentals and applying this knowledge consciously in the beginning, as well as taking a few minutes to do a bit of planning prior to starting a new piece (whether it's abstract or not), you'll develop your eye for composition and later be able to tell if something works or not, pretty darn fast. Not to mention, knowledge of Art Fundamentals is what allows us to create original and visually pleasing artworks from scratch, all on our own, and without having to constantly rely on inspiration from other artists. This means you won't have to spend hours scrolling Instagram or Pinterest until you arrive at something that you want to replicate, because you'll have the ability to take ideas you already have inside of you and turn them into an actual visual composition. Join the Becoming Artists community on Patreon for live classes on Art Fundamentals, exclusive real-time drawing and watercolor tutorials that I don't share anywhere else (complete with downloadables), sketchbook prompts sent to you every week designed to help you stay consistent, feedback from me on your work and much more! *Click to learn more. Next. I'll be sharing three key tips that will help ensure a much smoother process and a more effective outcome when creating looser watercolor paintings. 3 Tips for Beautiful Watercolor Abstracts 1. Plan your colors Color is an essential part behind making a visual composition (whether simple or complex) look harmonious and cohesive. Because of this, giving thought to what specific colors you'll be using prior to starting with the painting process can be extremely helpful, especially when we're just getting started with painting. When we're creating an artwork, we have to consider the whole, or the global picture. A composition is meant to be seen in its entirety, which is why artists have to become masters at making use of (and manipulating) the different Elements and Principles of Art so that everything included works together to transmit the message, emotion or mood that they are intending to transmit. No element included in the piece is an island, as they all interact with each other to communicate the story, message or feeling to the viewer. Therefore, it's smart to give thought to how the different parts we'll be including in our artwork will be working in conjunction, prior to starting with the painting process. In relation to color, it's also helpful to remember that the way we see each hue is affected by the colors around it. Randomly picking colors throughout the painting process is a huge no-no, especially when we're just starting on our painting journeys. This will often result in struggling with muddy colors throughout the process, as well as finished products that don't look cohesive. Have in mind that, when we come across a video online where we're seeing a pro who knows color and has been painting for a long time, they've already most likely prepared specific colors on their palettes that they love and know will work well for the mixtures they'll be needing. In other words, they've already prepared their colors and aren't working with a color set that has been pre-made for them. They also know the color wheel like the back of their hand. This knowledge enables them to not only create color mixtures effectively, but also select color schemes that look integrated and impactful, and know exactly which colors to reach out for (or stay away from) when a new color mixture is needed. Learn more about the Color Wheel and Color Theory by joining over 3,000 art e-mail insiders and getting immediate access to my *free* Watercolor for the Total Beginner Mini-Course! The third class is all about color. :) Something I love doing when preparing for a new piece is to think about the overall mood I want it to transmit to the viewer and how I can play with color to enhance my focal points, as well as create a sense of contrast to really make my painting pop. *Most of my viewers over on YouTube also know that I love keeping things simple and using a limited amount of colors when painting. Keeping things as simple as possible, and limiting the amount of colors that I'll be using, allows me to stay better organized throughout the process, which keeps muddy colors at bay, and leads to my paintings looking a lot more unified at the end. 
2. Give thought to your compositional arrangement Though many abstract artists make this work seem easy, something important to understand as beginners is that an impactful, harmonious and balanced composition rarely happens by accident. As an outsider looking in, it might look like what skilled abstract artists are doing is completely free-flowing and spontaneous. However, as I mentioned before, they have the knowledge and skills they need to create impactful work almost unconsciously and have the confidence that allows them to trust in their tools and in their own decisions/movements. It's incredibly helpful, for both beginners as well as more experienced artists, to sketch out a few quick thumbnails to roughly plan the location of focal point(s), as well as the balance that will be created between positive and negative spaces (areas which contain the subjects vs. empty areas), before getting started with the painting process. If you're using a reference photo, give thought to cropping and manipulating the size of different elements included, as well as removing those which may be detracting from the focal point or the balance you're looking to create. By learning about Art Fundamentals you'll become knowledgable on how to play with Elements of Art in order to manipulate their characteristics, as well as their placement within your space, to pull the viewers' attention towards your focal point(s) and keep their eyes moving throughout the piece. Not to mention, you'll also be able to stay away from making your drawings or paintings too overwhelming, which can be a huge problem when creating abstract art. Two "rules" or guides that I learned in art school which really helped me develop my eye for balanced yet interesting compositions, were the Rule of Thirds and the 60/40 (or 70/30) Rule (also referred to as the "Less is More" rule). The Rule of Thirds is used by photographers and even cinematographers all the time, and it helps us create interesting, asymmetrically balanced artwork that transmits a story. Using it is very simple. We basically divide our space into 9 equal squares or rectangles using horizontal and vertical lines and, using this grid, we decide the location of our focal point, as well as the placement of the secondary and tertiary elements. The Rule of Thirds tells us to never place our focal point right in the center of our space, or within the center of any of the squares or rectangles. It tells us to pick one of the points where the horizontal or vertical lines intersect (see red dots in image below). We can also place our focal elements along one of the lines. This guideline helps us create visual compositions that keep the viewer's eyes moving throughout the piece, instead of staying stagnant, which we definitely want to stay away from. It's not completely black and white, and you'll be able to find many examples of masterpieces created throughout history in which the Rule of Thirds has been deliberately used, and other in which it's used a bit more loosely. 
The Rule of Thirds Grid.
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Check out this beautiful painting created by Renoir in 1873. The viewer's attention immediately gets called towards the lady in the white dress. The artist not only placed the focal point along one of the lines in the Rule of Thirds grid, but also emphasized the main subject by creating contrast using color and value, as well as rendering higher levels of detail within her when compared to the elements around her. We get a sense of this lady being directly hit by sunlight, while everything else in her proximity is in shadows. 
On the Grass by Pierre-Auguste Renoir (1873)
On the Grass by Pierre-Auguste Renoir (1873) with Rule of Thirds grid.
Now check out this painting created by Van Gogh in 1888. He's also made use of this same idea when he decided to place the group of boats off-center and closer to the left side. The viewer's attention not only gets immediately pulled towards the red boat (which falls right in the intersection where one of the vertical and horizontal lines meet in the grid), but our eyes then keep traveling towards the boats behind it, and then to the boats that are heading out towards the horizon. In this piece, though, the horizon line was placed almost halfway down the composition, which is what the Rule of Thirds tells us to stay away from. This nearly perfect central placement of the horizon line usually "cuts" landscapes right in half, when we're usually looking asymmetrical balance. However, this piece has so much movement and depth created by the placement of elements in the foreground, middleground and background, and such an interesting overall use of Principles of Art, that the horizon line doesn't really take away from it. 
Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer by Vincent van Gogh (1888)
Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer by Vincent van Gogh (1888) with Rule of Thirds grid.
The 60/40 or 70/30 Rule basically tells us that the areas of interest (or our focal points) should take up a much smaller amount of space than areas of lower interest. It also propels us to think about how we're going to be making use of different Principles of Art inside our areas of interest when compared to outside of them, in order to create contrast, bring attention to our focal point, and transmit our message more clearly. I don't know about you, but when I'm creating an abstract piece, I find it really easy to go overboard and start adding more and more (paint, marks, etc.) to the point that the focal point is lost and I end up with a painting that is overwhelming for the viewer. This is a big no-no, unless of course, this is intentionally the style your going for. I suggest taking breaks and stepping back from your work every few minutes and, once again, observing the global picture. Think about whether more is truly necessary. These two "rules" are by no means the only way to go about creating an artwork or the only helpful guidelines that exist out there, but they really helped me develop my eye for composition, as well as my knowledge on what goes behind creating a successful artwork when I was first getting started. For more on Composition pertaining to abstract art, check out this awesome video shared by artist David M. Kessler over at his YouTube channel. 3. Think about how you'll be doing your layering (especially if you're using mixed media) What makes so many abstract pieces so appealing is the richness artists are able to achieve via their layering processes, which I suggest giving thought to whether you're only using one medium to create your piece (the way I did with watercolor in the video included above), or are combining a variety of mediums. This will not only ensure a better outcome, but will also help your piece last a lot longer in good condition. Depending on the mediums that you're using, you'll want to do research and even do quick explorations to see if your initial layers will directly affect both the look and durability of the layers you place on top, and vice versa. You'll want to look into factors such as drying times between layers and final varnishing, as well. As opposed to representational art, in which a large part of the story or message is told via instantly recognizable subjects, abstract artists make use of the Elements of Art in their purest form (color, shape, line, texture, etc.). Playing around with how to layer these different elements, as well as defining what tools, mediums and/or techniques will be used throughout different parts of the process, we'll be able to create a much more impactful piece. Not to mention, we'll be able to keep some level of organization in our chaos. :) Keep in mind that an interesting and impactful composition usually has some sort of play between less and more, dark and light, etc. There are many ways in which we can create contrast, including making use of light vs. dark values, cool vs. warm colors, small vs. large sizes, heavy vs. light visual or tactile textures, highly detailed vs. less detailed, etc. *Bonus Tip: Just keep moving! Once you've started with the painting process, don't allow yourself to stay stuck in one place. Move past small mistakes and embrace imperfection! Trust in the plan and prep work you've done and keep moving forward. This quicker pace of working will lead to much more expressive results. If you don't feel ready to start on the actual piece that's meant to be finalized, warm up with smaller explorations! This never fails to help me, no matter what I'm doing. A while back I shared a blog post titled 5 Tips to Loosen Up and Create More Expressive Art which contains helpful tips that I apply myself. Watercolor painting supplies used in this video:
I hope this blog post was helpful! If you have any questions or tips to share, make sure to leave a comment below. Thanks so much for reading! Become a Patreon community member to get access to: -Real-time drawing/painting tutorials with full walkthrough commentary -Downloadable outline drawings, reference pictures and supply lists -Weekly sketchbook prompts to help you stay consistent and progressing your art skills -Direct feedback from me -Instant access to a growing vault of original reference pictures that you can use for your own art -Special thanks in YouTube videos and opportunities to get your work shared -Live Q&A sessions -Live classes on Art Fundamentals and Monthly Creative Assignments + much more! *Click below to learn more! 
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Do you love creating art but often get frustrated with yourself because the outcomes of your drawings or paintings aren't what you expected them to be? Are you constantly comparing yourself to other artists you come across online or through social media? Do you feel anxious to get to where others are, even though you know they've been at it for far longer than you have? “Artists who seek perfection in everything are those who cannot attain it in anything. ” -Eugene Delacroix Today I'll be sharing a video in which I explain why artistic perfectionism is something that we should do our best to move past. I'll also be sharing a couple of my own experiences as a recovering perfectionist and specific tips that will help you overcome this harmful habit so that you can make faster progress. I believe perfectionism is amongst the worst habits that we can have as creative beings. It oftentimes paralyzes us from even getting started or stops us from creating the amount of work we should be doing in order to truly progress artistically. As artists, we shouldn't be striving to achieve masterpieces with every-single-piece we create and should give importance to the entire creative process, not only the end-product. This includes explorations and smaller studies we may have to do prior to starting a larger piece. It's these imperfect, messy works that allow us to get to know ourselves artistically, as well as what we want to put out into the world. Hope you enjoy!
If you enjoyed this video, consider subscribing to my YouTube channel. I share a brand new video every-single-Friday with art tips, drawing and painting tutorials, and encouragement for aspiring artists!
I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :) Thanks so much for popping by today! Become a Patreon community member to get access to: -Real-time drawing/painting tutorials with full walkthrough commentary -Downloadable outline drawings, reference pictures and supply lists -Weekly sketchbook prompts to help you stay consistent and progressing your art skills -Direct feedback from me -Instant access to a growing vault of original reference pictures that you can use for your own art -Special thanks in YouTube videos and opportunities to get your work shared -Live Q&A sessions -Live classes on Art Fundamentals and Monthly Creative Assignments + much more! *Click below to learn more! 
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :) Wondering what the difference between acrylic and oil paint is? How do they compare in regards to required supplies, painting process and overall finish? Which one of these two painting mediums is best for you, your artistic goals and your current life situation? In today's blog post (and the YouTube video included), I'll be explaining the key similarities and differences between acrylic and oil paint. I'll also be clearing up common misconceptions so that you can make an informed decision about which supplies to invest in and, most importantly, start moving forward in your artistic journey right away! When I was first starting to look into painting, I was very confused about the similarities and differences between these two mediums. Not only did the examples of artwork I found created with each vary immensely, but there were also tons of contradictions between one article/book to the next in terms of the required supplies, the preparation phase, and the painting process itself. It was honestly overwhelming and I didn't have time to make sense of it all. Quite often, I held myself back from buying any supplies and moving forward due to this. Eventually, there came a point at which I could no longer ignore my desire to improve artistically, highly-demanding full-time job and all. I had already wasted too much time and knew that the best way to learn and to make sense of it all would be through actually doing. I visited my local art supply store, and with the information I had learned from my research (as well as with the help graciously provided by the lady at the store), bought a few items to explore. I share more about how I finally prepared to leave years and years of "normal" full-time positions to pursue creative entrepreneurship in this blog post/YouTube video. Suffice to say, a lot of supplies were wasted or left completely unused. And not only were a lot of bad paintings created, but several of them literally fell apart after a couple of months (don't ask). I don't regret it though, because I learned so much through this first-hand exploration, both about different painting mediums, as well as about myself as an artist. What I like, don't like, what techniques suit the style I'm going for best, etc. After years of practice and exploration I've been able to learn a lot about acrylics, oils and even watercolors. I love them all, use them all on a month-to-month basis, and have come to know the pros and cons of each throughout this time. If you're just as confused and overwhelmed as I was all those years ago, but still feel that nagging inside telling you to get painting (it never goes away by the way), the following information will definitely help you make faster progress. However, as with all artistic mediums and supplies, it's going to be up to you to commit to this journey and the exploration it entails, in order to get to know yourself artistically and the specific supplies you personally enjoy. Let's get into today's topic!
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Introduction
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5. Overall Look and Finish
Because oil paint contains more pigment than acrylic paint, colors in oil paintings usually look a lot richer, more vibrant and glossy. This said, even though oil paintings can last a very long time if they have been created using quality supplies and proper methods, they do tend to fade and/or yellow over time. It'll be years and years before this happens though!
Acrylic paintings, on the other hand, usually look a lot more matte and flat when compared to oil paintings. Colors also tend to darken during the drying phase. However, once this drying process is completed and this color change happens, they don't change after that as long as they are kept in an optimum environment (away from direct sunlight and humidity).
As far as texture goes, we can find both acrylic and oil paintings that are very smooth, as well as highly-texturedized. Oil paint lends itself to very easily be placed thickly on the canvas, leading to beautiful, palpable textures, if that's what the artist is intending to create. However, texture mediums can be added to acrylic paint and impasto-like effects can also be created by placing it heavily on the substrate using different tools like painting knives. The artist can also create a texturedized surface prior to starting to paint.
The overall finish of both acrylic and oil paintings can also be altered by using different types of varnishes, depending on whether you'd like your painting to appear more matte or glossy. There are a lot of different varnishes available in both spray and liquid form that offer a variety of finishes.
Because oil paint contains more pigment than acrylic paint, colors in oil paintings usually look a lot richer, more vibrant and glossy. This said, even though oil paintings can last a very long time if they have been created using quality supplies and proper methods, they do tend to fade and/or yellow over time. It'll be years and years before this happens though!
Acrylic paintings, on the other hand, usually look a lot more matte and flat when compared to oil paintings. Colors also tend to darken during the drying phase. However, once this drying process is completed and this color change happens, they don't change after that as long as they are kept in an optimum environment (away from direct sunlight and humidity).
As far as texture goes, we can find both acrylic and oil paintings that are very smooth, as well as highly-texturedized. Oil paint lends itself to very easily be placed thickly on the canvas, leading to beautiful, palpable textures, if that's what the artist is intending to create. However, texture mediums can be added to acrylic paint and impasto-like effects can also be created by placing it heavily on the substrate using different tools like painting knives. The artist can also create a texturedized surface prior to starting to paint.
The overall finish of both acrylic and oil paintings can also be altered by using different types of varnishes, depending on whether you'd like your painting to appear more matte or glossy. There are a lot of different varnishes available in both spray and liquid form that offer a variety of finishes.
Bats- Abstract oil painting on stretched canvas by Erika Lancaster
Oil painting close-up
So, which medium is best for you?
This is going to depend on your personal circumstances, as well as your tastes and what you're looking to improve upon.
If you usually don't have much time for your art, don't have a designated space to work in, or you have kids or pets running around, acrylics are probably the best option for you (at least for now).
On the other hand, if you do have a space you can work in for hours-on-end, you aren't too sensitive to strong smells, you're interested in learning classical techniques, and/or you really care about the depth/color/richness of your paintings, then I'd definitely explore oils!
Whatever medium you choose to go for, make sure you exercise safety measures.
I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
This is going to depend on your personal circumstances, as well as your tastes and what you're looking to improve upon.
If you usually don't have much time for your art, don't have a designated space to work in, or you have kids or pets running around, acrylics are probably the best option for you (at least for now).
On the other hand, if you do have a space you can work in for hours-on-end, you aren't too sensitive to strong smells, you're interested in learning classical techniques, and/or you really care about the depth/color/richness of your paintings, then I'd definitely explore oils!
Whatever medium you choose to go for, make sure you exercise safety measures.
I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
What, exactly, does the term wet-on-wet refer to and how can we use these techniques to create beautiful paintings with watercolor? Do you love watching artists create those awesome washy watercolor effects, but find that things don't end up as expected when you're trying them yourself?
In today's blog post I'll explain what wet-on-wet effects are, how they can be combined with wet-on-dry effects to create awesome paintings, and a few essential tips to apply when using these techniques. I'll also explain how to do different effects like blooms, splatters and runs. Make sure to check out the video included in this post to see me in action!
Wet-on-wet refers to the act of applying fresh paint onto a wet surface or on paint that is still wet rather than onto a dry surface or a layer of paint that has already dried. When using these kinds of techniques, we get colors that blend or intermix with each other. It's important to understand that this painting technique isn't exclusive to watercolors, but can be used with all traditional painting mediums (watercolor, gouache, acrylic, oils) and it can be used in a variety of ways.
First and foremost, when working with watercolors, it's essential to understand that when a paint mixture is placed on paper that is wet (either because it has been pre-wetted with clean water or because a previous layer of paint hasn't dried), the paint mixture will expand, creating a blurred out/fuzzy effect. Opposite to this, when we place a paint mixture on paper that is dry (either because it's a fresh sheet of watercolor paper or because the previous layer has completely dried), the newly placed paint will not expand, leading to sharp looking lines and defined shapes.
This principle is essential to grasp and it's important for beginners starting out with watercolors to know that wet-on-wet and wet-on-dry effects complement each other to create beautiful paintings. By combining them, we're able to create a visually pleasing contrast, bring attention to focal points by adding sharper detail to certain elements, add depth to a piece, and many other things.
It's important for beginners to practice both kinds of techniques, and start giving thought to how they can be used in a particular piece before actually starting the painting process.
Watercolor Cardinal painting by Erika Lancaster. Wet-on-wet techniques in combination with wet-on-dry techniques.
How and when you use wet-on-wet and wet-on-dry techniques in your painting process will depend on what subject you're painting and what effects you're personally going for. Generally speaking though, the first layers of paint should be translucent and paint mixtures should contain more water than pigment. As the painting process moves forward and subsequent layers start being placed, paint mixtures contain less water and more pigment.
Watercolor Winter Landscape painting by Erika Lancaster. Wet-on-wet techniques in combination with wet-on-dry techniques.
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5 Essential Tips to Have in Mind When Using Wet-on-Wet Techniques
1. Use medium to heavier-weight paper with enough tooth/absorbency
Paper makes a huge difference when painting with watercolor and can often be the reason why our wet-on-wet effects don't turn out as expected.
No matter what kind of painting medium we're using, it's absolutely essential to give thought to what paper or support we'll be painting on before starting a piece as this will directly affect both our painting process, as well as its overall outcome. When painting with a water-soluble medium like watercolor, we should use a paper that is intended for this purpose.
This said, when we're planning on using lots of wet-on-wet effects like the ones described in this post, it's best to use a medium (140 lb.) to heavier weight (300 lb.) watercolor paper, as anything thinner will warp and possibly even shred throughout the process. You also want it to have some degree of tooth or texture to it, as this will help ensure that water/paint mixtures will be absorbed when placed upon it.
Watercolor paper can certainly be difficult to grasp, as there are so many different types and formats available. In my blog post/YouTube video Watercolor Supplies for Beginners and Things You Must Know, I go much more in depth into watercolor paper and explain a few other important aspects in regards to watercolor painting supplies.
2. Give thought to the colors you'll be using
Because colors will be intermixing a ton when using wet-on-wet techniques, it's essential to do a bit of planning to ensure that we won't create unwanted hues accidentally.
Though one of the beauties of watercolor is the fact that it has a mind of its own, skilled artists are able to have at least some level of control over the 'chaos'. They have practiced water control and have a good idea of what's going to happen when a certain paint mixture is placed in a specific area, using effects to their advantage.
Skilled watercolor artists have not only become masters at managing the combination of paint and water, but they also know the importance of planning color. This Element of Art is an important aspect behind making a painting look harmonious and balanced. We're also able to create very striking visual effects when planning our color palettes and giving thought to how we'll actually be using it throughout the painting process.
Color shouldn't be an afterthought or something that happens accidentally.
In the video included in this post, you'll see how I create my warm and cool color studies separately. The reason I do this is because I know that when Complimentary Colors mix together, they create grayed out/dull tones. Complementary Colors mute each other out and, in these studies, I wanted my colors vibrant and saturated.
3. Keep your water clean
Using murky water when painting with watercolor is a huge no-no, no matter what kinds of techniques you're using. Dirty water will affect your paint colors and may even make your piece appear dirty.
When working wet-on-wet we're not only using a lot of water, but we're also usually working at a faster pace because we're using the freshness/dampness of an area to create beautiful effects. It's important to ensure that we're not accidentally dipping our paintbrush into dirty water and placing this water on our paper!
I've known of artists that use two or even three cups of water as they are painting. One idea could be to use one glass of water to rinse color off your brush and a second one to dampen it with clean water. Whatever it is you decide to do, make sure you're constantly checking on your water throughout the painting process.
4. Constantly give thought to how much water is already on your paper and how much water is in your brush
The outcome of our wet-on-wet techniques will greatly depend on how wet/damp the specific area of paper is, as well as how thick or watery the paint mixture that we're placing upon it is. I would recommend beginners to practice creating a wide range of paint mixtures, from watery/translucent to thicker/heavily pigmented mixtures, and see what happens when they are placed on slightly dampened paper vs. puddles of water.
In the video included in this blog post, you can see me play around with large puddles of water/paint mixtures. While puddles allow for a lot of exciting movement, they are certainly difficult to control and can lead to unwanted effects like backruns and splotchiness if we're not careful!
Generally speaking, if your paper is already very wet, it would be best to stay away from laying down a very watery paint mixture on it. In principle, for backruns not to happen, you have to make sure that there is less water in your brush than there is on your paper. Another option to avoid backruns and undesired splotchiness would be to allow your paint layer to dry completely before going back in with another color.
If you've wetted your paper too much accidentally, you can always absorb some excess water with a paper towel or with a clean (dry or slightly dampened) brush.
5. Know when to stop
When I was first starting out with watercolor, I didn't understand that watercolor paper can only take a certain amount of 'beating' before it has to be left alone to regain its strength. Even if paper is specially intended for use with water, it's essential to understand that wet paper is fragile paper.
With watercolors, we must stay mindful of when we should stop, as continuing to work over and over on one same area will definitely lead to overworking our paper (even when using the heavier weight variety). Beginners starting out with this medium tend to lay down paint mixture over paint mixture and try to fix mistakes or make changes in one same area, damaging the paper.
When we've made a mistake, it's best to do a bit of gentle lifting when the paint is still wet and then allow it to dry completely. What I like doing, is ignoring my accident for a bit and working on other areas of my painting while that one dries. Other times, I work on two pieces at once and jump back and forth from one to the other, allowing paint layers to dry.
Often, we can make mistakes less noticeable by doing a bit of work in the area once the initial layer has dried. We can add more washes of color, lift some more, or even to a bit of gentle scrubbing at this point.
Check out my blog post titled 5 Common Watercolor Painting Mistakes and How to Fix them for ideas on fixing accidents and avoiding them altogether.
Watercolor Wet-on-Wet Effects and Techniques
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Watercolor Wet-on-Wet Effects and Techniques
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Watercolor Wet-on-Wet Techniques
1. Blooms
Watercolor blooms are mesmerizing to watch and are the first thing that comes into many of our minds when we first think of watercolors. These are beautiful gradients in which one color turns gradually into another that has been previously placed. It can also be a gradient of color turning more and more transparent until all we can see is the whiteness of the paper.
To create a bloom effect, wet your paper with clean water or lay down a wash watery paint mixture, and drop a new color right on top of it. To retain the "bloom" effect, you want to lay it down gently and allow the paint to do its thing without going back and attempting to smooth or shift it.
Watercolor orange and yellow bloom
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Watercolor blue and green bloom
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2. Runs (Controlled + Organic)
Runs are interesting effects that can be used when we're creating an abstract painting, or even when adding abstract elements to figurative painting. They are, quite simply, a stream of paint running off the main area or subject in our piece.
We can create runs completely organically by shifting our paper to a slanted or sideways position while it has a large amount of water on it. Sooner or later, gravity will make the water naturally travel down your paper. If it doesn't happen, consider placing a bit more water in the puddle using your paintbrush, and/or gently tap the paper on your desk in this vertical position.
We can also create controlled runs quite easily by drawing a line of clean water in a specific shape/direction, placing a watery paint mixture at the start of it (the place where our main shape ends and our clean line of water starts), and shifting our paper sideways until the paint mixture starts moving down on its own.
Remember, when using watercolor paper, the paint mixture will naturally expand or move towards the wetness and stay away from dry areas. This is why the paint will naturally travel down the path we've created for it!
Watercolor run in yellow
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Watercolor run in blue/green
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3. Splatters
Splatters can have very striking results and can be used in a variety of ways. If heavily-pigmented paint drops fall on areas of paper that are wet, you can create mini-blooms! On the other hand, if splatters fall on dry paper, these drops will retain their sharp, circular shape.
It's easy to go overboard with it, though, mostly because it's quite fun to do! So work incrementally and stay mindful throughout the process.
To do this technique, create a watery but pigmented paint mixture, wet your paintbrush (I use a round in size 8 in the video) and gently tap it on another paintbrush in a cross position.
Watercolor splattering technique in warm color exploration
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Watercolor splattering technique in cool color exploration
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4. Bleeds
Many beginners starting out with watercolors aren't aware of this, but it's easy to soften out stark- looking lines and shapes both while our paint is still wet and after our paint has already dried. One of the techniques we can use to soften lines or create feathering effects is bleeding, which can be easily done whilst our paint is still wet or is in the drying process.
To do bleeding, simply rinse your paintbrush thoroughly and draw a line of clean water right along the outer edge of the shape or line you want to soften out. Because paint will expand in wet areas, the color will feather out into the recently wetted line of clean water you've drawn, creating a softened effect.
This said, one of watercolors characteristics is the fact that they can be reactivated once they've dried! This means that we'll always have the option to go back into an area to soften it out by doing some gentle scrubbing using a clean, damp paintbrush. Of course, certain pigments will be easier to lift and move around than others and it will be almost impossible to go back to the whiteness of our paper, but we'll be able to do at least some level of softening.
It's very useful to swatch out our colors when buying a new watercolor paint set, as this allows us to test out paint characteristics before actually using them in a painting. In my blog post/YouTube video titled How to Swatch Watercolors and Why it's Important, I describe important characteristics and terminology related to this painting medium and take you through my own swatching process.
Watercolor bleeding/feathering effect in red
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Watercolor bleeding/feathering in green
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*Bonus Effect: Backrun
When we're just starting out with using wet-on-wet effects, are working too fast and/or are not staying mindful of what what's going on, backruns happen. We can avoid backruns by practicing water control, staying mindful of how wet our paper is and how much water our paintbrush has in its bristles.
In essence, backruns can be avoided by making sure the amount of water in our bristles is less that the amount of water that is already on our paper. They can also be avoided by allowing the previous layer to dry completely before going back in with another wash of color.
This said, backruns are one of those things that some artists consider to be absolutely wrong, while others actually create them intentionally to give the impression of specific things in their paintings like foliage in a landscape, etc.
What do you think?
In essence, backruns can be avoided by making sure the amount of water in our bristles is less that the amount of water that is already on our paper. They can also be avoided by allowing the previous layer to dry completely before going back in with another wash of color.
This said, backruns are one of those things that some artists consider to be absolutely wrong, while others actually create them intentionally to give the impression of specific things in their paintings like foliage in a landscape, etc.
What do you think?
Watercolor back run
I hope you enjoyed this post and learned something new, or got inspired to go and create for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
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-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
Join the Becoming Artists Patreon community. Click to learn more!
Used supplies:
 Arches Watercolor Paper Pad: 10 X 14 inches $15.68
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Winsor & Newton Cotman Watercolor Tube Set: 12 pieces $26.25
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Royal & Langnickel Zen Line Watercolor Brushes $2.69-$5.39
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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Confused as to what the similarities and differences are between watercolor and gouache? What are the main things to have in mind when combining these two painting mediums in one same piece in order to achieve the best outcome?
It's no secret that watercolor and gouache can work amazingly well together. This said, it can be difficult to get the most out of their combination if we're unaware of the differences between them, as well as how we can combine their distinctive characteristics to create balanced pieces that allow both of them to shine simultaneously.
Learning tips and tricks from experienced artists can definitely open up our horizons to make our ideas come to life more successfully, and this is why I've asked the amazingly talented Haydn Symons to write a post for us!
In today’s blog post, U.K.-based artist Haydn Symons helps us understand the similarities and differences between watercolor and gouache, and why they are so compatible. He'll also be sharing some of his expert tips that will help us successfully integrate both mediums into one great-looking piece.
Haydn is a skilled freelance illustrator and designer with a vast experience working with watercolor and gouache. Throughout the years, he has developed a very striking art style and currently works with clients worldwide within the editorial, publishing and advertising spaces.
Though watercolor and gouache are his favorite painting mediums, Haydn is a multi-passionate artist that constantly explores different drawing and painting techniques, which is something I really believe in myself.
Without any further ado, let’s get into Haydn’s blog post!
Make sure to visit his website to check out more of his amazing work and follow him on social media. Links will be provided at the end.
3 Tips to Create Amazing Artwork Combining Watercolor and Gouache
Combining watercolor and gouache can be a hard nut to crack, especially if you’re new to either of these painting mediums or to the world of art. In this post, I'll be sharing the main similarities and differences between them, as well as why they are perfect for each other. I'll also be providing three pro tips to keep in mind when using both of these painting mediums in one same piece.
If you want to level up your use of gouache and watercolor, look no further than this blog post!
Similarities and Differences Between Watercolor and Gouache
The main similarity between watercolor and gouache is that they are both water-soluble. Both of these painting mediums can be reactivated with water once they've dried. On the other hand, when we work with acrylics or oils, we can certainly lay down subsequent layers of paint to add to or further enhance the look of previous layers, but it will be impossible to modify the layers in and of themselves once they've dried.
In terms of differences, watercolor is transparent, while gouache is opaque. Most of the time (depending on the thickness of the paint layer), when watercolor is placed on paper, we're able to see the underlying paper through the paint. Conversely, when gouache is placed on paper, its thickness and opaqueness covers up the surface fully unless it's been heavily diluted with water.
Check out Erika's Watercolor vs. Gouache blog post to see examples of the same subject painted with both mediums.
Same pear painted with both watercolor and gouache. Illustrations by Erika Lancaster.
Many famous artists have used gouache to produce ground-breaking work, from Edward Hopper and Henri Matisse to Paul Klee. Famous watercolor artists include J. M. W. Turner, John Singer Sargent to Vincent Van Gogh, just to name a few.
Matisse’s famous paper cut outs were created using gouache!
I love painting all kinds of subjects (portraits, landscapes, etc.) integrating both of these mediums, as they mesh together so well. I’ve become quite addicted to combining them!
Check out this book cover illustration of mine, as an example.
Combine These Two Painting Mediums Effectively By Doing the Following
Even though watercolor and gouache can work very well together, to create balanced and visually striking artworks, it's essential to have in mind a few things that will ensure we're playing to each of their strengths. We want the two mediums to complement and enhance the other harmoniously, and develop a sense of contrast that will create visual interest.
Tip 1. Use watercolor first and gouache second
As previously explained, gouache is the opaque sister of watercolor. Because gouache will easily cover up watercolor, but not the other way around, it's essential to plan out which areas to paint in with each medium. Gouache is the most dominant of the two and you want to make sure that it doesn't overtake the areas painted with watercolor.
Watercolor is delicate and provides a transparent glow, while gouache is punchy and solid. By giving thought to how you'll combine them, you'll allow each to shine in its own way and create a more interesting, balanced piece.
Give thought to how you can complement them, depending on the subject you'll be painting.
It’s a good idea to start your painting with a watercolor base, which is particularly helpful if you've created a preliminary sketch underneath as you'll still be able to see it through the watercolor layer(s).
Another idea is to use watercolor to create a warm or cool underpainting for your gouache to build upon. You can also create a background using watercolors that will then be added to with gouache. Finally, you can start with a wash of watercolor to simply break up the dreaded white space.
St. Basil Cathedral. Illustration by Haydn Symons. Click on image to check out more of his work!
Tip 2. Create depth by using a higher color saturation and level of detail in the foreground
The characteristics of these painting mediums can be combined to create an amazing sense of depth in a piece!
If you’re painting a landscape, for example, you can create depth by painting the sky using watercolor and your foreground elements in gouache. Because gouache is thicker and more opaque than watercolor, it will add a bold, sharp punch to closer elements, creating the illusion of these being closer to the viewer.
Because elements further away from us are usually blurry and less saturated in color, adding further details to our foreground elements using gouache can really enhance the sense of depth in a piece.
Walter White. Illustration by Haydn Symons. Click on image to check out more of his work!
Tip 3. Use thick watercolor paper or canvas
Because you’ll be using water throughout the painting process, working on thick watercolor paper or watercolor canvas is essential. Using thin, non-suitable paper will make the painting process difficult, as it will warp easily.
I enjoy using Seawhite’s Watercolor Paper in 350 gsm to create my illustrations, whether that be for commissioned work or personal work. Whether you choose to go for this brand or others, I highly recommend using paper that is at least 300 gsm in thickness.
Another alternative is painting directly onto watercolor canvas, as this paper is already pre-stretched and will not result in warping and buckling.
Because you’ll be using water throughout the painting process, working on thick watercolor paper or watercolor canvas is essential. Using thin, non-suitable paper will make the painting process difficult, as it will warp easily.
I enjoy using Seawhite’s Watercolor Paper in 350 gsm to create my illustrations, whether that be for commissioned work or personal work. Whether you choose to go for this brand or others, I highly recommend using paper that is at least 300 gsm in thickness.
Another alternative is painting directly onto watercolor canvas, as this paper is already pre-stretched and will not result in warping and buckling.
Singapore Map. Illustration by Haydn Symons. Click on image to check out more of his work!
*Bonus Tip: Use plenty of water when creating watercolor paint mixtures, but leave gouache mixtures thick and undiluted
One of the major errors that I have come across when combining these two mediums is making them fight against each other by adding too much water to both.
To ensure we're creating a balanced outcome (and to make the painting process go much smoothly), use plenty of water within the watercolor mixtures and only a bit in the gouache mixtures. This will allow the two mediums' contrasting characteristics of translucency vs. opaqueness to really stand out and contrast with each other, creating a ton of visual interest.
Finally, make sure to have fun!
I hope you've enjoyed this blog post to help you create stunning artworks combining watercolor and gouache, and encourage you to give it a go!
Remember to have fun! When creating art we can get bogged down with advice and technicalities, and loose the whole essence of what makes art so enjoyable.
Keep practicing and you'll be onto a winner!
Cheers!
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How have you tried combining these two painting mediums yourself? Are there any tips you’d like to share?
Haydn and I would love to hear from you in the comments section below. :)
A huge thanks to Haydn, for being so generous and sharing all of this useful information with us! He’s definitely inspired me to combine these two painting mediums more in my own work!
To find out more about more about Haydn and his work, visit his website/portfolio at www.haydnsymons.com
Also, follow Haydn on social media:
Instagram: https://www.instagram.com/haydnsymons/
Twitter: https://twitter.com/haydnsym
Facebook: https://www.facebook.com/haydnsymonsillustration
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Direct feedback from me
-Downloadable workbook titled How to Discover Your Artistic Voice
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Participation in polls to decide new blog post and YouTube video topics
-Live classes and Monthly Creative Assignments
+ much more!
*Click below to learn more!
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