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Confused as to what the similarities and differences are between watercolor and gouache? What are the main things to have in mind when combining these two painting mediums in one same piece in order to achieve the best outcome? It's no secret that watercolor and gouache can work amazingly well together. This said, it can be difficult to get the most out of their combination if we're unaware of the differences between them, as well as how we can combine their distinctive characteristics to create balanced pieces that allow both of them to shine simultaneously. Learning tips and tricks from experienced artists can definitely open up our horizons to make our ideas come to life more successfully, and this is why I've asked the amazingly talented Haydn Symons to write a post for us! In today’s blog post, U.K.-based artist Haydn Symons helps us understand the similarities and differences between watercolor and gouache, and why they are so compatible. He'll also be sharing some of his expert tips that will help us successfully integrate both mediums into one great-looking piece. Haydn is a skilled freelance illustrator and designer with a vast experience working with watercolor and gouache. Throughout the years, he has developed a very striking art style and currently works with clients worldwide within the editorial, publishing and advertising spaces. Though watercolor and gouache are his favorite painting mediums, Haydn is a multi-passionate artist that constantly explores different drawing and painting techniques, which is something I really believe in myself. Without any further ado, let’s get into Haydn’s blog post! Make sure to visit his website to check out more of his amazing work and follow him on social media. Links will be provided at the end. 3 Tips to Create Amazing Artwork Combining Watercolor and Gouache
by Haydn Symons
Combining watercolor and gouache can be a hard nut to crack, especially if you’re new to either of these painting mediums or to the world of art. In this post, I'll be sharing the main similarities and differences between them, as well as why they are perfect for each other. I'll also be providing three pro tips to keep in mind when using both of these painting mediums in one same piece. If you want to level up your use of gouache and watercolor, look no further than this blog post!
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How have you tried combining these two painting mediums yourself? Are there any tips you’d like to share?
Haydn and I would love to hear from you in the comments section below.
A huge thanks to Haydn, for being so generous and sharing all of this useful information with us! He’s definitely inspired me to combine these two painting mediums more in my own work!
To find out more about more about Haydn and his work, visit his website/portfolio at www.haydnsymons.com
Also, follow Haydn on social media:
Instagram: https://www.instagram.com/haydnsymons/
Twitter: https://twitter.com/haydnsym
Facebook: https://www.facebook.com/haydnsymonsillustration
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Ever given thought to how you could enhance the way a spectator experiences your artwork, whether it's by simply incorporating a specific type of background music or lighting, or really pushing the envelope by making use of the latest technological advances? As visual artists, in what ways can we appeal to our publics' other senses so that we can get our message across more effectively and even create life-altering experiences?
In today's guest blog post, CODAworx shares a compilation of three groundbreaking contemporary artists that are using the latest technology to create works of art in which the viewer isn't only a spectator, but very much a participant. These artists have succeeded at creating experiences that their public can truly submerge in and take part of, coming out the other end changed.
In past blog posts , I've shared how I believe that the purpose of art is to set forth ideas and awaken people. The artists presented below have proven capable of doing precisely that through the creation of projects that challenge their public in a variety of ways. Through their work, these artists have managed to plant seeds in their spectators' minds and make them think about their world differently.
CODAworx (Collaboration of Design and Art) is a global online community that facilitates the connection between artists and creative companies that make those ideas come to life. They are true advocates for all types of arts and are taking massive action to make the world a better place through them.
Let's get to their article!
3 Artists That Are Embracing The Sensory Perception Of Art
by CODAworx
Sensory perception of art relies on understanding through the body. Rather than simply viewing a piece, we experience it. Artists from a variety of disciplines are using sensory art to force us to perceive it in bold new ways. Below are three such artists whose work envelopes you, rather than being separate from you.
Sensory perception of art relies on understanding through the body. Rather than simply viewing a piece, we experience it. Artists from a variety of disciplines are using sensory art to force us to perceive it in bold new ways. Below are three such artists whose work envelopes you, rather than being separate from you.
Titia Ex
Hailing from Amsterdam, Titia Ex is a multimedia conceptual artist known for her daring light play. Her work explores the relationship between light and place, examining how one manipulates and acts upon the other.
This relationship is exemplified beautifully in her 2008 installation, The Waiting. Ex floated 40 red LED lights in the tranquil waters of the Dutch island of Vlieland. The effect was akin to a the will-o'-the-wisps of European folklore, the lights silently blinking at random on the still pond.
The waters were imbued with the deep red light, the patternless blinks evoking a timelessness, an inability to see a tangible order to the light. As night fell, the lights became suspended in the darkness, not tethered to any place or object. Light and place, once joined, parted ways again.
Ex recently spoke at CODAsummit, an innovative conference exploring the intersection between art, place, and technology. The first annual CODAsummit was held at Santa Fe’s Center for Contemporary Arts by CODAworx, the beating heart of the commissioned art economy.
And while The Waiting helped secure Ex’s place on the bill, it was her 2014 piece, Dolmen Light that really stunned CODAsummit’s attendees. This time taking place in the Hondsrung Tunnel in the Dutch city of Emmen, this urban setting played host to a series of intricate dolmens made out of light.
Dolmen Light by Titia Ex from CODAworx on Vimeo.
Dolmens are megalithic structures laid by the prehistoric predecessors of Emmen’s current residents, forming part of the city’s rich cultural heritage. Ex transformed these megaliths into towering light structures, melding ancient history with utilitarian urban structures to create a literal tunnel of light.
Ex uses light to engage the viewer’s senses, toying with perception through the manipulation of light. It’s daring, striking and, as with all her work, utterly immersive.
Matthew Mohr
Also at CODAsummit this year was Matthew Mohr, an Ohio-based artist and Associate Professor of Design at Columbus College. With a background spanning graphic design, silk screen printing, and even web design, Mohr is renowned for his bold pursuit of beauty through technology.
His thesis project, Spatial Narrative, comprised a series of moveable screens to explore a frozen, intangible moment in time. Viewers were encouraged to reach out and adjust the screens to explore a pre-recorded scene, all the while unable to interact with the subjects.
Spatial Narrative’s success relied on its viewers becoming participants in the piece, physically touching and moving the screens to experience it wholly. Just as our smartphones have become our conduit through which we connect with the world at large, so too did Mohr’s screens become a channel to experience his art.
The project was eventually picked up by Samsung for their flagship store in Manhattan’s Time Warner Building, displaying products and advice to customers. But it was his vast permanent installation As We Are that garnered him the most attention at this year’s CODAsummit.
"As We Are" by Matthew Mohr from CODAworx on Vimeo.
As We Are consists of a 14-foot high human head made 24 layers of intense LED screens. In its powered-down state, it looks more like a golem than a person. But hidden within its depths is a 3D photo booth in which visitors can have their photo taken. The image is then projected onto the head outside, a Moai monolith for the digital age.
With As We Are, traverses the relationship between the self and the representation of self through an immersive sensory experience. As with Spatial Narrative, Mohr forces the viewer to become a participant, engaging with the work to become part of it, ultimately creating a new piece of art in the process.
Nick Ryan
Where Ex and Mohr lend their talents to exploring light and the visual, Nick Ryan turns to the auditory for his art. Buoyed by his fascination with synaesthesia, Ryan creates multisensory work that blends both sound and vision.
A fine example of this is his piece Synaesthesia, commissioned by the musician Imogen Heap. Ryan worked with the London Contemporary Orchestra and the visual artist Davide Quayola to transform imagery into audio that is simultaneously seen and heard.
Synaesthesia is a dramatic crescendo of visual and auditory texture, wholly enveloping the viewer (and listener) in a sensory experience for the eyes and ears. Music is, of course, art, and blending it with dynamic moving visuals makes for an exquisite piece of art that reaches beyond simple passive vision.
The three artists mentioned here all embrace sensory perception in their art. Light, sound, vision, touch — they all intersect in the artists’ works, with breathtaking results.
As a result, their art becomes more than just a passive piece to simply be observed. Each artist’s work immerses the viewer, transforming them from an observer into a participant. It’s bold and innovative and opens up brave new avenues for artists and art lovers alike.
I'd like to send out a huge thanks to CODAworx not only for reaching out and sharing this amazing article with us, but for being true advocates for the arts.
I highly recommend you check out the amazing work they're doing to make the world a more imaginative and inspiring place!
Have you ever stopped yourself from adding color to a drawing because you were afraid of ruining it and/or just couldn't decide which combination to go with? How have famous artists used color to give their work impact and the ability to efficiently transmit a particular mood or emotion to their viewers? Have you ever wondered how colors around you affect you in your day-to-day life?
It's no secret that artists need to have vast knowledge about the different Elements of Art and how to use them in order to create compositions that are both visually pleasing and effective at transmitting ideas or emotions to their public. Color is one of these elements!
When I'm explaining the different Elements of Art (Color, Shape, Line, Texture, etc.), I like segmenting each into its more objective aspects (pertaining to cold technical drawing/painting skills) and its more subjective aspects (relating to how they can affect a viewer's emotions/mood).
For me, a great art piece demonstrates both technical knowledge on part of the artist and is able to transmit a message or feeling. This is why I like to get aspiring artists thinking about both of these aspects simultaneously as their journey progresses.
Today I'll be sharing an amazing Color infographic created, and very kindly shared, by Invaluable! Invaluable.com is a renowned online marketplace that sells fine art, as well as antiques and collectibles (links to their website and social media channels can be found at the end of this post).
Their infographic helps us understand the different emotions that each color can transmit, and shares specific examples of famous paintings that effectively used each.
Let's get into the guest post!
Their infographic helps us understand the different emotions that each color can transmit, and shares specific examples of famous paintings that effectively used each.
Let's get into the guest post!
Color Psychology and It's Use in Art
by Invaluable
You may not realize it, but colors have a large impact on your emotions and actions. Color psychology is the study of how different pigments can cause different behaviors. Dating back to the 15th century, color theory is still implemented in a variety of ways.
Individuals, institutions, and businesses carefully pick which colors to incorporate into their brand. Because colors symbolize different feelings, you may be able to understand a lot about a brand simply from analyzing its hues.
Marketers also take advantage of human reactions to color by packaging products to draw attention and even evoke emotion.
If you’re interested in the psychological science behind color, Invaluable put together the infographic below using art to explain it.
You may not realize it, but colors have a large impact on your emotions and actions. Color psychology is the study of how different pigments can cause different behaviors. Dating back to the 15th century, color theory is still implemented in a variety of ways.
Individuals, institutions, and businesses carefully pick which colors to incorporate into their brand. Because colors symbolize different feelings, you may be able to understand a lot about a brand simply from analyzing its hues.
Marketers also take advantage of human reactions to color by packaging products to draw attention and even evoke emotion.
If you’re interested in the psychological science behind color, Invaluable put together the infographic below using art to explain it.
Visit the blog section Invaluable's website for more great art-related posts!
Follow them on social media at:
facebook.com/InvaluableOfficial
twitter.com/invaluablelive
instagram.com/invaluableofficial
pinterest.com.mx/invaluable
Sending out a huge thanks to Invaluable for sharing this great infographic with us and thank you for reading!
I hope you found this blog post inspiring and helpful.
Sending out a huge thanks to Invaluable for sharing this great infographic with us and thank you for reading!
I hope you found this blog post inspiring and helpful.
Welcome back fellow artists and art lovers!
I’m unbelievably excited to be sharing the first segment of my Artists from Around the World interview series with you today!
This is one of the many exciting projects I’ve been working on behind the curtain and I hope these interviews inspire aspiring artists out there to keep making time for their passions, as well as help get amazing new artwork in front of people looking to bring unique, handcrafted goods into their lives.
For me, one of the most amazing things about putting myself out here in the online world, is that I get to connect with others around the world with whom I share similar passions and interests. In the short amount time I’ve been working on this site, my YouTube channel, and sharing my work on social media, I’ve been able to get to know amazingly talented artists and creatives that I would have otherwise never met.
Chrissie Murphy is one of them. She's an Australian-based artist, calligrapher and blogger who’s artistic journey began after having taken up repetitive drawing therapy as a means to recover from Post Traumatic Stress Disorder. Her beautiful and unique artwork is full of personality and brings light through bold pattern, color and highly detailed line work. I absolutely love that she uses lots of different mediums to create her art!
Through her blog, Chrissie shares uplifting articles for other artists, resources and practical tips to help get your creativity in motion. Her spirituality, originality and the love she brings to everything she does, can be felt through her online presence.
Grab a cup of coffee, tea or your beverage of choice, and join me for this interview! :)
Interview with Artist, Blogger and Calligrapher Chrissie Murphy
1. You have a very appealing and unique art style! Can you share a bit about your influences and how you arrived at it?
What a great question! I stumbled into the art world by accident, really. I had been seeing a counsellor for treatment of symptoms associated with Post Traumatic Stress Disorder and she suggested I look into being more “mindful”. I did some google searching and stumbled upon “zentangling”, also known as Repetitive Pattern Art, as a mindful relaxation technique.
The act of creating the same movements with a pen, over and over and over, is very calming. It’s also a great way to be present as the strokes require your undivided attention.
Needless to say, I was hooked. Repetitive Pattern Art turned on something inside me and from that day onwards (30 April 2013), I have been drawing.
Now that I’ve been drawing for a while, I have been influenced by many things. My greatest influence is the Creator Himself because His work is the best there is. I’m inspired so much by being in creation, out there amongst nature, and I’m fascinated at the patterns He uses, the shapes, varieties and colours perceived in nature.
I’m also a big lover of ornamental design (particularly the Baroque period), the work of the scribes and illuminators from the 14th to 17th centuries, botanical art from the late 1800’s to 1920’s, as well as commercial product packaging from that same time period. I have a love for all things old and detailed, and I adore the work of the penman of yesteryear.
What a great question! I stumbled into the art world by accident, really. I had been seeing a counsellor for treatment of symptoms associated with Post Traumatic Stress Disorder and she suggested I look into being more “mindful”. I did some google searching and stumbled upon “zentangling”, also known as Repetitive Pattern Art, as a mindful relaxation technique.
The act of creating the same movements with a pen, over and over and over, is very calming. It’s also a great way to be present as the strokes require your undivided attention.
Needless to say, I was hooked. Repetitive Pattern Art turned on something inside me and from that day onwards (30 April 2013), I have been drawing.
Now that I’ve been drawing for a while, I have been influenced by many things. My greatest influence is the Creator Himself because His work is the best there is. I’m inspired so much by being in creation, out there amongst nature, and I’m fascinated at the patterns He uses, the shapes, varieties and colours perceived in nature.
I’m also a big lover of ornamental design (particularly the Baroque period), the work of the scribes and illuminators from the 14th to 17th centuries, botanical art from the late 1800’s to 1920’s, as well as commercial product packaging from that same time period. I have a love for all things old and detailed, and I adore the work of the penman of yesteryear.
2. Can you tell us about when that moment was in your life, when you came to the conclusion that art was your passion?
Yes, I think it was about a year after I got into it. It was then that I truly realized that art was here to stay and it was all I wanted to do. I would be using every spare moment to create, and when I wasn’t, I was looking at other work or watching videos/tutorials on how to improve.
It became all consuming for a while, and although it doesn’t consume me like it once did, I think that initial hunger has served me well. It was quite intense at the beginning, but after time it has settled into something that just “is”. Art IS part of me, it’s a major part of who I am.
3. When did you first start selling your work and what would you say has been the most challenging aspect when it comes to selling?
I’m going to be really honest here and say that I started selling my work too early. Looking back on things, if I could do things over, I would have held off selling for so much longer. My early work is really terrible and it’s not something that should have been in the marketplace.... period!
If you’re someone who’s trying to establish a serious online art business, selling mediocre art does not help your cause. I can see that now, but back then, I couldn’t! I actually thought the work was ok.
Now though, I can see my work is at a much higher standard, and I rely on the feedback of other artists to back up this belief. Remember.... I thought my old work was ok back in the day, so I try to honestly survey my work.
An honest survey includes getting feedback from other artists I value, and good artistic friends will tell you when your work stinks! The other aspect that I believe is important when selling art, is that’s it’s instantly recognizable as yours.
These two things (work of a high standard, and instant recognizable art) are the things I believe you should have under your belt if you’re going to sell art online.
Having said that, I still believe the most challenging aspect when it comes to selling art, is what to charge for your work. Just try and do a google search on this and the advice out there is mind-blowing. There just isn’t a clear answer and in the long run it comes back to you the artist to make the decision.
I don’t have any real advice on how to navigate this area as I find it to be complicated. There doesn’t seem to be a one solution fits all scenario, which is what I’d really love to discover.
4. I love how you incorporate the spiritual/mental/positivity aspects in your blog posts! Would you say developing these aspects is just as important for artists as developing cold artistic skills?
Oh yes!!! Most definitely. I believe knowing these things helps you truly understand who you are as an artist. We are made in the image of the Creator, therefore we are creator’s as well.
Understanding these things (which can be a bit deep at times), helps you tap into your very core as a creative.
Art is an expression of what’s within us, and if you want to be good at what you create, you need to really KNOW yourself. You need to know all your good bits, all the bad bits, all the quirky bits and all the bits that are just downright weird.
You need to know how you’re put together, how you’re wired, because when you do, it will ooze out of you as you create.
5. Why do you think art is important in today's world?
At the moment, I believe the world is starving for beauty, only many of us don’t realize this. Buildings are a really good example of this principle. In any city, there are old heritage listed buildings, ones that were constructed at the turn of the century like Court Houses, Post Offices, Banks or Churches.
These old buildings have ornamental design features like columns, acanthus leaf carvings and scrollwork. Polished wood is prominent, so are high ceilings and architraves, polished brass and there may even be wrought iron gates or heavy wooden carved doors. I think you can imagine the sorts of buildings I’m referring to.
Contrast this to the most recent government building constructed in your town. Construction in recent years has focused on energy efficiency, sustainable building products and overall construction costs. Although we’ve done a great job at delivering high outcomes in these areas, it’s come at a price - The loss of visual beauty.
Buildings are just one example, but I could rattle off a dozen more. Product packaging, print media, handwriting for example, all these things that have changed over the years. They have become more economical or mass produced and in doing so, a lot of visual beauty has been lost. And I think the world is grieving this, they are starving for real beauty.
In today’s world, art is more important than ever before, because it can play a vital role in closing the gap that mass production and cost cutting opened. We have a world starving for beauty. As artists in today’s society, we have been given a unique opportunity to feed the world some of the beauty it’s been desperately craving.
6. Do you have any exciting new projects coming up or special ideas you want to make happen in the near future?
Next month I kick off on one of my most favorite times of the year – Inktober. I’ve participated in Inktober for 5 years now and I’m as keen as for Inktober 2018. If you’re not aware of what Inktober is, it’s where you create something with ink every day, for the entire month of October, and you post your work online using the hashtag #Inktober.
I will be closing the blog for the month of October to ensure I have plenty of time for drawing each day, and I will also be sharing my work to my social media accounts daily. Inktober is intense, but so worth it. At the moment, it’s where my focus is as I begin preparations.
7. If you could share just one piece of advice to aspiring artists who want to make a living from their creative talents, what would you tell them?
Take your time and don’t rush things. Spend some time really getting to know yourself as an artist and when you do, make sure you put yourself out there. I’m not talking about your art here, but you! I mean you in a selfie or a head shot, a portrait – an image of you.
When you show your work online, don’t forget to show yourself as well. More than anything people want to connect with you, to feel like they can relate to you, and they can only do this if they can put a face to you. So don’t be shy friend, get out there and smile. And you know what? When you do, the world will smile with you.
8. Lastly, could you share with us where we can find more of your work online?
I’m online just about everywhere!
My website:
www.chrissiemurphydesigns.com
My Etsy Shop:
www.etsy.com.au/ChrissieMurphyArt
On Instagram:
www.instagram.com/chrissiemurphydesigns
On Facebook:
www.facebook.com/chrissiemurphydesigns
On Pinterest:
www.pinterest.com/chrissiemurphydesigns
I also tweet and tumble, just search for Chrissie Murphy Designs and you’ll find me.
Thanks so much Chrissie, for answering my questions and everything you do!
I'm looking forward to seeing all the amazing artwork I'm sure you'll be putting out there for us and to connecting with you in the future!
There are a couple of things Chrissie mentioned throughout the interview that I feel are incredibly important for aspiring artists to understand, which I would like to go over.
Firstly, Chrissie indicates how important it is to be open to receiving feedback from other artists so that we can use it to improve our work. She mentioned how listening to other knowledgable creatives around her was fundamental in her artistic development, as this allowed her to improve her skills significantly and be able to offer quality artwork for her audience/customers.
We can all really learn from Chrissie's ability to remain open and not take things personally!
As I mentioned in my blog post titled Why Criticism is an Essential Part of an Artist’s Life and How to Handle Criticism Like a Pro, it’s absolutely essential to understand that receiving both positive and negative feedback is going to be a recurrent element in an artist’s life, no matter how talented you are or how long you've been in the field.
If we want to become respectable artists and arrive at a point at which we're actually making a livable income from our skills, we have to not only get used to taking criticism, but learn to use people's feedback (whether positive or negative) as fuel to keep going and not as a reason to stop us from pursuing our passions.
It's also essential to know when we're receiving feedback that could actually be beneficial for us and when it's not. *Hint: Listen to people who know about art and know what they're talking about.
One other huge thing Chrissie mentioned is the importance of introspection and getting to know oneself as an artist so that we can truly be able to share ourselves and the ideas we feel strongly about through our work.
Isn't that what art is supposed to be all about, anyway? It's okay to be inspired by other artists, but it's also incredibly important to make sure that we are putting our own personal message and style out into the world.
I talk about this in my blog post titled 5 Fatal Habits and Practical Advice, which I highly recommend you check out! In it, I talk about how it's just as essential to work on ourselves mentally as it is to work on developing our cold artistic skills in order to become successful as artists.
I’m a huge believer in making time for introspection and acknowledging both our strengths and our weaknesses. This will not only enable us to work on becoming better versions of ourselves, but also to become better artists.
Have you ever traveled to a new place and wished you had a few solid recommendations of inspiring places to visit from actual locals who know about art? Planning a trip to Ireland and wish to make the most of it so you can return to your studio inspired and full of new ideas?
Traveling can be such an amazing source of inspiration for artists and art-appreciators! When I have the opportunity to visit a new city/country, I strive to make the most of it both in terms of enjoyment/relaxation, as well as taking in inspiration that I will later be using for work.
As I mentioned in my blog post 3 Proven Hacks to Progress Artistically While Traveling, I love reaching out to actual locals who share my interests and get suggestions from them about places I should visit.
Today's post was written by Neville from www.irelandart.com and he's sharing a list of recommended galleries/museums we simply must spend time in when visiting Ireland. There are few things as inspiring than spending time surrounded by all kinds of amazing artwork!
Enjoy!
A Guide to Ireland for Art-Lovers: 10 Places You Must Visit
by IrelandArt
Whether it's their Guinness, food, music or rugby, the people of Ireland seem to turn everything into art. For artists, art lovers and novices in need of inspiration, Ireland should be at the top of your bucket list as whatever your art fancy may be; you will find it in abundance in the Emerald Isle.
Let’s look at some of the most popular art venues the country has to offer.
Whether it's their Guinness, food, music or rugby, the people of Ireland seem to turn everything into art. For artists, art lovers and novices in need of inspiration, Ireland should be at the top of your bucket list as whatever your art fancy may be; you will find it in abundance in the Emerald Isle.
Let’s look at some of the most popular art venues the country has to offer.
1. Irish Museum of Modern Art
Located in the centre of Dublin, the building in itself is an architectural piece of art that takes your breath away before you even enter it. Dating back to 1684, it has been restored and revamped and now has huge viewing spaces.
There is an artist-in-residence studio that is extremely popular with local artists and tourists alike.
The permanent collection includes artists like Chuck Close, Ed Ruscha, and Louise Bourgeois, to name a few and of course Irish Artists also feature prominently in their collections.
2. Dublin City Gallery, The Hugh Lane
This gallery was literally moved from London to Dublin; the walls, floors, ceiling and the rest of the building where transported across the Irish Sea. Today the gallery is the permanent studio of Francis Bacon, as well as an active charity which hosts open nights and events.
Here you will find international modern and contemporary art. The collection includes works by Joseph Beuys, Berthe Morisot, and Agnes Martin.
3. The MAC
It’s not only the Republic of Ireland that has a nice art history and thriving modern scene, Belfast also hosts some of the finest art galleries in the UK. The MAC is one such gallery which features works from famed local artists such as Nicholas Keogh and Maria McKinney.
This six story building is an impressive architectural structure housing no less than three very different galleries. The good news is it’s free to the public and open seven days a week.
4. Kerlin Gallery
This gallery is located in the heart of Dublin and is known for its impressive collection of contemporary works and well-known artists.
One of these famous artists is Dorothy Cross. Her sculptures and photos investigate the connection between humans and the natural world.
5. Gallery of Photography, Ireland
Located in Dublin City’s Meeting House Square, the collection of global and Irish works will have photographers beaming. Their photography workshops and courses will be valuable to anyone interested in the art of photography as it is concerned.
6. Eakin Gallery
This small family run gallery in Belfast’s bustling Lisburn Road was established in 1979 and since then has become synonymous with the local art scene in Northern Ireland. They showcase some of Northern Ireland’s leading artists such as Terry Bradley, William Conor and Frank McKelvey.
If you're looking to take a painting home with you, they do sell some of their collections as well.
7. RUA RED
This art centre is in the cultural quarter of Tallaght, is just outside Dublin city centre. Aimed at the local community, RUA RED works side-by-side with festivals and is involved in various events and programmes, like visual art exhibitions, theatrical productions, writing workshops, dancing classes and film screenings.
Visit them for lively, local entertainment.
8. Trinity College Library
A visit to the library at the Trinity College is one of those things that you just have to do. This venue is famous for having an illuminated manuscript that contains the Four Gospels of the Bible, known as The Book of Kells.
It is kept in a dark room. According to that in-the-know, the craftsmanship of this book is simply outstanding, especially the word Christ’ that is written in garnet, gold and umber colors.
Check out my FREE Patreon-exclusive tutorial and class samples here.
9. SO Fine Art Edition
Nestled in the heart of Dublin’s city centre, SO Fine Art Editions is known as one of the best of Ireland’s contemporary art galleries. Their extensive collection includes sculptures, prints, photography and works in glass and ceramics.
10. Red Barn Gallery
If you are looking for a photographic art gallery with a difference then the Red Barn Gallery in Belfast is the place for you. It’s a non-profit organization which is dedicated to the provision and advancement of the photographic arts for the public.
It’s a relatively young studio having just opened in 2008 but in that time it has become a must see for art lovers in Belfast.
Neville is the owner of Irelandart.com an online gallery based in Northern Ireland
that is dedicated to the promotion and celebration of Irish art and artists.
Follow him on social media:
https://www.facebook.com/irelandartonline/
https://twitter.com/fineirishart
Sending out a huge thanks to Neville for sharing all of these amazingly inspiring places to visit during our stay in Ireland.
I certainly look forward to visiting and taking in all the amazing art it has to offer!
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