*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you. These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :) Welcome back, fellow artists! I'm very excited to share that I made it through my first time participating in the Inktober drawing challenge! In today's blog post, I'll be sharing my last time lapse compilation of Inktober sketches, as well as things I learned by having pushed myself through it. Though the drawings I'll be sharing were created specifically for Inktober, most of the information I'll be including throughout the post (and video) can relate to any type of daily art challenge. There's no question that being able to produce a new piece every-single-day for an entire month (no matter how small), is extremely difficult. However, there's a ton to learn from participating in art challenges like this one, as they allow us to improve not only our cold-technical skills (drawing, shading techniques, etc.) and our time-management abilities, but also test us mentally in many ways. This is why I made the decision to finally take on Inktober this year! If you visited my blog or YouTube channel at any point throughout October, you're probably aware that I've been sharing time lapses for every-single-one of my Inktober sketches! I've also talked about a variety of topics pertaining to it. Make sure to check out my past Inktober blog posts and find the rest of my time lapses over at my YouTube channel: 5 Tips to Make it Through Inktober and How I'm Going About It My Inktober Supplies and Time-lapses for Sketches 6-11 Inktober Sketches 19-25 + Reviewing My Supplies If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :) What I Learned from Inktober
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I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
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*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Hey, there!
In today's blog post/YouTube video, I'll be sharing Inktober sketches 19-25, as well as a review of the supplies I've been using throughout this challenge. I wanted to really put these products to the test and have a good amount of experience with them before I actually expressed any opinions.
I have released several blog posts sharing tips and tutorials about pen and ink drawing that I highly recommend you check out if you haven't already (two very popular ones are this one and this one). In past YouTube videos, I've shared how much I enjoy using this drawing medium and why I think it's so effective at helping us progress our artistic skills.
All this said, I had never used pen and ink as consistently as I have with this drawing challenge. I committed to participating in Inktober this year because I knew that creating a new piece every-single-day for an entire month would lead to amazing growth in a short period of time. The challenge would help me not only exercise my creativity continuously and gain confidence in my pen and ink technique, but would also test my time-management skills and even more mental/personal aspects.
Over at my YouTube channel, I've shared all of my Inktober sketch time lapses so far:
1. Time lapses 1-5 + A Bit About My Thoughts and Process
2. Time lapses 6-11 + How I Come Up With the Ideas Behind My Sketches
3. Time lapses 12-18 + My Struggles So Far
*The video included in this post is my fourth compilation of sketch time lapses and I'm closing this Inktober series with a last video including my final drawings, as well as a bit about what I've learned. Make sure to subscribe to my channel and stay tuned for the last compilation of sketches coming up next Friday (Nov. 2)!
If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :)
If you enjoy this video, I highly recommend subscribing to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists! :)
My Inktober Supplies
I knew since before starting the challenge, that I wanted to make a careful selection of supplies and stick with them throughout the entire month. This way, I would be able to come up with solid opinions about them.
All of my supplies were acquired online through either Amazon or ConsumerCrafts.com, which are both excellent online options to find quality art supplies at great prices.
1. Leuchtturm1917 Sketchbook
This was my first time using a Leuchtturm sketchbook and I really enjoyed it, especially in combination with drawing pens and ink. These sketchbooks are definitely on the more expensive side, but I'm really glad I invested in one and decided to use it for this drawing challenge!
The sketchbook is 15 x 21 cms. in size and is made up of 96 pure white 180 g/m drawing paper that is quite smooth. I love that the sketchbook includes two bookmarks and an elastic to keep it safely closed. These characteristics make the sketchbook perfect to take out for drawing in plein air or coffeeshops.
I had a couple of different sketchbooks to pick from laying around that I could go for, but I went for this one for two main reasons:
a) I knew that I wanted some areas of my Inktober sketches to have thick applications of ink and the thickness of its pages would allow for this.
b) The pure/brilliant white of its pages would really allow my black ink lines/shapes to contrast and pop out!
Though I find this sketchbook amazing for drawing purposes, I wouldn't recommend it for sketching with watercolors, as its paper is too smooth and I don't think it would hold/absorb water very well. I think it would, however, work pretty well for gouache and even acrylics.
It's always a smart idea to give thought to what kinds of mediums you're planning on using in your sketchbooks before making a decision about which one to buy.
The sketchbook is 15 x 21 cms. in size and is made up of 96 pure white 180 g/m drawing paper that is quite smooth. I love that the sketchbook includes two bookmarks and an elastic to keep it safely closed. These characteristics make the sketchbook perfect to take out for drawing in plein air or coffeeshops.
I had a couple of different sketchbooks to pick from laying around that I could go for, but I went for this one for two main reasons:
a) I knew that I wanted some areas of my Inktober sketches to have thick applications of ink and the thickness of its pages would allow for this.
b) The pure/brilliant white of its pages would really allow my black ink lines/shapes to contrast and pop out!
Though I find this sketchbook amazing for drawing purposes, I wouldn't recommend it for sketching with watercolors, as its paper is too smooth and I don't think it would hold/absorb water very well. I think it would, however, work pretty well for gouache and even acrylics.
It's always a smart idea to give thought to what kinds of mediums you're planning on using in your sketchbooks before making a decision about which one to buy.
2. Staedtler Pigment Liners
I've had this set of drawing pens for a while and I've always used them interchangeably with my Micron pens. I think these two brands/products are pretty close in terms of quality and price, and produce almost the same results. I will continue buying Staedtler drawing pens for the time being, as I found throughout this challenge that I really enjoy them.
The four-pack of drawing pens that I have includes .1, .3, .5, and .7 millimeter points. The majority of my Inktober sketches were created using only the .3 and .5 points. I find the four pack includes a perfect variety of point thicknesses and don't think I would personally need anything smaller or larger.
The ink in the Staedtler Pigment Liners is waterproof, bleed-proof, smudge-proof and fade resistant, which leads me to think they would be perfect for use in combination with watercolors. The lines created by these drawing pens are also very crisp and dark.
Lastly, the ink in these pens also lasts a very long time. Even though I used them every-single-day for 31 days (and pretty roughly-I might add), they never started drying out.
3. Speedball Drawing & Calligraphy India Ink
I acquired this little 2 ounce tub of black ink a while back for exploratory purposes and I'm very glad I had it on hand for this Inktober! It allowed me to create the flat black geometric background shapes that I decided would be the unifying aspect of my drawings prior to starting.
This Speedball drawing/calligraphy ink is a rich black and a bit on the thick side. However, it can be diluted to create a variety of values and a runnier texture. I used a small, angled, soft-bristled brush to apply it onto my paper and the wash always came out quite even. I never noticed any granulation, even in areas where I applied the ink thickly.
I also loved the fact that it washes off from skin pretty easily and that it has no overpowering odor to it. Lastly, the shape of its bottle is genius, as the bottom of it is wider than the top and makes it more stable. This avoids it from tipping over and creating a huge mess!
This Speedball drawing/calligraphy ink is a rich black and a bit on the thick side. However, it can be diluted to create a variety of values and a runnier texture. I used a small, angled, soft-bristled brush to apply it onto my paper and the wash always came out quite even. I never noticed any granulation, even in areas where I applied the ink thickly.
I also loved the fact that it washes off from skin pretty easily and that it has no overpowering odor to it. Lastly, the shape of its bottle is genius, as the bottom of it is wider than the top and makes it more stable. This avoids it from tipping over and creating a huge mess!
That's it in terms of my Inktober supplies for 2018!
I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
-Live classes on Art Fundamentals and Monthly Creative Assignments
+ much more!
*Click below to learn more!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Why, hello there! Thanks so much for visiting my little artistic corner of the Internet today!
Today's post includes a video in which I'll be sharing the sketching time lapses for Inktober prompts 6-11, as well as how I came up with the ideas behind these quick pen and ink illustrations. It's definitely a challenge to come up with a new original idea every-single-day, but I'm still going strong and am hoping to make it through!
I'm also sharing links to the exact sketchbook, drawing pens and ink that I'm using for this year's challenge, so make sure to find those at the end if you're interested in buying some new supplies for yourself.
Check out my previous Inktober-related blog post/video titled: 5 Tips to Make it Through Inktober and How I'm Going About it for specific tips to get the most out of this drawing challenge.
Also, here are a few past blog posts in which I share a ton of helpful info about pen and ink drawing/shading. They will definitely help you step up your game throughout the rest of this challenge!
If you enjoy this video, make sure to subscribe to my YouTube channel. I publish a new one every-single-week sharing art tips, drawing/painting tutorials and encouragement for beginner/intermediate artists.
My Inktober Supplies
Here are the supplies I'm using for all of my Inktober sketches this year. I buy a lot of my art supplies through Amazon myself and, because I really enjoy sketching with pen and ink, I already had them in my arsenal!
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I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
-Live classes on Art Fundamentals and Monthly Creative Assignments
+ much more!
*Click below to learn more!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Are you an artist looking for a foolproof way to improve your drawing/creative skills in a short period of time? Have you always wanted to participate in #Inktober or other daily drawing challenges but find them a bit intimidating? Are you a beginner looking to make drawing and creativity a part of your daily life?
Month-long drawing challenges like Inktober are no joke. Most of us have a lot going on in our lives and committing to producing one drawing a day (and actually sticking with it for the entire month) requires a huge amount of discipline.
Even if one starts with the project excited and has proper fun creating those first few sketches, that initial burst of inspiration is probably going to dwindle at some point mid-way.
And when that happens, it's going to take sheer determination to keep going!
This said, if we are able to stick with it, growth will come inevitably and fast. By the end of the month, our drawing skills will have progressed and our creative abilities will be heightened.
This type of experience is also incredibly valuable as it helps us make way towards finding our artistic style and voice. Committing to any sort of series like this one is a great way of pinpointing our strengths and weaknesses, which is essential.
In this blog post, I'll be sharing my top five tips to ensure that you are progressing your drawing/creative skills as much as possible with this drawing challenge, but also staying sane along the way.
These are all things I'm making sure to do myself throughout this month. I'm also including links to a few very helpful pen and ink drawing blog posts/YouTube videos that will help you step up your inking game.
The video included in this post is a compilation of time lapses for my first five Inktober sketches.
Make sure to follow me on Instagram to stay up-to-date with my progress throughout the month.
I'm sure I'll be missing a few days here and there, but I am planning to make up for them as soon as I'm able to.
Check out these helpful pen and ink sketching blog posts/YouTube videos!
1. Pen & Ink Sketching: 6 Shading Techniques
2. Guide to Shading Techniques: Hatching, Crosshatching, Scribbling and Others
3. Shading Simple Objects Using Hatching, Crosshatching and Other Drawing Pen Techniques
4. Shading a Hand Using Pen and Ink (Complex Subjects)
Inktober Tips
1. Be practical about it
As creatives, we have tons of different ideas popping up in our heads non-stop. This is great, but it can definitely hinder us from moving forward and actually finishing things. Think of an idea that you feel could work and that feels practical in terms of time, and just go for it.
If you look back constantly, there's a huge possibility that you won't finish drawings on time and they're going to start piling up, which can lead to overwhelm.
Remember that this is a marathon and not a sprint. I like keeping this sort of project practical by giving a bit of my energy each day instead of giving it all right at the beginning and burning out fast. I'm not striving for masterpieces, but for growth.
If you look back constantly, there's a huge possibility that you won't finish drawings on time and they're going to start piling up, which can lead to overwhelm.
Remember that this is a marathon and not a sprint. I like keeping this sort of project practical by giving a bit of my energy each day instead of giving it all right at the beginning and burning out fast. I'm not striving for masterpieces, but for growth.
2. Avoid looking at others' work until after you have finished yours
It's important for me to keep my work as original as possible and I hope this is the case for you as well. I'm sure there will be other artists in the world creating work that is similar to mine in some (or many) aspects. But when this happens, I know that it's due to the fact that those other artists and I are somehow influenced by similar things and not because I'm copying their work.
For challenges like this one, I find it super helpful to stay away from social media until after I have finished my work (or at least my initial sketch). This way, I'm not allowing other artists' ideas to infiltrate my mind.
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
-Live classes on Art Fundamentals and Monthly Creative Assignments
+ much more!
*Click below to learn more!
For challenges like this one, I find it super helpful to stay away from social media until after I have finished my work (or at least my initial sketch). This way, I'm not allowing other artists' ideas to infiltrate my mind.
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
-Live classes on Art Fundamentals and Monthly Creative Assignments
+ much more!
*Click below to learn more!
3. Brainstorm ideas and create sketches
Before going to bed, I'm reading the prompt for the following day and allowing myself to start brainstorming. I start sifting through ideas in my head, setting aside those that might not be practical (no matter how amazing they might sound). I don't actually put pencil/pen to paper until the next day.
I recommend creating at least a couple of quick sketches prior to actually starting with your piece. Doing quick thumbnails is an excellent way of arriving at great compositional arrangements.
For several of the drawings above, I was unsure whether I wanted my main subject to be facing forwards or whether I'd be sketching him/her/it in profile or at an angle. It wasn't until I created those sketches and actually saw my ideas come to life that I could make a decision about what would be most appealing.
I recommend creating at least a couple of quick sketches prior to actually starting with your piece. Doing quick thumbnails is an excellent way of arriving at great compositional arrangements.
For several of the drawings above, I was unsure whether I wanted my main subject to be facing forwards or whether I'd be sketching him/her/it in profile or at an angle. It wasn't until I created those sketches and actually saw my ideas come to life that I could make a decision about what would be most appealing.
4. Incorporate some sort of element of coherency (or a theme)
When creating any sort of series like this one, it's useful to think about how you can bring an aspect of consistency to your work. A lot of artists like sticking to a specific theme for Inktober and I think this is very useful, as it limits the broad range of ideas that might lead to indecision and not doing anything at all.
I decided to incorporate coherency in the format/layout of my overall design. However, there are many ways that we can add a sense of consistency to our artwork.
Perhaps you want to make sure to incorporate human figures in all your drawings, stick with a specific color scheme (if you're using color), create some sort of frame around your drawing, integrate handwritten lettering, or think of a specific layout like I did.
I decided to incorporate coherency in the format/layout of my overall design. However, there are many ways that we can add a sense of consistency to our artwork.
Perhaps you want to make sure to incorporate human figures in all your drawings, stick with a specific color scheme (if you're using color), create some sort of frame around your drawing, integrate handwritten lettering, or think of a specific layout like I did.
5. Have fun and don't strive for perfection
Being a perfectionist and expecting too much from yourself with every single thing you do is a surefire way of burning out and not enjoying the creative process. It also keeps you from producing the amount of work you have to create in order to really improve artistically.
Not to mention, this challenge (in my opinion) is a way of improving our personal skills, not about showing off masterpieces and/or comparing them with other peoples'!
Stay in your lane and remember that the purpose of this project is to improve your drawing and creative skills, as well as to make art a daily habit.
Not to mention, this challenge (in my opinion) is a way of improving our personal skills, not about showing off masterpieces and/or comparing them with other peoples'!
Stay in your lane and remember that the purpose of this project is to improve your drawing and creative skills, as well as to make art a daily habit.
My Inktober art supplies
*Click on images to check out the specific supplies I'm using for Inktober that I've bought through www.consumercrafts.com and www.amazon.com:
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I hope you enjoyed this post and learned something new, or got inspired to go and create a sketch for yourself. I wish you tons of progress and enjoyment in your artistic journey! :)
Thanks so much for popping by today!
*This post contains affiliate links. I receive small commissions for purchases made through these links at no extra cost to you.
These commissions help me keep this site up and running, in order for me to keep providing helpful and inspiring art content. :)
Are you impressed by artists who are able to achieve high levels of realism in their work and wish you could also get to that point, someday? Interested in bringing realistic form and three-dimensionality to your drawings so that they can really pop out? Have you gained some confidence creating line sketches, and are ready to start adding realistic light and shading effects?
Even though I consider myself much more of a sketcher and a painter than a realistic drawer per se, I think it's essential to make time for these kinds of studies. I also think that it's important for aspiring artists to devote time to achieving believable drawings/paintings because this is what's going to lead them to develop great observational skills and grasp fundamental art topics such as proportion, value, perspective, form, etc.
In today's blog post, I'll be sharing a video time-lapse of a portrait I drew using regular pencils, as well my top six tips to apply when attempting to create a realistic drawing of any type of subject (whether it be a face, animal, arrangement of objects, etc.).
By understanding and practicing the six key points I'll be sharing below, beginner artists will start making much faster progress and will soon be creating impressive, more professional-looking drawings.
I want to make something clear. To achieve realism, we need references. These references are going to allow us to observe what subjects actually look like in real life. If we don't use references, we are going to be working from what we think subjects look like.
References provide us details and remind us of tiny intricacies that we would have otherwise not thought about. And when attempting to achieve realism, it's ALL about observing the subtleties and being able to recreate them accordingly.
References can take the form of photographs or compositions we have arranged to draw from life (otherwise called working from direct observation).
Drawing from direct observation is essential for artists that have gained a certain level of skill using photographic references, as it provides a more challenging opportunity to further our artistic development.
As I've mentioned in other blog posts and YouTube videos, drawing is the basis for everything else in art. I believe all artists, no matter how skilled they've already become or what particular medium they've chosen to gain mastery in, should continue making time to sharpen their drawing/observational skills throughout their journeys.
Personally, I make sure to schedule in time for it on a weekly basis, even though what I sell are my paintings!
Tips to Improve Your Realistic Drawing
1. Make sure you're using a quality reference
Whether you're using a photograph or drawing from life, it's essential to put in time to search for a great picture or create a great composition.
If you're using a reference photograph, make sure it has a great resolution that is going to allow you to zoom in as needed, and that it shows a great play between lights and shadows. Do not use an overexposed or underexposed photograph as reference, as this will not lead to a good three-dimensional looking piece.
If you're a beginner just starting out, something that is going to be very helpful is opening up your photograph in a photo-editing software like Photoshop or Gimp and turning it into black and white/grayscale. This is going to allow you to pinpoint lights, darks and mid-tones a lot easier.
Being able to discern between different values in your reference is absolutely key to you being able to recreate them. Make to mistake, value is much more important than color when creating realism.
If you're a bit more experienced and are starting to draw from life, check out my blog post titled Why Drawing from Direct Observation is Essential and 10 Tips to Improve. In it, I explain why drawing from life is so important in order to progress our skills even further, and share a few tips to make the process less daunting.
2. Know and prepare your art supplies
When I first started drawing I used regular printing paper, my pencils from school, and had no idea about the different types of erasers that existed. While this is perfectly fine when we're just starting out, and I actually am all for creating art with limited and basic tools, when you're ready to really improve your work, it's essential to invest in actual drawing supplies.
Using tools for the type of artwork you're intending to create is going to ensure that you're not making the process extra-difficult for yourself and you'll be able to progress much faster.
All of the following art supplies are products I myself use and consider to be of excellent quality for the price they're being offered at.
Using tools for the type of artwork you're intending to create is going to ensure that you're not making the process extra-difficult for yourself and you'll be able to progress much faster.
All of the following art supplies are products I myself use and consider to be of excellent quality for the price they're being offered at.
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When I set out to create a drawing that is more on the realistic side, I make sure to have the following supplies on hand:
-A few different pencil grades (2H or H for the initial sketch, a couple of mid-grade a 2B or 4B to start placing values gradually, and one darker grade like an 8B for darkest areas)
-Drawing or sketching paper (smooth paper is going to ensure smooth blending)
-A kneaded eraser or eraser intended for smaller areas
-A regular soft rubber eraser for larger areas
-A blending stump or tortillon to blend smaller areas
-A tissue paper to blend larger areas
-A quality sharpener
-A scrap piece of regular paper or tracing paper to rest my hand on as I'm working
3. Always start with a light initial sketch, focusing on largest shapes first
When we're starting with any kind of drawing, it's absolutely essential to learn to visualize what we're looking at as a combination of simple shapes and to tune out details.
The proportion and location of these different elements in regards to each other has to be spot on, before even thinking about moving on to things like shading and texture.
It's the absolute worst to spend hours developing details and even creating beautiful, smooth shading just to step away from our drawings and realize that the proportions/locations of different elements are off.
Also, whether you're creating your initial sketch by tracing over a photograph or freehand, make sure those initial lines are created lightly so that they can be invisible at the end (we want no visible lines when creating realism).
The proportion and location of these different elements in regards to each other has to be spot on, before even thinking about moving on to things like shading and texture.
It's the absolute worst to spend hours developing details and even creating beautiful, smooth shading just to step away from our drawings and realize that the proportions/locations of different elements are off.
Also, whether you're creating your initial sketch by tracing over a photograph or freehand, make sure those initial lines are created lightly so that they can be invisible at the end (we want no visible lines when creating realism).
4. Keep in mind that in realism, there are no visible lines
In real life, the shapes we see are created by subtle differences in values, which are influenced by light and shadow. These shapes are not outlined as they are in cartoons.
It's essential to stay away from creating any sort of stark-looking lines, whether it's around our different shapes/planes or in an area we're intending to create a smooth gradient in.
This said, we are required to draw lines when we are working on creating some kinds of texture (hair, eyebrows, eyelashes, etc.). However, even in these cases, the "lines" we are leaving behind are not uniform from one edge to the other, but have a variety even within them in terms of thickness or value.
They most likely go from thick to thin or from dark to light, etc., which leads to much less stark looking lines.
It's essential to stay away from creating any sort of stark-looking lines, whether it's around our different shapes/planes or in an area we're intending to create a smooth gradient in.
This said, we are required to draw lines when we are working on creating some kinds of texture (hair, eyebrows, eyelashes, etc.). However, even in these cases, the "lines" we are leaving behind are not uniform from one edge to the other, but have a variety even within them in terms of thickness or value.
They most likely go from thick to thin or from dark to light, etc., which leads to much less stark looking lines.
5. Create gradual, smooth transitions between your different values
Unless you're working with a photograph (or with a real-life composition) that shows very dramatic lighting, transitions between lights and darks must be gradual and smooth.
There should be no stark changes between one to the next and there shouldn't be any visible lines throughout these transitions either.
There should be no stark changes between one to the next and there shouldn't be any visible lines throughout these transitions either.
6. Make sure you are creating a very wide variety of values throughout your drawing
In order for your drawing to really pop out and transmit a sense of realistic three-dimensionality, you have to develop a huge range of values throughout your piece.
There have to be very light areas (which will appear almost white at the end), there have to be very dark areas (which will appear almost black at the end) and there have to be a ton of mid-values in between.
Practice creating a beautiful balance between lights and darks.
A lot of beginners make the mistake of not going dark enough where needed. Don't be afraid to go dark (as long as the values are really there in the reference). This said, make sure you're never pressing down too hard on your paper because this can damage it and cause visible scratches that will not be able to be fixed!
For the most part, I like working my way towards the darks gradually. Also, as you're working, you'll probably find that you're darkening some areas that you were intending to leave light.
This is where small, detailing erasers come in super handy because they allow you to go back in and lighten these areas. They also allow you to pull out highlights wherever needed, which is crucial for realistic looking hair.
There have to be very light areas (which will appear almost white at the end), there have to be very dark areas (which will appear almost black at the end) and there have to be a ton of mid-values in between.
Practice creating a beautiful balance between lights and darks.
A lot of beginners make the mistake of not going dark enough where needed. Don't be afraid to go dark (as long as the values are really there in the reference). This said, make sure you're never pressing down too hard on your paper because this can damage it and cause visible scratches that will not be able to be fixed!
For the most part, I like working my way towards the darks gradually. Also, as you're working, you'll probably find that you're darkening some areas that you were intending to leave light.
This is where small, detailing erasers come in super handy because they allow you to go back in and lighten these areas. They also allow you to pull out highlights wherever needed, which is crucial for realistic looking hair.
*Bonus Tip: Make sure that you're looking at your reference, at least, 50% of the time you spend working!
Become a Patreon community member to get access to:
-Real-time drawing/painting tutorials with full walkthrough commentary
-Downloadable outline drawings, reference pictures and supply lists
-Weekly sketchbook prompts to help you stay consistent and progressing your art skills
-Direct feedback from me
-Instant access to a growing vault of original reference pictures that you can use for your own art
-Special thanks in YouTube videos and opportunities to get your work shared
-Live Q&A sessions
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