Hey you all! I hope that you are having a wonderful and restful weekend!
As I do every Sunday, here are a few studies and pieces I was able to complete this week. This week I worked primarily with watercolors and oils. You may have already seen some of these, as I created them specially for my Day of the Dead blog post I published this past Thursday. Read that blog post here to learn more about this wonderful Mexican celebration and how to draw a human skull (for beginners)! I included a free step-by-step .pdf at the end for you!
Next week, I am continuing with the plant/flower studies I promised myself I would work on. I really need to improve in this area! In next Thursday's blog post I will be sharing with you how I am brainstorming and planning for the seasonal/Christmas paintings, cards and tags I will be selling both personally and through my online shops. Just in case you aren't aware, my Redbubble and Society6 stores are now open! I am making it a priority to keep uploading awesome products with my work to sell there, if you are interested!
Thank you for visiting and I hope to see you around soon!
Hello! This week I experimented with watercolor faces quite a bit. I found it very fun, which was surprising because a year ago I had a super hard time painting faces with this type of paint. I also finished up the still life oil painting I started last week and a watercolor painting of exercise equipment/accessories.
I am excited for next week's helpful blog post! I will be writing about three of my favorite artists and how to get inspired by others effectively, in order to produce your own original artwork, and slowly (but surely) arrive at your own style! Stay tuned for that! :)
Hello art friends!
Here is my mini-collection of drawings and paintings I was able to create this week. This is my third week doing face studies! As you will see, I started using a drawing pen for some of these, which was super fun. I think next week's sketches will be created using ink as well. I was also able to finish up a watercolor painting and started a new oil painting! I will probably finish the oil painting at some point next week and will re-post the finished piece in my next weekly collection post.
Make sure to check out next week's helpful blog post, in which I will be sharing my thoughts about how to stay confident as an artist and sharing your creative work.
Hey there! This weekly collection includes the five pencil face studies I did this week. This was my second week practicing faces in different angles, which means I have another two to go, at least. I was also able to finish two oil paintings this week and a fun watercolor painting of a little red-eyed frog.
This week was exciting for me because I finally opened my first online shop on Redbubble. Click here to check out the cool stuff that I have created with my artwork and make sure to visit it later because I am still working on scanning more artwork to place on products. Next week I will also be opening a Society6 store and within the next few months, I'm starting on Etsy!
Hope you enjoy and come back soon!
"You want to make an omelette? You've gotta break some eggs."
-Tyler Durden (Fight Club)
In today's post, I will be taking you through the process of preparing an old canvas painting in order to reuse it to make a new artwork! I am a firm believer in using what we have and in being as resourceful as possible in our explorations. Because, as most of you already know, us artists explore a WHOLE darn lot and we have to be smart about how we spend our money.
First and foremost, a bit about the original painting. This canvas was a part of an artwork composed of three separate panels (three long rectangles meant to be hung vertically side by side). The paintings around 35 years old. Probably more. Another important note is that these artworks seem to have been created using very thin applications of acrylic paint. It is definitely not oil. And they don’t have much texture to them at all. I took all of these points into consideration when I decided to use them in my explorations. I knew resurfacing them was going to be easy and that they presented good opportunities for me to work on a size and format I had never worked on before. My main point is, canvases with thickly applied paint or a lot of texture on them will probably require more work because more sanding will be required.
Secondly, I used regular Gesso I had at hand in order to resurface my canvas. There is a lot of debate whether or not it is ¨safe¨ to use oil paint on a canvas prepped with gesso. A lot of folks believe that it should not be done because it is just a recipe for cracking, peeling and an overall less durable painting. Other artists believe that a good quality Gesso can serve as base for practically any type of paint or medium. I think it is up to you to figure out if this will work for your specific type of artwork or not, and the only way of finding this out is through first-hand experimentation. Perhaps your just experimenting and learning like me, and aren't really looking to create a masterpiece that will be passed on from generation to generation. In this case, it doesn't really matter. Something you DO have to keep in mind is that if your goal is to resurface an old oil painting, a whole new set of rules apply. Regular Gesso cannot be used for this purpose. You would need an oil-specific ground and/or primer (I will not go into this process today because it is not something I have personally tried). So, once again, you CAN create an oil painting over traditional Gesso, but you CANNOT apply gesso over an oil painting. Are you with me?
I personally didn't worry much about creating an impeccable surface for this project because, as previously stated, I knew since the beginning that this was mostly an exploration for me. However, if it worries you, a solution is to apply Lindseed Oil prior to starting the painting process. Simply brush this all over the previously dried gesso and allow it to soak for about 24 hours. Afterwards, wipe off the canvas with a dry cloth and let the games begin! The idea is that the gesso will absorb some of this oil and it is less likely to make the painting crack later.
How to Reuse an Old Canvas Using Gesso:
You will need:
-Old canvas painting/print/pretty much whatever as long as it's not an oil painting
-Thick used up/cheap brush
-Glass containers for water
-Linseed oil (*Optional)
1. Wipe clean the old artwork. Make sure it is clear of dust and other particles.
2. Sandpaper the surface using light pressure and focusing on highly textured areas. Don’t fret so much about getting the surface super even if the painting has a lot of texture to it. Wipe surface using a cloth.
3. Apply first layer of Gesso as evenly as possible and allow to dry for a couple of hours. If your Gesso is too thick and this bothers you, you can add a bit of water to it. Make sure that first layer completely dries before continuing with the next step. If it feels damp to the touch, this means you should wait longer.
3. If you want to start off with a textured surface, simply apply a second layer of Gesso. If you don't want so much texture, sand your surface gently once more, wipe to remove particles, and apply second layer of Gesso (you can sand it once more after it dries).
At this point it should be ready to be painted on! But if you are still a bit nervous about not having a quality surface to work on, use the Linseed Oil suggestion I mentioned before. I will be trying this out on the next one!
To end this post, I would like to encourage you to always keep learning and not be afraid of devoting time to a process that might not produce the most amazing of artworks. Keep experimenting and be proud of yourself for simply going through a learning process. I firmly believe that the process matters more than the final outcome in both life AND our artistic journeys.
After I have devoted a solid amount of time into any artwork, I like to analyze it and make notes about what I learned throughout the process. In this case, here is what I wrote:
I am enjoying this time of experimentation with different supplies very VERY much. I had the opportunity this week to play around with oil paint, which I am totally a beginner at. I have not finished the large canvas landscape painting that I am working on, mostly because I am making sure to allow each layer to dry completely before applying the next. I will share that as soon as I am done. Today, what I will be sharing is this grayscale oil paint portrait which I finished last night. It is the first portrait I have ever painted in oils.
Here are three suggestions for those beginners out there looking to start painting portraits. Most of these can apply for gouache or acrylics as well.
1. Always use a good reference photo and take a few minutes to really observe it. Try to find one that has a good image resolution and interesting lighting. Even if your goal is not to create a painting or a drawing that looks like a specific person, it is always going to be helpful to have an image to look at throughout the process. This will help you establish realistic values and proportions.
2. It is ESSENTIAL for you to have a good amount of practice drawing realistic faces before attempting to paint a portrait. The only reason why I did a semi-decent job in my first portrait oil painting is because I have studied facial proportions for years and have a relatively good amount of practice drawing them. Only through time spent observing and practicing will one start developing an eye for what looks good and what is off. I once read that, since we humans look at faces probably more than anything else on a daily basis, anyone would be able to tell if something is slightly off with a portrait when they see it, even if they can't exactly pinpoint what it is. You NEED an effective sketch to start a painting off with. Or be such a pro that you have realistic proportions/angles engrained in your head so well that you can go in with your paintbrush right away. I wish to get to this point someday!
3. Once you feel ready to try your luck at your first portrait painting, do it in grayscale. This takes away the need to create realistic skin tones if you are not yet at this point. It is better to take the learning process step-by-step! Keep in mind that, aside from facial proportions, the other important element behind creating realistic art is the effective use of color values. I recommend focusing on setting up a palette with a variety of gray values, from lightest or darkest, and then making sure to place the different tonal values in appropriate places. I used odorless mineral spirits and Gamsol to thin out my paints and do blending. I really recommend this grayscale exercise. Once you succeed at this, go ahead and go for the color!
I am going to travel to the U.S. to pick up a few Amazon art supply orders very soon. I've ordered a set of gouache paints which I am super excited to experiment with!
Have a wonderful weekend and I hope to see you around soon! :)
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